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Absolutely the worst movie.

The film makes a home in your brain and the only cure is to see it again.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

A clunky actioner with a handful of cool moments.

Copyright 20 April 1962 by Filmways/Kimco/Embassy Pictures. Released through Metro-Goldwyn-Mayer. New York opening at both the Victoria and Guild: 21 June 1962. U.K. release: July 1962. 115 minutes. SYNOPSIS: Four men rent a New York apartment for a sociology student who is writing a thesis on the American male.COMMENT: It's rather nice to be able to fully agree with all one's colleagues for once. In fact we had the grand idea of writing a joint review, but our editors, alas, could not see the light. This coy, non-sex "comedy" sinks almost irretrievably into the quicksands of thanks-but-no-thanks, thanks to the miscasting of glum, non- personable, far-too-old James Garner as chief "boy". Oscar Homolka is also a dead loss (although it's not his fault, it's his lousy lines), but Tony Randall makes a game attempt to rescue the movie by over-acting with style. He even manages to bring off a mildly amusing running gag. Indeed, except for Garner, and Homolka all the players strive their utmost to lighten the ship from the dead weight of a witless, clumsy script. Even normally lackluster Howard Duff contributes to the entertainment and there nice guest appearances by Jim Backus and William Bendix. Anne Jeffreys from "Zombies in Broadway" still looks great, while Patti Page zings out the title tune with all the elan of a Doris Day. Although forced to make a late entrance, Miss Novak looks absolutely delicious. Slinking around in a variety of becoming costumes, she even manages to partly offset Michael Gordon's sluggish, slow-paced, elephantine, non-inventive direction. Mr. Gordon's ability to handle CinemaScope is zilch. All he can up with are TV-style close-ups – and mostly single close-ups of dreary Garner at that!

