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Excellent, Without a doubt!!

Better Late Then Never

Pretty good movie overall. First half was nothing special but it got better as it went along.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Despite the crassly exploitative title, which offers up unimaginable sleaze and depravity, STRIP NUDE FOR YOUR KILLER is actually a rather straightforward and down-to-earth giallo yarn, albeit one littered with nudity and gory violence. The plot kicks off with a nasty abortion, followed by a woman's body being dumped in a bath (!?!) and soon enough a string of graphic slayings are taking place. The killer this time around is an asexual figure in a motorbike helmet who slashes their usually naked victims to death. This work of trash is directed by Andrea Bianchi, best known for his zombie epic BURIAL GROUND, working with a bigger budget than usual and displaying a certain visual flair not seen in his later work.As is usual for the genre, the dubbing is unbelievable and the characters rather cheesy, including an obese womaniser who only finds love from his blow-up doll! The acting is unmemorable but the cast attractive, especially the female performers who spend most of their scenes in the nude. Edwige Fenech takes the leading role, giving the film a female protagonist for a change, and makes quite an impression. The use of a fashion house as a setting for the murders recalls Bava's BLOOD & BLACK LACE but this is far from the intricate masterpiece of that movie; instead, this is an occasionally confusing but mainly solid giallo enterprise offering plenty of exploitation and a minimum of intelligence. The gore effects are cheap but plentiful. Fun for genre connoisseurs, unfulfiling for others.

Strip Nude for Your Killer. Now, that is a title to grab you if I ever saw one. Unfortunately, they've set the bar much too high and aren't even coming close to being as exciting in reality.You have a fashion agency where models and other co-workers are being slaughtered by a mysterious killer in a motorcycle helmet and leather. I was instantly reminded of Night School/Terror Eyes as soon as I saw that outfit(another drab exercise in mind-numbing cinema--not in spite of but because of Rachel Ward) but this might actually be worse than NS/TE. We do get to see a considerable amount of the delicious Edwige Fenech, which is always good. However, we also see some really really! terrible, high-riding male swimsuit scenes that I can't get out of my head no matter how many pencils I jab into my eyes.And, moving along to the death scenes, they aren't particularly interesting, and the killer likes to turn the water on before murdering(maybe the killer's a Wet Bandit from Home Alone?). The blood is meh, but there are a few quick(light speed!) shots of decent gore and plenty of implied or overt emasculation and other mutilations of erogenous zones. There is also, unfortunately, extended shots of a big fat hairy guy in what is tighty-whities, but what looks more like a stolen Sumo diaper. View at your peril...for completists only.

Strip nude for Your killer must be, for me, the most outrageously sexist giallo ever made. Fair enough, you've got to expect a fair amount of it in these movies(or else you'd be let down) but Andrea Bianchi runs with misogyny ball so far that he leaves the park, gets in a taxi with it, goes to the airport, and throws the ball on a plane to some uncharted island in the pacific.Which, by the way, makes this film quite entertaining.After someone kills a doctor who's botched abortion killed his patient, the film shifts focus to a modelling agency and all the suspects/victims therein. Specifically, we get to focus on Magda (Edwige Fenech), a photographer...and Carlo, who is also a photographer. Carlo takes the biscuit as the most sexist Italian movie hero I've laid eyes on. We first see him sexually harassing a young girl (and succeeding!), then he hooks up with Edwige, seemingly immediately moving in to her apartment, moaning about his coffee, and reading the paper while ignoring her. Edwige, for her part, doesn't seem to mind being called stupid, being shouted at, or even throttled. Ah, the innocence of young love.Oh, and there's some murders too. Our motorcycle-helmeted killer starts working his way through the cast, and I won't really go into much detail about it as it's a giallo, but if you want to see an extremely fat man trying it on with a model, then this is the film for you. Our chicks are there for eye candy, except for the boss of the agency, so of course that makes her a lesbian.Weirdly, I expected LESS from the director of The Zombie Dead, but here, at least on a technical level, he seems to do a bit better. There's some nice Argento/Bava style cinematography, and the music is what you'd expect. Violence wise it's touch and go, with some nice gore effects but not much carnage. However, clothes fly off without much prompting so you've not got much to worry about there.Fun stuff...not a top giallo, but I can't help but be impressed.And, as usual, the ending is jaw-droppingly stupid, and morally questionable.

The Milan fashion world is rocked by a serial killer, wearing leather gear and motorcycle helmet, stab-killing those involved with Albatross studio..it coincides with the unfortunate accidental death of a model receiving an illegal abortion. Carlo Bianchi(Nino Castelnuovo)is a very successful photographer enjoying the sexual kicks you receive from being a big-shot in the industry. He literally beds one gal he suckers into a sauna not but shortly after meeting her, promising of a healthy career as a model(..naked nearly the entire film, Femi Benussi shows she's unafraid to bare it all for the audience for almost her total screen time), but she'll, like others, gets stabbed multiple times after discovering the water faucets running in her employer-to-be Gisella Montani's(Amanda)abode. The constant with all these killings revolve around Gisella..her heavy impotent husband(Franco Diogene), her homo-sexual photographer Mario(Claudio Pellegrini), and eventually herself are targets for the mysterious homicidal maniac. Gisella is also being black-mailed by someone in her inner circle(..of the remaining still alive). Others will follow as Magda Cortis(Edwige Fenech, whose character is an apprentice to Carlo)and Carlo become civilian detectives with their own lives endangered in the process.As mentioned in practically every user comment, "Strip Nude for Your Killer" lives up to it's lurid title. Ample nudity from uninhibited actresses, the lives of those associated with the fashion world(..particularly those who will do anything to gain success and fame)are skewered and every character in the film embellishes in sex and hedonism. Fenech delivers the usual tasty nudity and looks fantastic even with a short hair cut. Her lover Carlo is the complete anti-hero, he treats Magda like a sex toy, even choking her not once but twice. He was one of those who left the dead model's body left in a tub with running water(..the image of this dead model is displayed quickly before every murder scene takes place with the director letting the viewer know that this is the motivation behind the stabbings). The stabbings themselves are often gushing wounds, but the final attacks show the aftermath of a castration and breast removal, pretty potent, shocking stuff. There's even some sad humor portraying Gisele's portly husband(..who is quite a danger driving on the roads of Milan with director Bianchi's camera following with a POV shot of the car passing through endless traffic, red lights, and even threatening civilians walking on the streets)as a clown in heat who can not deliver in the clutch. Nice job by Blue Underground bringing giallo fans a print of true quality and the film looks great..with good use of color and sound photography, Bianchi really provides the film with style. Yet, this isn't particularly any different than the endless chain of gialli circling the market, so to combat this Bianchi put naked flesh across the screen almost through the film's entirety. This giallo does have your typical wacky twist revealing why this killer is so viciously killing his/her victims, but this time, the revelation might be underwhelming considering it's a person who isn't as significantly drawn as other characters in the plot. This is indeed a true treat for those with an appreciation for smut. Film suffers for not having a likable character to root for, but Fenech once again portrays the endangered character in pursuit(..and being pursued)of the killer.