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One of my all time favorites.

Pretty good movie overall. First half was nothing special but it got better as it went along.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The acting is good, and the firecracker script has some excellent ideas.

During the making of this movie I once caught a statement on television about it. Something like: "Is Killinggänget now taking off Nazism?"So, my comprehension of this movie, was from the beginning to get a notion of Nazism. When recently seeing this movie in the TV-version I had this filter before me and it wasn't difficult to see this.Strangely enough I haven't met this way of interpreting the film ever since I first heard it.These are the things I found in "Four shades of brown". In all four of the stories the lack of empathy leads to disaster:1. The crematory-worker shows no realistic empathy to the dead animals or to those who had to say goodbye to them. In the crematory-room in dealing with death and fire it's almost like a cheerful game to him. The seriousness of death and fire is not emphasized by the father and his boy accordingly, in ignorance pushes a button that leads to the disaster that injures his father severely.Possible lesson: The importance of showing the young adequate emotions. When they grow up they need to know what behavior leads to disaster and what emotions lead to good.2.The magician maneuvers his wife like an invisible puppeteer. Just when she thinks she has begun to cut off the strings to the masters hand, reaching for personality, integrity and joy, he pulls hard and she is back in desolation and despair.Their son has tried to revolt in creating his own life with perfection and "good" taste in opposite to his parents "bad" taste. The real problem he is carrying within is far from comprehensible to him: His fathers behavior passes on when suffocating his own wife in his spotless environment.Possible lesson: Oppression breeds bondage.3.The father who was abused as a child passes on sadism to his children when he cheats them on their inheritance. He robs them of their childhood and in the end even of their inheritance.Possible lesson: When no love given you cannot give any.4.The fathers abuse of his daughter creates in her a ruthless revenger with sadistic aggression. Here the ice cold Nazi-sadism becomes very obvious in physical violence. It gives a possible background and a somewhat plausible explanation to the actions of young "scin-head"-nazists behavior when oppressing others. Possible lesson? : Can Nazism take birth in a pervert home?Can the hideous consequence of ignoring empathy in family life, in the long run, be that room is given to sadistic Nazism ?Very seldom does a movie contains so much. It reveals little by little as I meditate on it. I consider it brilliantly "painted" and the actors are superb. Especially the nice-seeming bloke played by Ulf Brunnberg that turns out to be the worst of all..

This movie must be exported to the rest of the world! An absolute masterpiece, with a both bizarre and grim film about four different stories from four different locations in Sweden. The one with the newly renovated hotel with the improper wooden figure of an old finance minister is absolutely the best of the four, odd story about love or career. I would love to see all four as a film on their own they can be so much more extended. Also the unique pause in the middle is something I've never seen before.Can't wait for the series (if they're doing one) or the extended DVD. Apparently they had cut out a lot to fit it in to just 3,5 hours.

The movie is very long and hard to get at first. It takes a bit of time to understand how the four different stories relate to one another. The theme they are pushing on is fatherhood. All stories are somehow related to fathers. The story hands us an insight in the swedish culture and how it affects the different characters in their unique stories that the movie tells us about. How you "should" react in different situations and how people around you react when difficult problems hit you.I for one enjoyed the movie and i often recognised the characters from my normal day life. It reflected the swedishness in a way that i never have seen before. This I think, is a movie for those who more or less understand the typical Swedish culture. If you like it you should also look into "Ben & Gunnar - En Liten Film Om Manlig Vänskap" which is another "Killinggänget" production.

This is not about the condition of Sweden and the Swedes, it is more about the condition of everybody everywhere. Still this film is very Swedish and you have to live here to understand, to laugh at the right places and to feel sad, when you're supposed to.But it's very well narrated and director Tomas Alfredsson knows exactly where to push the script, which he probably has had cut down in a perfect way. Still the film, with four different episodes rolling together, is more than three hours long. But it doesn't feel long. The acting is not really realistic (it ain't meant to be). But especially Maria Kulle and Ulf Brunnberg are making the performances of their lives.There is hope for Swedish film, obviously. This is a new way of making comedy. If this is a comedy.