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Good movie but grossly overrated

The film makes a home in your brain and the only cure is to see it again.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Despite its deceptively calm exterior, "The Flower Of Evil" is probably one of Claude Chabrol's most ambitious movies: he tackles a wide range of topics here, including marital infidelity (plus the thought of it), (possible) incest, the joy of happy memories and the pain of sad ones, the burden of guilt, political ethics, and history repeating itself to an almost supernatural degree. However, the script (which he co-wrote) is a bit too muddled; I've watched this film twice now and I probably still couldn't draw an error-free family tree for these characters if I had to. The exact nature of the relationship between Benoit Magimel's and Melanie Doutey's characters remains puzzling to the end (are they cousins? Half-siblings? Step-siblings?); nonetheless, their first intimate scenes together are highly erotic (Doutey is amazingly beautiful). The film is splendidly acted all around, especially by Suzanne Flon as Aunt Line. **1/2 out of 4.

Destiny -- how much of your family bloodline and what they have done before determine what you will be and do? Destiny is a major theme in Chabrol's efficient "La Fleur Du Mal".It's a straightforward story on the surface, but you always get the feeling something deeper is lurking underneath -- not unlike some David Lynch fare. There is great acting by the entire ensemble -- from Nathalie Baye as a political animal, to Suzanne Flon as Aunt Tile, and especially the step-son and daughter who fall in love.The end is a bit of a let-down -- after all the buildup, you anticipate something more profound or unexpected. But all in all, there are a lot worse films out there, and worse ways to spend 2 hours.

"La Fleur du Mal" (Flower of Evil) unfolded like a multi-layered nineteenth-century novel. There was a plot involving politics, a plot involving romance, and the deep family secrets that appear to have afflicted the characters in a multi-generational curse. One of the characters even refers to their lives as the equivalent of a novel by Emile Zola. I appreciated the rich psychological levels of the characters and the fine performances under the direction of Claude Chabrol. The character of Aunt Line as played by Suzanne Flon was especially moving. There were effective emotional moments involving reverie and interior monologue that conveyed great depth of feeling. In American films, we would have been given generic "flashback" scenes. In the more subtle European film-making style, the performer conveyed the past through emotional expression. Like so many of the great nineteenth-century novels where everyone seems to be marrying his or her cousin, so too in "La Fleur du Mal" one of the plot lines focuses on a young man and woman deeply in love, who realize that their bloodlines are too close for comfort. Some of the film's most intense scenes are those in which the couple seeks to understand their complex family ties. Interestingly, this eclectic film is not without dark humor, including a truly bizarre sequence related to an accidental murder. Stylistically, this is a film experience with lush cinematography of the contemporary Bordeaux region, filled with sensitive compositional choices and careful set-ups. If the characters had been outfitted in nineteenth-century costumes, this really could have been a Zola novel.

Classical Greek students after a modern take on The House of Atreus need look no further than Chabrol's latest. As ever there is elegance and style to spare and it's really great to know that actresses as old as Suzanne Flon (who scored again this year in Effroyables Jardins) can still not only get meaty roles but also deliver. Unlike other commenters the charm, sex appeal and, most of all, acting ability of Benoit Magimal is lost on me but I would walk a mile for a Nathalie Baye performance and she does not disappoint here. I note that other comments touch on the Frenchness on display but if you choose to see a French film why expect Sauerkraut and halva. Not Chabrol's finest but still out of the right bottle.