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Great Film overall

For all the hype it got I was expecting a lot more!

Best movie ever!

By the time the dramatic fireworks start popping off, each one feels earned.

Dr. Siddharth Sinha (Indian mega-star Amitabh Bachchan) is the devoted head of a hospital. He constantly is trying to expand and improve the facility and the only thing he loves more is his adopted son, Akash (Anil Kapoor). It is assumed that one day Akash will take over the hospital, as he's a very accomplished surgeon. However, Dr. Sinha is a bit of a control freak. He has a heart condition that needs attention but he won't let himself take time off for himself--when he should transition control of the place to Akash.A new doctor, Neha Mathur (Gracy Singh) arrives at the hospital and you KNOW she is going to fall in love with Akash because they have a kooky misunderstanding when they first meet. Not surprisingly, they begin dating and soon talk of marrying.Soon, a VERY spoiled and obnoxious rich girl, Sonia (Preity Zinta) meets Dr. Akash. Although he is in love with Neha, Sonia has decided she MUST have Dr. Akash as her husband. And, since she's a spoiled brat and her father is one of the richest men in India, she knows she will get him one way or the other. So how do she and her father exert pressure on Akash? Well, they approach Dr. Sinha--offering to fully fund his hospital IF he can get Akash to marry Sonia. Sinha refuses and won't even tell his son about the offer.Soon after this, Dr. Sinha witnesses a traffic accident and overexerts himself--and dies trying to save a young boy's life. Then, Akash learns about the deal Sonia and her father proposed to Dr. Sinha--and Akash agrees to marry Sonia. He doesn't love her but feels he owes his father so much that he MUST marry the spoiled brat in order to keep the hospital operating. This is because just how much Dr. Sinha gave up in his life for Akash has been revealed to him.When they marry, Akash tries to be a good husband but it's really impossible for the marriage to work. Sonia is too demanding, too manipulative and too jealous--and she has the bizarre notion that her new husband and Neha are carrying on behind her back. So, she sets out to destroy Dr. Mathur--mostly because she can. What's next? Well, the more the film progresses, the more nuts Sonia appears to be! She's a great example of a so-called 'Borderline Personality'. See the film and you'll see what I mean.It's odd thing about the film is that even after Dr. Sinha dies, that's NOT the last you see of him. Several times, just like Mufasa in "The Lion King", he appears to his son to give him sage advice! Additionally, Sonia and her father reminded me of the character Princess and her daddy from "The Powerpuff Girls". Now I know few folks who watch "Armaan" would also watch "The Powerpuff Girls" (or vice-versa), but it is a very apt description.One thing I liked about the film was that Neha and Akash were very ordinary looking actors--not the super-glamorous actors you might expect in such roles. As for the plot, it's a combination of good and bad. I liked the character Sonia and appreciate showing what marriage to someone like this would be like--it's an over the top performance, but actually realistic for someone like this--and there ARE folks like Sonia. I used to work as a psychotherapist and, unfortunately, worked with several like her. What I didn't love was all the soapy bit in the plot--such as when the Mufasa-like doctor kept appearing, the complicated plot involving the hospital and the silly ending involving surgery on Sonia and a change of heart that is just impossible to believe. Thiese tended to distract from Sonia and Akash's screwy marriage and Sonia's craziness. In fact, the first portion of the film and second are really like two separate films and EITHER on their own could have worked well--together it just seemed like too much. Overall, it's a mixed bag where the good does outweigh the negative--plus it's one of the best portraits of a Borderline I have ever seen.

