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Santa Fe Passage
A disgraced Indian scout and his partner are hired to escort a wagonload of guns through Indian territory.
Release : | 1955 |
Rating : | 5.9 |
Studio : | Republic Pictures, |
Crew : | Art Direction, Director of Photography, |
Cast : | John Payne Faith Domergue Slim Pickens Rod Cameron Irene Tedrow |
Genre : | Western |
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Waste of time
Overrated and overhyped
Just perfect...
Easily the biggest piece of Right wing non sense propaganda I ever saw.
This is a Republic Pictures production, filmed in Trucolor, mainly in various parts of AZ and UT, with mostly dry rocky backgrounds, supposedly on the Santa Fe trail, which crossed the plains of Kansas, to NM. It concerns a wagon train scout(John Payne as Kirby) and his partner Sam(Slim Pickens), who are responsible for protecting two wagon trains, which are in grave danger of being attacked by Kiowa, lead by Chief Satank(Sitting Bear)(George Keymas). Incidentally, Satank was a famous historical Kiowa chief, famed as a fierce warrior in battles with various surrounding tribes early in his career, later switching mostly to fighting white settlers, wagon trains, and even army posts. before being arrested for murder.Aside from interactions between the wagon trains and Kiowa , the plot emphasizes a developing love triangle between Kirby, a woman called Aurelie(Faith Domergue) and the organizer of the wagon train(Rod Cameron, as Jess Griswold). Initially, Aurelie was opposed to choosing the duo as their scouts, because the last wagon they scouted for was ambushed and annihilated by Kiowa, while Kirby was negotiating with Santank elsewhere. However, when Kirby saved her from sever burns when her skirt caught fire, by smothering it, she changed her attitude toward him, and they began a romantic relationship. However, Griswold, who also had a romantic interest in her, threw cold water on their relationship by telling Kirby that she was a Kiowa half breed. Kirby had previously said that he hated all Indians, and especially half breeds. Thus, Kirby was cool toward Aurelie for a while. But, especially after her mother saved his life in a knife fight with Satank, he warmed up again. He came to understand that not all Kiowa were murdering madmen. Meanwhile, Griswold had asked Aurelie to be his wife. She gave him a non-committal answer each time. Not apparent why. Kirby and Griswold have a physical fight over Aurelie, rolling down a steep slope, until Griswold drops off a short ledge, breaking his leg. This would prove fatal, as the Kiowa warriors swarmed over him after Kirby and Aurelia rode off, as he requested. Aside from the climactic battle between the Kiowa and wagoneers, perhaps the most exciting episode is the stampeding horses the Kiowa drove toward the wagon train, in a draw. Kirby directs the wagons and pack animals to get out of the way of the probable path of the horses, so that only minor damaged resulted.Available in color at YouTube.
Disgraced Indian scout and his sidekick lead a wagon train carrying freight through Kiowa country to Mexico. John Payne is the scout, Slim Pickens is his sidekick and Rod Cameron and Faith Domergue are the wagon train "bosses". Director William Witney was an expert at making tight, fast-moving westerns, but he had a bad day here. Except for a well-handled wild-horse stampede and a couple of slightly less well-handled Indian attacks, this picture moves like molasses, with performances ranging from enjoyable (Pickens) to stiff (Cameron) to indifferent (Domergue) to awful (Irene Tedrow as a Kiowa "squaw" accompanying Domergue on the train). Payne looks like he'd rather be somewhere else and doesn't connect at all with Domergue, his ostensible love interest. Only Pickens and Leo Gordon as a villainous (what else?) trail boss manage to breathe any life into their characters, and the script holds no surprises for anyone (especially the "twist" ending). An OK time-waster, that's about all.
Some rather questionable character motivations make this particular Republic western something of a mixed bag for me. John Payne's dislike of Indians and his distrust of mixed blood people make it a rough road in courting Faith Domergue who is half Indian. Santa Fe Passage casts John Payne as a frontier scout who lost his last wagon train going to Santa Fe because of some bad judgment he made about the Kiowas and their chief. Now he and sidekick Slim Pickens can't get a job in their profession and have a lot of people ready to shoot them on sight. That is until Domergue and her partner Rod Cameron hire them over the objections of Leo Gordon their trail boss. They're taking a shipment of rifles to Mexico for sale and of course that perks up interest among the Kiowas.There was a little too much doublecrossing and all the males of the cast Payne, Cameron, and Gordon are thinking with their male members and truly beyond reason. Even Slim Pickens gives Domergue more than a second glance. The plot made little sense to me, but the action was pretty good.
John Payne's character spouts all the native Indian racist and anti-feminist diatribes he can muster in this wild west actioner taking place on a pack train to Santa Fe. Kirby Randolph (Payne) and his partner Sam (Slim Pickens) look to redeem themselves from a prior scouting job that ended in disaster for settlers on a wagon train passing through Cottonwood Draw. This might be the first time I've seen an Indian tribe actually get drunk on screen, as Randloph's attempt to placate Chief Satank (George Keymas) only gets him fired up for revenge.Credit the film makers with a significant historically accurate scene in which the main street of a Western town consists of about six inches of mud. You get to hear Payne in his role as the wagon scout refer to men required for point, swing, and drag duty. The film also has a great action scene involving a horse stampede that threatens the Griswold party, full of colorful sequences and quite well done.At the center of the story lies a romantic triangle involving Randolph, his boss Griswold (Rod Cameron) and Griwswold's partner and expected future wife Aurelie St. Clair (Faith Domergue). The revelation of St. Clair's heritage as daughter of a Kiowa mother brings out a few more Injun clichés before the story's progress brings Randolph full circle in his thinking about accepting individuals on their own merits. By the time the Kiowa's make their final attack, Randolph can say "I won't have a squaw who won't take orders" with a nod, nod, wink, wink, and have St. Clair accept it with an understanding smile.The one thing that kept distracting me though was the casting of Irene Tedrow as St. Clair's aide Ptewaquin. I never quite caught on that she would figure in one of the story's twist endings, probably because I kept trying to figure out where I'd seen her before. Checking out her career credits, now I know.Best line of the picture - Satank describes the Mexican Chavez (Anthony Caruso), ally of Griswold - "Don't like him, stink too much, like dead buffalo." It conjures up as colorful a picture as the traitor McLawery (Leo Gordon) winding up as buzzard bait.