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High-Ballin'
When a rash of targeted hijackings threatens to derail the independent trucking business, rig driver "Iron" Duke and his visiting friend Rane put the brakes on the bad guys by taking the law into their own hands. But their vigilante plan involves going toe-to-toe with powerful trucker boss King Carroll and his henchmen, who've been driving everyone out of the game.
Release : | 1978 |
Rating : | 5.4 |
Studio : | American International Pictures, Pando Company Inc., Stanley Chase Productions, |
Crew : | Art Direction, Director of Photography, |
Cast : | Peter Fonda Jerry Reed Helen Shaver Harvey Atkin Chris Wiggins |
Genre : | Drama Action Thriller Crime |
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Reviews
That was an excellent one.
Fantastic!
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
This movie is made for truckers in the day of having long hauls, long distance traveling, and suddenly, there are hijackers in the wait. Life is a gamble, especially in the trucking field. Being an independent contractor is one thing, working for a big company is another. It's best to stick with strong friends when you back's against the wall. Jerry Reed, fresh from the first "Smokey and the Bandit" get to ride the big rigs again. This time, he's a struggling trucker who gets to stand up to the big boss of a trucking company who is forcing the independents off the roads and drive them out of business. King Carroll(Chris Wiggins) runs a big company who will do anything to keep the indies off the road. When one of the truckers(Lex Tyrell) is head of a hijacking ring for Carroll. He had one trucker jumped. And when a former stuntman named Rane (Peter Fonda) , joins the Iron Duke (Reed), along with Pickup(Helen Shaver) the back up is all here. This movie is more like a western, only with diesel "horses". There was a lot of action there. Some silliness added though, but I enjoyed it very much. This movie is for truckers. 2 out of 5 stars.
Not much to see here. A couple guys swashbuckling with big Ken-Tool tire irons. At least this is a movie that accepts the existence of snow. Jerry Reed plays "the Iron Duke," a trucker who wants to make a few more runs and then stay at home. Peter Fonda perhaps should have played a trucker and not brought the biker element into this movie. After the chase with the racecar-laden auto transporter there isn't much to see. One memorable scene is Duke's poignant attempt to defend himself with nothing but a tire knocker. If you like trucker movies, it's your duty to watch High-Ballin' at least once, though. Isn't driving a truck in Canada exciting enough without a typical far-fetched plot? I guess the ultimate truck driving movie would have no plot at all and would be just one big roadeo.
Women are referred to as "beavers", presumably because that's their most important asset. The heroine of this piece gets some foolish ideas that she can drive a truck, and live independently without taking orders from a man. In the end, of course, she learns that only men are capable of punching and killing each other, as well as women, and she accepts her rightful role. Heartwarming.
If you think you might be getting into a jovial SMOKEY AND THE BANDIT type film thanks to HIGH-BALLIN's ad art, think again. What the film delivers is a dark, moody piece set in snowy Canada that doesn't seem to know what direction it exactly wants to go in. Reed plays Duke, an independent trucker who just happens to be next on the list of a bunch of local truck hijackers. Fonda is Rane, an old trucking buddy come to visit for a spell and ends up helping Duke take on the hijackers. Is it supposed to be a comedy? Well, there are some funny moments. Hard ass action flick? Well, there are some cool stunts. Romantic drama? Well, yeah, there are some tender moments. For some reason though, there is that aforementioned dark tone that somehow squeezes out any ounce of humanity and replaces it with an ominous aura that lays itself out on the characters and the landscape. Maybe it's 1970's Canada, as I got the same feeling watching Cronenberg's FAST COMPANY. It may sound as if I don't like this film but I do. It's different and odd, especially for it's genre. Definitely worth a look.