Honey Irani made a fantastic directorial debut. Armaan is brilliant in every aspect, despite being fairly outdated. Everything, from the dialogues to the proceedings to the characters feels like being set in the 1960s. I seriously think Irani should have officially defined the period of time as such, because it would have made much more sense. I genuinely liked the film. I thought it was special, realistic and artistic. The concept of life in a hospital was very interesting. I'm fully aware that it does not really work as far as the wide audience is concerned and that many people would find it slow and stretched. In my view, it doesn't take anything from Honey Irani's honest attempt and doesn't mean the film is less worthy, but just a film that does not appeal to anyone.The film, however, had a pleasant surprise which came as a saviour after an hour or so in the form of Preity Zinta, whose bubbly, spoilt, wicked and mentally unstable Sonia Kapoor is both interesting, hateful, funny and memorable. Kudos to Zinta for such a spectacularly played negative role. She was natural and convincing, and she managed to make her evil character unique and almost, if not completely, likable. This is thanks to her animated line delivery and her lively, partly vicious and partly vivacious attitude. I can understand why Irani wrote the character with Preity Zinta in mind. She does not really act in accordance with the film's mood, yet she seems tailor-made for her role, and her commanding screen presence more than carries the film.I think the rest of the cast was very good, especially Anil Kapoor, who was restrained and greatly impressive as the serious, intelligent and well-mannered Dr. Akash. He was very sincere, and this is amongst his most accomplished works. Gracy Singh was very pleasant and compelling. Bachchan was good as always, but he appeared only in flashbacks in the second half of the film, so there was not enough of his role. Aamir Bashir was absolutely outstanding as Dr Sanjay. This truly is an underrated actor. Randhir Kapoor played Sonia's father and for some reason made me laugh every time he appeared on-screen. He was unintentionally funny (I was particularly floored in that scene in which he said he was gonna sue Akash for insulting his daughter).Armaan is almost a classic. There is something in its subtle narrative style that makes it very engaging. It has a much stronger second half though. With the entrance of the character of Sonia Kapoor, the story takes shape and the film flows more effectively. The film becomes much more interesting, entertaining and enjoyable, although it generally still remains loyal to its realism and keeps following its slow pace. One must also note the background score, which is simply exceptional. Shankar-Ehsaan-Loy's soundtrack is quiet and pleasant. My favourite song is Zinta's seductive number "Mera Dil Ka Tumse", which is extremely energetic and fun. To all those who appreciate quality films, Armaan is a must-watch.

The Indian film Industry needs revival, since it is stagnating with mediocrity in talent and the mediocrity is put on the pedestal and worshipped by few biased morons of the Indian Media, who have no clue about class, aesthetics or process of review. "Armaan" is a one of the movies after a decade of decadence that spells a ray of hope, a wiff of fresh air. The casting could't be any better. When you have two stel warts of the Indian Cinema portraying father and Son, you can only expect some poignant moments and cinematic brilliance. There is no headshaking or filthy gyrations, pelvic thrusts as seen im the movies that has the Bollywood scums--the Khans-that is played out in the name of Choreography and acting and this is not representative of Indian Cinema. Amitab Bachchan the "Al Pacino" of the Indian Films has given one of his trademark portrayals so much so you wish there was more of him to see. Gracy Singh has class and elegance and act she can-indeed well. I hope we can see more of this talented actress. Anil Kapoor is the finest actor in the genre of "Robert De Nero" an all-rounder and the ultimate actor that the Indian Cinema is blessed with. Overall I like this movie-"I really,really,like this movie", if I can borrow the exuberation from Sally Field on her Oscar nomination.

One of the best Hindi movies in recent times. absolutely great. Almost a classic! The movie is quite different in the way it has been dealt with. Very nice and laid back.the performances are some of the best I have seen.Amitabh is Amitabh, superb! quite different from what he has done recently and yeah nothing like Mohabbatein(to those who thought he is playing the usual father).Anil Kapoor is mind blowing. One of the best role of his career.Reminds a lot of Sanjeev Kumar. Very restrained and thoughtful. Gracy singh blew me away with her maturity. Just her second movie(even though she had some small role in Hu Tu Tu). she is comfortable in romantic and emotional scenes. Preity Zinta is good too and this has to be her best performance.Worth a watch for everything! Music is extremely pleasing to the ears! Photography is good. I have to admit that I enjoyed the movie much more on the subsequent viewings as compared to the first. One of those rare movies, where such things happen. Best Hindi movie since Dil Chahta Hai.