Watch Arne Dahl - A Midsummer Night's Dream For Free

Save your money for something good and enjoyable

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Simple and well acted, it has tension enough to knot the stomach.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

After watching all of johan falck,I figured this could be an interesting continuing on Swedish series. Sadly this is one big snooze fest. The cops act like fumbling idiots,and they are supposed to be some form of pro.elite squad of detectives,but you have no faith in them whatsoever. They even start fooling around within the group,.I mean really?? You gonna have a cop show with office romance,and expect us to take it seriously. My biggest problem with the show is: The pace,the storyline,the acting,the stereo types,the line delivery.Conclusion,Go watch Johan Falck instead

I have enjoyed the previous series of this Swedish police procedural which focuses on the cases and private lives of a special unit of disparate detectives called into action for particularly unusual and invariably nasty crimes. I was therefore pleased to see a new series appear on TV and hoped that this introductory episode would be up to the standard of previous ones.Unfortunately, I don't think it was. For one thing the team is different, with the old female boss now replaced by the promoted Kerstin Holm who just happens to be sleeping with now ex-member of the team, divorcée Paul Heim who's now moved onto Internal Affairs of all things. No prizes for guessing that his first assignment involves checking up on one of his former colleagues. There's also a new arrival in the form of an even younger female detective, Ida, keen to earn her spurs which means naturally she puts herself in harm's way on her own the first chance she gets. Oh and the maverick Chavez has been apparently replaced with a new actor altogether but none of his super detective chums seems to have noticed. The meat of the plot takes in the tracking down and ritual slaughtering of a group of young Polish girls by the equivalent of the Polish Mafia. The sub-plots involve the travails of the new Chavez and his propensity for going off the rails, the on-off relationship between Heim and Holm and for some light relief the banter between Heim and his new, gobby P.A.While I enjoyed initially seeing (some of) the familiar faces again, this adventure failed to really hold my attention like before. The young new recruit I didn't really buy into and ditto Kerstin as the new group leader who just doesn't exude leadership qualities at all. The two-parter was extended beyond its apparently natural conclusion with a tagged-on seeming twist in the tale which again failed to excite or intrigue.I hope the standard improves but I'm afraid on first viewing everything here just looked a bit second-hand and overdone, the writing, direction and acting. And no, I didn't pick up on the Shakespearean reference in the title either.

Two years after the last 'Arne Dahl' story Group A is put back together; this time under the leadership of Kerstin Holm. Most of the team members are the same although former leader Paul is no longer in the group as he has taken over the department that investigates complaints against the police and Ida Jankowicz, a newly qualified officer who is also a polyglot, has joined. There first case involves somebody who is targeting five Polish nurses working in Sweden who could testify against members of the Polish Mafia. Three of them have been killed and the other two have gone into hiding leaving the team searching for both the killer and his potential victims. Away from the case things are awkward for Paul; he is asked to investigate Group A member Jorge Chavez who has been accused of taking a joint of a youth then smoking it. We also see a man whose sister dies of an overdose shortly after being turned down for formal help; how this will be related to the story isn't immediately obvious.This story marks a welcome return for the investigators of Group A. Obviously is will help if you've watched previous stories but it isn't essential; as the group's members are introduced to new girl Ida they are also introduced to new viewers… and reintroduced to returning viewers who had forgotten who was who. The story itself is relatively easy to follow without everything being too obvious thanks to a twist or two along the way. There are a few shocking moments including the shooting of new Group A member Ida… as this was her introductory story there was some question as to whether she would survive. The cast, both regular and new/guest actors, do a good job making the story believable. The side stories don't detract from the main story; in fact they serve to make the characters more rounded rather than just being detectives.These comments are based on watching the programme in Swedish with English subtitles.

Taking its title from Shakespeare's play (although the relevance to the story escapes me), A MIDSUMMER NIGHT'S DREAM is a complicated tale involving the pursuit of a Polish heavy (Andrzej Chyra) who has been associated with a series of murders of other Polish immigrants. However the story isn't as straightforward as it first seems ...This Swedish detective series contains some formulaic elements. The central character Arne Dahl (Malin Arvidsson) is a divorced single parent looking for love but failing to find it. In her team of crack officers there is the obligatory heavy (Magnus Samuelsson) with a penchant for black humor; the silver-haired lawyer who solves cases through intellectual rather than physical means (Niklas Åkerfelt); and the maverick cop going off the rails but redeemed through his aptitude for the job (Alexander Salzberger). Oh, and we must not forget the rookie who turns out to be a little big for her boots, initially skeptically received by her fellow-officers but eventually proving herself through sheer, if rather foolhardy bravery (Natalie Minnevik).Trygve Allister Diesen's production remains resolutely low-key throughout; shot in dark colors in claustrophobic interiors, it portrays Stockholm and other Swedish cities as crime-ridden and full of menace. No one, it seems, is immune from corruption.