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The Demons
A group of nuns become possessed by demons and are then tortured in a dungeon of horrors during the Inquisition.
Release : | 1973 |
Rating : | 5.2 |
Studio : | Comptoir Français du Film Production (CFFP), Interfilme, |
Crew : | Director of Photography, Makeup Artist, |
Cast : | Anne Libert Carmen Yazalde Karin Field Jahangir Ghaffari Luis Barboo |
Genre : | Horror |
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Best movie of this year hands down!
To me, this movie is perfection.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
By the time the dramatic fireworks start popping off, each one feels earned.
My mate gave me this. He'd ordered it especially from Germany for reasons unknown. There's no plot explanation needed - you just have to look at the cover and see who directed it. Highlights of this film include: 1) Hitting the display button to find out how soon I've got before it ends 2) Losing interest 3) Wondering what my mate was expecting when he bought it 4) Realising exactly why it had been sitting in my collection unwatched for a decade 5) Being relieved that I didn't watch the 117 minute special version on disc 2.Lowlights include:1) Every scene lasting forever. 2) Female nudity rendered boring. 3) Endless scenes of women being tortured. 4)Everything else about the film.
A typically inane jumble of sex and horror from prolific pervo Jess Franco – here masquerading under the name 'Clifford Brown'. Obviously inspired by the similarly-titled Ken Russell epic THE DEVILS, Franco is happy to throw in as many ingredients as he likes into the heady brew. Yep, here we have it, a combination of lesbian nuns, sadistic torture, swashbuckling, black magic, court intrigue, romance, and a witch who can turn people into skeletons via a deadly kiss. However, I'm afraid that the film isn't as eclectic as it sounds; indeed the most exciting thing about it is the music, which ranges from vaguely-appropriate guitar/folk noise mixed with outlandish rock during the frequent sex scenes. Franco's blurry camera typically zooms into the private parts of various women as they undress; there's lots of frolicking and moaning, and it's a complete turn-off for sensible viewers.The English-dubbed version of the film is pretty poor and the camera-work as shoddy as ever. Lots of jump cuts make little sense and result in a sometimes headache-inducing movie. The nubile Libert and Nichols are happy to strip often for the camera, whilst Alberto Dalbes is a spitting image of our own Tony Blackburn – and whose idea was it to call him Renfield (a la Dracula?). Franco regular Howard Vernon is on hand as a star-gazing nobleman. Franco spices up the sex with some distinctly unappealing torture sequences, such as the opening when an old woman has a needle driven into her arm and then has boiling water poured over her. Mmmm, nice. Anyway, the combination for ingredients makes for typical Spanish fare; certainly bad but fast-paced with it.
Yes I was shocked; at just how good this film was. Jess Franco has made some awful films, but "Les Demons" is certainly not one of them. The 'De Sade-like' tale concerns two beautiful sisters, orphaned and left at a convent, to be raised as pure servants of God. But their origin is a mystery to everyone. As it turns out, they are the daughters of an old witch, who vows while she is being burned at the stake, that her daughters will take revenge on her tormentors. The aptly named Lady De Winter, the icy blond servant to the equally cruel Lord Jeffries, embarks on a hunt to find and destroy the supposed witches before they can take their revenge.With a surprising amount of attention to historical detail, an interesting story unfolds, with many unexpected turns. The widescreen cinematography is beautiful, and many shots are stunning. Lavish interiors and costumes, as well as the usual fantastic soundtrack that you would expect from a Jess Franco production, all add to the quality of The Demons. Another surprise was the lack of nudity and sex in the production. Of course those elements are there, but they are not overdone, and the largest portion of the film is dedicated to the story, and to character development. The words "elegant" and "restrained" don't' usually come up when describing Franco's work, but in this case those words are appropriate. The version I saw is the restored cut, running 1 hour 41 minutes. I'm sure the heavily cut North American version must really ruin this beautiful film. "Les Demons" is up there in quality level with Franco's slightly superior "Love Letters of A Portuguese Nun." Highly recommended.
After an old witch is burned at the stake by the inquisition her two nun daughters execute a revenge which amounts to them seducing every man and woman that comes their way. Dealing with lust and anguish (frequent themes in Franco work),'Les démons' is quite a polished work by Franco's standards. Widescreen compositions are impressive and psychedelic music outstanding(a catchy guitar tune starts playing every time there is a bare flesh on the screen). Sadly Jess Franco didn't bother to hire a good cameraman, so some shots are out of focus, especially during zooms. Still, the camera-work in 'Les démons' is much better then in such later Jess Franco movies as 'White cannibal queen', for example. Regular Jess Franco actor Howard Vernon ("The awful Dr. Orloff") has a supporting role. Recommended for Franco admirers and those who find the idea of lesbian nuns hot.