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Thanks for the memories!

Such a frustrating disappointment

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

I frequently visit the IMDb pages of movies I like. I've noticed that Pusher 3 normally oscillates between a 6,6 and 6,9 user rating (very rarely goes over 7). I personally gave it a 10.I have derived a conclusion. There is a wide gap between people who like this movie (in my opinion the best of the trilogy) and people who hate it.And I understand that the love-hate dichotomy can be explained by a simple fact: this movie is too violent. Picture two Yugoslav gangsters in the back of a restaurant, tying a rival to a chair and beginning the questioning with a plastic bag at hand. Then picture the same Yugoslavs (actually a Croat and a Montenegrin) at midnight in a dark basement looking where to plug an electric saw... This is not the typical popcorn movie of a Sunday afternoon.This is how I explain the relatively low rating: there are some who are rating this very high (8,9,10) while some others have left the theatre with an unsavoury taste and are voting accordingly.I liked Pusher 3 because of what the director recreated on the screen. The entire movie is dark in tone. After seeing Milo and his accomplice methodically dispose of two bodies, I felt like I needed to go outside and feel the fresh air, or listen to the current of a flowing river carrying crystalline water, the shades and aroma of green pines in the background.Pusher 3 is a depiction of hell on earth. The underground hell in flames where torture is inflicted by demons doesn't exist: hell is the back of a restaurant, hell is (maybe) the guy who sits next to you in a AA meeting.The movie left me with a bitter taste -and not just because of the violence. Like someone else has commented on this board, there are many unresolved issues (like the warning of the Police to Milo in case Kong of Copenhaguen went missing, or the reaction of Luan upon noticing that his associate Rexho is missing).Paradoxically I think that a proportion of the viewers are still sympathetic to Milo (despite killing at least three persons in the movie and committing a number of other crimes). His defendants will argue that he was under a lot of pressure: from Luan, from Rexho, from her own daughter... The same defendants might go as far as saying that he protected a Polish girl who had been abducted and brought clandestinely into Denmark.On the other hand the prosecutors will cite Milo's continued abuse of drugs, despite his commitments to end it and his visits to AA (or NA). Every time Milo takes drugs there is a before and an after eventually turning into his own Jekyll and Mr. Hyde. To the prosecutors, Milo is a ruthless monster, despite his caring for his daughter and his best intentions to please her.The one thing on which defendants and prosecutors may agree is that Milo is at a crossroads. His influence is waning and his Serbian gang is coming into direct collision with newcomers from also the Balkans (Albanians) and from the Maghreb. His own daughter wants a piece of his turf (if not all of it).

i actually went through the registration process on here solely to come on and defend against some of the attacks i saw of this film. i watched all three parts, and personally i felt this installment was a perfect and fitting end to the three. whether or not it portrays the drug underworld of that particular region to the tee is really not that important. it is a very human portrayal of a man who others likely see as inhuman, and without talking about the plot at all (don't want to do a whole spoiler thing)is a film that possesses a quiet, dark, and stark beauty. i have no possible clue how someone could like the other two and not the third, but as someone who watched them all, if you've seen the others, i would strongly recommend you watch this one as well. it is both haunting and strangely heartening, and you won't be disappointed.

perhaps not, yes without doubt Milo character went undeveloped so one whole a better alternative from the beginning release this story for that in a TV-show followup-development. Still think pusher 3 shows very dramatically a criminal culture aspect of the deep fears running thru Milo's head. mixture of feelings about this last of (3)triology,crappy script;low tempo no surprising movie tricky moments.Guess it better could fit more into a TV-drama release instead of a fully blown movie. anyway, 9 stars for Milo. Im not in favor of trying to make a comparison to the films before, all of them have their type of message, and thats what i intend to look for.

It must be hell being Milo. This film starts off as one of those "everything-goes-wrong"- movies that were so in vogue in the mid-nineties – although the focus here is not some spectacular heist but a routine heroin deal, all in a day's work for aging mid-level Serb gangster Milo. In a way, the plot (not the film) starts out resembling that part in Goodfellas, where Ray Liotta has to keep his mind on a lot of different things at the same time and ends up being busted. Milo also has a lot of things to mind – the heroin shipment from Holland, the preparations for his daughter's twenty-fifth birthday, keeping his NA appointments and actually staying off blow and tar for his daughter's sake as he's promised himself. The fact that he has to cook the whole birthday dinner for a party of 50 himself, and that his daughter is a full- blown Serbian bitch, surely doesn't help matters much. Then there are some unforeseen complications which I will not discuss, but that seem to be evidence that the gods or somebody must be against poor Milo. Where most of the problems facing Pusher II:s anti-hero Tönnie seems to stem from his own weakness (and thus are perfectly believable), the combination of shortcomings that Milo faces seems a bit more far- fetched. But anyway, that doesn't make this film less worth viewing. Just like the two other parts of the trilogy, it's a dark, depressing story full of characters and surroundings that seem perfectly real in every sense. The Scandinavian criminal underworld, with its Serbs, Albanians, Arabs and natives. Copenhagen is in many ways the heaviest of the capitals of Scandinavia, and has been rife with organized and not-so-organized crime since well back in the seventies.One thing has to be said about the main character, Milo. The way he's portrayed in this film, I found myself having to remind myself of the Milo of the first Pusher film, the smiling gang boss having his henchman torturing small-time dealer Franke with electric wires. Whatever happens to Milo in this film, he's deserved it. Just keep that in mind.