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That was an excellent one.

Thanks for the memories!

Brilliant and touching

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

There aren't many baseball stories out there. Consider the E-book "Vampire in the Outfield."It's a spoof on "Angels in the Outfield" and all things vampire. A rookie Seattle Mariners baseball player discovers he can hit and play better after being bitten by a vampire. Of course, he still has a problem with day games, being photographs, and beating the 'Evil Empire' New York Yankees. It could happen.'Johnny Black' makes a deal with the Devil (The Baseball Commissioner) for TV rights, but gets double-crossed. Vampires aren't allowed. The integrity of the game is at stake.

I was in total disbelief when I saw Angels in the Outfield (1994) second to the last top movies of the year, whereas Forrest Gump (1994) was #1. I saw Forrest Gump and thought it was more like Forrest Junk; a movie I would not watch ever again and a total waste of my time. Angels in the Outfield was wrongly underrated. This movie was so good it wouldn't matter if you liked sports or not. Not only is it enjoyable for the whole family, but is good enough to watch over and over. The brightly glowing angels were depicted in a way everyone would expect them to look like, which is a plus compared to so many angel depictions that failed to accomplish such. There seem to be a Biblical take that is played in various ways, where good wins against all evil aspects eventually. There are also funny parts of which you just can't help but laugh about. Angels in the Endzone (1997) didn't do as good as this one, which was a surprising disappointment. Even the angels in it looked not convincingly real.

I have to say despite it's reviews Angels in the Outfield was a pretty good movie. I like the fact how it teaches kids to always have faith and never give up because yes miracles can happen. Unlike the other baseball movies this one particular movie stood out because of hits amazing special effects and well orchestrated soundtrack which was very interesting. Though I liked this movie it did have some flaws such as some irrelevancy (i.e. Towards the end when Ray Mitchell hits a homer he doesn't step on the plate and therefore that wouldn't be a score. But that's just nitpicking.) I have to say i was really impressed with this movie's presence and moral: Just have faith, Don't give up.

The quality of this movie is simply unmatched by any baseball title of its time. Pam Dixon branches out in the film industry to recruit blue-chip prospects and make this work of art a must-see. Academy Award winners Brenda Fricker (Home Alone: Lost in New York, A Time to Kill), Ben Johnson (The Last Picture Show, Red Dawn), and Adrien Brody (The Pianist, The Village) amplify the atmosphere of the movie, drawing in an anxious audience. However, the dramatic performances are neutralized by quirky radio broadcaster Jay O. Sanders (JFK, The Day After Tomorrow).The story is centralized around a foster child, up-and-coming actor Joseph Gordon-Levitt (Brick, The Lookout). Sidekick Milton Davis Jr. delivers a tear-jerking performance as the longtime friend who never knew his parents. The two don't have much, but what they do have: Angels' baseball, and what they are seeking: identity. That's when 4-time Emmy Nominee Danny Glover (Lethal Weapon, Predator 2) comes in to save the day as frustrated Angels Manager, George Knox. In relation, all characters in the story seem to have the same mission: search within themselves to find out who they really are.Depressed over the fact that Roger (JGL) is separated from his father, he wishes to God for reunification if the Angels can take the pennant. Odds are astronomical, but 3-time Emmy winner Christopher Lloyd (Back to the Future, My Favorite Martian) comes in as the omniscient overseer to work a little magic (pun). Before you know it, Al (Lloyd) is sitting with Roger in the stands, snacking on cracker jacks, and causing some of baseball's biggest boners! Dorothy Kingsley and George Wells' (DK Oscar Nominee GW Oscar Winner) 1951 screenplay is done justice under the finger of mastermind William Dear (nominated in Directors Guild of America). He includes a touching side story centered around pitcher Mel Clark, played by Tony Danza (4-time Golden Globe nominee, Emmy nominee), who in relation to all other cast members is just trying to find his place in a confused Anaheim. Clark has been dubbed a wash-up, a once big-name in Cinci, but he has something to prove to Manager Knox.Spoiling this nail-biting plot would simply be the equivalent to committing adultery in the 18th century. This one is a diamond in the rough, and it will keep you on the edge of the seat until all come to peace. Did I mention a cameo by Matthew McConaughey (A Time to Kill, We Are Marshall) for all you ladies out there?