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Buffalo Bill
Scout William F. Cody (Joel McCrea) marries a U.S. senator's daughter (Maureen O'Hara), fights the Cheyenne and leads a Wild West show.
Release : | 1944 |
Rating : | 6.4 |
Studio : | 20th Century Fox, |
Crew : | Art Direction, Art Direction, |
Cast : | Joel McCrea Maureen O'Hara Linda Darnell Thomas Mitchell Edgar Buchanan |
Genre : | Drama Action Western |
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Best movie of this year hands down!
Very disappointing...
the audience applauded
In truth, there is barely enough story here to make a film.
Biopic of legendary frontiersman Buffalo Bill Cody, ably played by Joel McCrea. He fights with and for Native Americans. The two women in his life are senator's daughter Maureen O'Hara and Cheyenne schoolteacher Linda Darnell. O'Hara gets the guy but Darnell is radiant in Technicolor. Her character's name is Dawn Starlight, which is possibly my favorite name ever. The rest of the cast is solid, with Thomas Mitchell, Edgar Buchanan, and Anthony Quinn offering fine support. There's more fiction than fact here, as is usually the case with Hollywood biopics. It's pleasant, straightforward storytelling. Good but never quite as good as you hoped it would be.
Buffalo Bill is directed by William A. Wellman and collectively written by Aeneas MacKenzie, Clements Ripley, Cecile Kramer and Frank Winch. It stars Joel McCrea, Maureen O'Hara, Linda Darnell, Anthony Quinn, Thomas Mitchell and Edgar Buchanan. A Technicolor production out of 20th Century Fox, with music by David Buttolph and cinematography by Leon Shamroy. The Sioux and the Cheyenne must strike together. No history lessons to be learned here, just the core essence of one William F. Cody and his life trajectory is used for entertainment purpose. Which if history is not what you are after, makes this a grandish production worth spending time with. 99% of the pic is given to his time out on the ranges as a pioneer, his romance with Louisa Frederici, and his political movements. His move into the Wild West showmanship that he would become famous for, is sadly dealt with in what is little more than a coda at story's end. Damn the East! As the story arc moves into the Indian War territory, this lets Wellman show his skills as a constructor of action sequences. The Sioux and the Cheyenne have joined forces and in spite of the arrogant claims by the army suits that the War will be over in a week, it proves to be anything but that. The battle here is that of Warbonnet Creek (AKA: Hat Creek), and it's brilliantly crafted by Wellman and his team, the highlight of the pic for sure, and a merciful change in direction after previously we had witnessed some on screen Buffalo killings, which while not shying from the reality of that moment in history, is still upsetting and tough to watch. I don't hold with General Sherman that a good Indian is a dead Indian. Other notable tech accomplishments are attained by Buttolph and Shamroy's respective work, while Wellman continues his fine direction with some nifty locomotive sequences. Acting wise the performances are just about good enough. McCrea and Quinn as Buffalo Bill and Yellow Hand (AKA: Yellow Hair) respectively, have the required amount of machismo and emotional fortitude to make the roles work, and crucially they convince in action scenes. O'Hara and Darnell get poorly written roles, but both are radiantly beautiful and costumed up to the nines, whilst Mitchell and Buchanan are solid as usual. Lively, colourful, emotional and fanciful, good entertainment for the Western movie lover, but maybe not the Western purists. 7/10
This bright and cheery western has a great sense of the outdoors, helped by good colour cinematography and locations.William F Cody "Buffalo Bill" (Joel McCrea) as the legend tells us was an army scout who then later rescues a Senator and his beautiful daughter, who he marries. He also came to be firm friends with Yellow Hand, who later became chief of the Cheyenne. Cody takes the side of the Indians when modern 'civilisation' moves in over the plains where the buffalo grazed, wiping out both the beasts and the habitat. He later took his Spirit of the Wild West worldwide with his Show, for which he gained international notoriety.McCrea is OK as Cody and as others have said, Anthony Quinn, now, looks faintly ridiculous as Chief Yellow Hand. Then, as a relative unknown, I suppose this gross miscasting wouldn't have mattered as much. However, it is the beautiful Maureen O' Hara as Cody's wife who holds the interest for many, as her loveliness radiates through from the screen.It's also been said that this William A Wellman directed biopic is fictionalised and cannot be considered accurate. That aside, there's plenty of good fighting action, battles on horseback and plains where real buffalo roam. All in all, a modest little western that's quite watchable, if you take it for what it is.
When this film was made, people were still in love with cars, freeways and bringing progress to the west. So it was quite an achievement to bring to the screen a divided hero, who from one side admired the Indian way of life, and who understood that the killing of the buffaloes would bring misery to the natives, but at the same time arranged buffalo hunts for people of the east, and as a scout helped the army fight the Indians. When he goes east and see stories written about him by Ned Buntline we know that it is impossible for him (as for any human being) to live up to them, and he is bound to end up in ridicule. People nowadays are more ecology conscious and that makes this film more meaningful than in 1944. The first part of the film shows the west and the war with the Indians with excellent battle scenes and great color. Maureen O'Hara is more beautiful than in any other film I've seen her and so is Linda Darnell. The second part is when Buffalo Bill goes east, and that is when the film is at its best.