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Excellent, a Must See

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

An old-fashioned movie made with new-fashioned finesse.

The main story of the film is told in flashback by Horibe Yasubei, one of the real-life 47 Ronin, who took part in a famous true story of revenge for the sake of honor that took place in 1701. He recounts the events in his life that led up to him and the others of the 47 Ronin marching through a snowstorm on their way to attack Lord Kira, whose behavior brought about the death of their Lord.The popularity of the 47 Ronin story in Japanese culture is comparable to the popularity of the Gunfight at the OK Corral in American culture.The two heroes of Samurai Vendetta (Hakuo-ki) are the aforementioned Yasubei and Tange Tenzen, a fictional character. The film begins with a real event (a duel against several opponents) from Yasubei's life, in which he first comes to the notice of the fictional Tenzen. Their paths subsequently cross several times, leading to incidents in which they each become indebted to the other for saving each other's lives.Although the story is overly melodramatic in places, leading to a couple of bouts of unintended laughter from the audience I saw it with, it is very moving overall.One scene especially deserves some explanation. The Shogun at the time, Tsunayoshi, was known as the "Dog Shogun" because of edicts by him that dogs were not to be harmed in any way; someone who harmed a dog would be punished by being beaten, or killed if that person killed a dog. In one scene, a pack of feral dogs attacks a woman, and is saved by one of the heroes, who kills one of the dogs. The other hero helps the dog-killer escape. Although the dog attack is not staged very well, the scene is inter-cut with brief scenes showing people who have harmed dogs being beaten, and people who have killed dogs being beheaded, to illustrate the reason killing a dog is so significant.Adding to the visual pleasure of the film is the expressive use of color, such as a vivid sunset, reminiscent of the sunset in Gone With the Wind, when Scarlett makes her "I won't go hungry again" speech.I saw this movie at the Japan Society in New York City, Dec. 11, 2009.

The paths of two honorable samurai cross early and often in this tale of love and revenge. The two samurai also happen to be the most skilled swordsmen around but refuse to fight each other over petty rivalries, and thus are forced to be ronin. Both are haunted by their pasts, though one does find love, at the other`s expense. Their rivals attempt to stir jealousy between the two, yet they still will not fight. The actions of the rivals only bring more revenge from the story`s two heroes. Hakuo-ki (titled Samurai Vendetta in the original English translation) has a particularly hilarious scene in which villagers flee from the impending doom of `Lord Dog` - I won`t spoil it. I feel the director, credited as Mori Issei, used a bit too much color in some places. A few scenes (including a not-so-great fight) are obviously shot on sound stages with the tackiest postcard sunset colors in the background. This dreamlike use of color gives the scenes a ephemeral quality and distract from one of the aims of the director, showing the sad necessity of violence for a ronin.The film is occasionally overdramatic to a fault, but is watchable, if not in two settings due to the length and complexity.This author saw the film at the Kyoto branch of the Japan Foundation in Feb 2003. The film was shown in its original wide-screen version and belongs to the Japan Foundation film archives.