Directed by Michael Gordon, with a story by Arne Sultan and Marvin Worth, an adaptation by Marion Hargrove and a screenplay by Ira Wallach, this 1960's style romantic comedy is lightweight fun. It stars James Garner, Tony Randall, Howard Duff, and Howard Morris as four New York businessmen, and co-commuters from Greenwich, who pitch in to rent an inexpensive bachelor pad for their first and future liaisons and end up getting a high class apartment complete with a beautiful blonde, played by Kim Novak; she's a sociology graduate working on her doctorate thesis "the adolescent sexual fantasies of the adult urban male". Garner's character is divorced and lives with his mother (Jessie Royce Landis)Every Thursday night, bachelor Fred Williams (Gardner) spends his evening after work with three fellow commuters from Connecticut: advertising executive George Drayton (Randall), investment specialist Doug Jackson (Duff), and accountant Howard McIllenny (Morris). Each of these others have wives, the latter two also have children. None of them gets any respect at home: Fred's mother Ethel (Landis), with whom he lives, pesters him about marrying again; George's wife Marge (Janet Blair) can complete his sentences without listening to what he's saying; Doug's wife Toni (Anne Jeffreys) is the perfect housewife who's raising perfect children and is always concerned with keeping up appearances, so she won't let him fix things around the house on weekends; and Howard's wife Joanne (Patti Page) feeds their three growing boys like "kings" while she forces her husband to diet with her. The men have grown bored of bowling and other activities such that they've been hanging out at Slattery's (William Bendix) bar on Thursdays instead. One night Fred's boss (Larry Keating) enters to pick up a redhead he's going to take back to his in-town apartment. This gets the bridge playing commuters to talking about setting up just such an arrangement for themselves.Naturally, Fred is elected to find the ideal place for these planned affairs. Not really wanting to be party to such an arrangement, Fred takes his boss's advice to "shop" for a place way out of their $200/month price range in order to tell his friends that he'd tried, but he couldn't find a place. Unfortunately, Fred visits a pricey apartment that the manager (Jim Backus) hasn't been able to get rid of, because a famous model (?) had committed suicide (or been murdered) in it. Backus is funny as he tries to convince Garner's character to "take my (apartment), please". He calls George to tell him the "good" news and instructs him to tell the others to meet him there after work. George says that the next thing they'll need Fred to do is to arrange for a 25 year old blonde to "outfit" it. Fred refuses saying that advertising is George's business and if he can't figure out how himself, perhaps he should put an ad in the paper. Fred starts drinking while waiting for his friends to arrive; they're late because George didn't believe that Fred could have found the perfect apartment for only $200. Meanwhile, the doorbell rings and when Fred answers it, he's greeted by Cathy (Novak). The film's funniest scene follows - a slightly inebriated Fred believes that Cathy has answered George's ad and Cathy, curious for her own as yet to be disclosed reasons, decides to stay and then play along once she sizes up Fred's friends.On cloud nine, the three married men enthusiastically discuss who gets which night while Fred looks uncomfortable. They also devise stories to tell each of their wives as to why they're giving up their Thursday night with the boys but still need one night a week for creative education in their respective fields. Cathy phones her sociology professor Dr. Prokosch (Oscar Homolka) to tell him she's figured out a way to write her thesis about men. He warns her against the danger of these men really wanting to "get physical" with her, but she tells him that "good girls" like her are experts at avoiding such entrapments. Fred actually visits Cathy on Sunday to discuss his discomfort with what she's getting herself into, and the seeds of a romantic relationship between the two of them are planted. On Monday night, Cathy is able to tap into George's true desire to have someone listen to him. On Tuesday night, Cathy has appliances and other household items for Howard to fix, and on Wednesday night she's cooked a dozen things for Howard to eat. Hence, she maintains platonic relationships with each of them, and they're too scared to admit to the others that "nothing happened". Ruth McDevitt plays a nosy neighbor who thinks she lives next door to a brothel. Obviously, she sees and hears (innuendo) more than what's going on, which she reports to her husband (not credited).Meanwhile, the wives are happy with their husbands "out of the blue" shows of affection until Ethel tells them that their men are probably being "skunks". She recommends that they hire a private detective, Mr. Bohannon (Fred Clark), to learn the truth, which they do. Fred is struggling with his feelings for Cathy, given the kind of girl he thinks she is, and commiserates with Slattery. Dr. Prokosch suspects that Cathy is enamored with Fred and also suggests that she interview the men's wives to get "both sides of the pillow" for her thesis. Bohannon investigates. Fred eventually figures out what he wants and finds out that Cathy wants him as well. He invites her to Greenwich where he's the little league baseball coach of his friend's kids. This sticky situation leads to an eventual showdown with everything coming to a head in the zaniest of ways at the apartment, with all the major characters and a couple of the minor ones. The resolution is predictable. The final scene includes Zsa Zsa Gabor as Fred's boss's latest squeeze.

This film is quite similar to "Let's make love" by Billy Wilder starring Marilyn Monroe. Just like in that movie, the married men are so boyish one could wonder how they got married in the first place. Of course, that is part of the comedy in this "sex" farce. The contextual environment and the mentioning of the word "sex" are the only aspects that by any means are "dirty" and could have been questionable in the American cinema of the 50s. However, graphically there is nothing arousing except for a short kissing scene. Although the film starts off entertainingly and promising, it drags out way too long and the ending is nothing but corny. To that comes weak dialog without a single memorable line. I would suggest checking out the Monroe film instead, unless one is a fan of Kim Novak.

This movie is fun to watch. The morals, the clothing, the furniture, the suits, the hairstyles, the hats, the booze, the husbands and wives--are pure 1962. It captures, in a very exaggerated and silly way, an era in American society that will never exist again. It's a time capsule. That's what makes this film so vintage and enjoyable. It's a "sex comedy" without the sex--very popular in those days. It's amazing to think that only five years later, hippies and war protesters were making their mark on society, and films like "Easy Rider" were being created, changing the landscape of Hollywood and pop culture forever. So think of this film as a showpiece of how America was (in a highly exaggerated way) before we learned to question authority and discard many of the foolish rules and regulations we grew up with. Just enjoy it for what it is! It's fun to see Kim's apartment and her wardrobe is cool!