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Better Late Then Never

A brilliant film that helped define a genre

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

One of the worst ways to make a cult movie is to set out to make a cult movie.

A filmed version of the long-running off Broadway musical. It has 10 handsome talented guys singing and dancing while totally nude about being gay. I saw this twice live. First was in 2003 in NYC. I hated it. Then I saw a restaged version of it in PTown in 2012 and LOVED it! The songs are OK. Some are bad--"Robert Mitchum" and "Muscle Addiction" were dreadful--but most were good. Two favorites were "Gratuitous Nudity" and "Perky Little Porn Star". Also the guys are not all white boys--there's a black, latino and Asian guy in the cast too. Kudos to the cast for having no inhibitions to performing totally nude. That can't be easy. Fun and entertaining. Not rated but it would probably get an R or NC-17 for the non-stop full frontal male nudity. Only debit--some bad direction lessens some of the numbers.

If you haven't seen the stage version of Naked Boys Singing! (NBS), then what more can you do but see this film. The film's fun, campy, well-acted, well-sung and has lots of inspired choreography. However, compared to the live stage version, the film misfires conceptually, has truly cheesy "just graduated from film-school editing" and doesn't do justice to the essential intimacy of the material -- it neither delivers a good film nor a piece of theater-on-film. // Before writing this review, I watched the "making of" segment (titled "Nuts and Bolts") to find out how the producer/director could have gone astray with excellent material and a stage production that literally sells itself. Biggest problem: They tried to reimagine NBS as a film, making the same sad mistake foisted upon A Chorus Line -- both shows are perfect as-is and were designed to be seen in a theater from a center row in the Orchestra (and in the case of NBS, the second row): Why add all the superfluous cut-aways, back stories, reverse angles (again, an audience isn't supposed to see what the actors see), cutesy effects (slo-mo, sepia tones, dissolves, multiple-image shots, etc.)? This screams "I'm trying everything they taught me in film school." Moreover, introducing the numbers by showing the musical scores gives a documentary feel to what should be a live production. Why incorporate techniques from an dissonant genre? Hasn't anyone seen the excellent Sondheim recordings of his stage productions? They record the performance. Period. That said, there is the issue of how to record the actors...no body mics. But somehow, when I saw NBS in New York in that intimate little theater in the Village, no one needed a mic. So, I reject the rationale that they had to lip-sync everything to get the recording. No, they had to lip-sync in order to support all the cheesy/cutesy editing techniques! So much time and effort could have been saved had they simply filmed the show in a, er, straight-forward fashion. Simple, direct, intimate...that's what drives the NBS source material -- and the film introduces too much schlock and unnecessary distractions.

What surprised me the most about this filmed stage production was the splendid variety in the musical numbers. The dancing is professional. Each dance is well choreographed. The vocals are entertaining, and pleasant to listen to. All numbers are done with heart and humor. This was truly a unique experience. I'm surprised at the arrogant remarks posted in other IMDb reviews. I found Naked Boys Singing highly enjoyable and fresh. Just look at the expression on the audiences faces. These talented guys offer a good sock in the jaw to convention. Intelligence and humor are the threads that hold this production together. Cheers and applause to all involved.

I'm writing this as I watch the DVD. I grabbed for the laptop and went to IMDb during the first song. I didn't know anything about the movie except that a friend said that the show was supposed to be good. It has a decent Netflix rating too, so here I am.Maybe on the stage this worked. But I have to say that the sight of chorus boys dancing and singing completely naked just seems silly. And the lip syncing to a prerecorded score adds to the strangeness.Most of the songs and routines are about aspects of male nudity. This is my idea of nothing, sorry. The score, so far, is generic show tune music. Nothing memorable, or particularly melodic. Everything is to serve the lyrics. Which, I have to say, sound like they were written by a committee. Each song is essentially one extended joke. If the jokes were ten seconds, they might work. These single several-minute-long jokes don't.I'm now watching the movie by chapters--a few minutes until I get the gist. Kind of in the hopes that one of them will be different, or entertaining enough to keep me from going on to the next scene. Nope.Okay. I'm finished. So here's what I think. If you have any experience or long-standing appreciation of musical theater, avoid this--it's just not quality. If, however, you're a gay twenty-something and have never seen or heard a musical comedy, you might be entertained. Or maybe this would hold your interest if you've never seen a lot of attractive naked men. I have.