Watch All the Brothers Were Valiant For Free

I'll tell you why so serious

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As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

I had waited for many years to see this film, and when it turned up on TCM my wife and I jumped at the opportunity. It's hard to believe that MGM could have turned out such a poor production.The basic story is interesting, the shots of ships at sea are grand, (albeit too few) George Folsey's nominated Cinematography pleases the eye ~ but it's all let down by a pedestrian screenplay, (Harry Brown was not up to the task) limp direction by Richard Thorpe, and 'by the numbers' acting. Everyone looked as if they knew they were making a dud. Taylor had turned in many fine performances, both before and after 'All the Brothers': "The Mortal Storm" - a true 1940's Gem (the film that caused Goebbels to ban screenings of MGM pictures in German territories!) "Devil's Doorway" '50 (while perhaps miscast as an Indian, was still very effective) then after: "Saddle the Wind" etc.As for 'Brothers', he looks as if he were only doing it to honor a contract. It seemed much the same with Granger, who had moments looking like he wished it was all over...not one of his better performances (ie: "Bhowani Junction") Ann Blyth was worthy of better material, she had very few good moments and even less good lines, and while Betta St John was very appealing playing a native girl, shes wasted as an actress. "All the Brothers..." quite clearly shows major film making in decline. MGM only a few years on would be heading for receivership.... Strong, story driven scripts, were giving way to more graphic violence and superficial details. My wife gave up half way through. This is one time Leonard Maltin got his review right. Following the war years, it seemed much of the creative passion had subsided, and fewer people cared all that much. This all pointed toward Television, bringing with it more low brow artificial trends, leading to todays 'comercially stylized' film making.The terrible print screened by TCM Australia did not help. The vivid Technicolor had been cheaply transfered and reduced to a dull, lifeless shadow of the original. The image focus was soft and fuzzy, the audio was equally poor.Congratulations though, are due to TCM in the USA, by showing some respect for it's viewing audience. Their watermark (station ID) is supered over the image for 30seconds only every hour or so. This offers the paying customer better appreciation of good composition, with far less overall distraction. They also seem to have little, or no 'Automatic Volume Leveling' devices on their sound tracks, so there's less unwanted hiss during the quieter moments. When will TCM Australia get it right and offer its paying customers the quality they deserve? Little wonder so many folk I've spoken to, tell me they've cancelled their subscription.I'm still with it, but if it doesn't improve, don't know for how much longer. As for 'The Valiant Bros" if you're un-demanding, it may help pass or waste some time.

"All the Brothers Were Valiant" is a very frustrating film to watch, as the first 95% was great--absolutely superb. And, the ending was just awful and completely undid all the good of the first portion of the film! It just made me feel like I'd been cheated--and felt like the writers never got around to thinking of a realistic ending.The film stars Robert Taylor. He's a ship's captain and is returning to port. On arrival, he's learned that his brother, another captain for the same whaling company, has disappeared and is presumed dead. Taylor soon marries young Ann Blyth (who, frankly, is too young for the middle-aged Taylor). They both set sail for another whaling trip and eventually they find the long-lost brother (Stewart Granger). Granger has a fantastic story to tell of a king's fortune in pearls--and it is waiting to be reclaimed. However, Taylor has a job to do and insists on completing his journey. Then, things start to go out of control and Taylor is forced to fight for his ship and his life--culminating in the really awful ending.It's a shame the film ended so badly. Taylor was great and the the whaling scenes were exceptionally well done. Sad, but before the ending, I was ready to give this one an 8 or 9--had the ending not been written by monkeys!! Uggh! What an ending!!!Lewis Stone's last film native girl not exactly native looking good story really good depiction of whaling scene where Taylor escapes and subdues Finch makes no sense as is ending--it ruins the picture

This film has quite a good story by Ben Ames Williams, which was competently brought to the screen. Robert Taylor is the "good" brother and Stewart Granger the "bad" one. Ann Blyth is the woman who marries Taylor thinking Granger is dead. Three years later Granger and Taylor would star in "The Last Hunt" with a reversal of roles: Granger as the "good" guy and Taylor the "bad". There are two aspects of this film which create a strong impression:1)the destructive relationship between the brothers, which started in childhood with Granger always taking for himself Taylor's toys. Now Granger wants to take away Taylor's ship and also his wife. 2)How Granger is able to seduce Ann Blyth by making her think her husband is a coward. Blyth is a bit too "angelical" for her role, when you see the ship you have the feeling you are seeing a miniature on MGM's tank, but both Granger and Taylor are excellent. Great entertainment.

We are in 1857... The 'Nathan Ross' is sailing from New Bedford, Massachusetts with Joel Shore (Robert Taylor) as her captain for three years whaling trip...Captain Joel Shore is glad and proud for marrying Priscilla (Ann Blyth), a lovely shining little girl who was in love with his brother, Mark (Stewart Granger), believed dead!Mark, not proved dead, is not a man to fall easy... He left his ship full of fever and rum... A little native girl (Bette St. John), with the face of an angel, looked after him and cured his fever...In a lagoon on an unchartered island over an oyster bed that had never been touched since the world began, Fetcher (James Whitmore) and Quint (Kurt Kasznar) offer Mark a line of a fortune of beautiful black pearls 'some like full moons and some like tears'...Captain Mark Shore appears like a ghost on the 'Nathan Ross' and tells his brother Joel that 'half a million worth of pearls were at 12 feet of water, just waiting to pick up.'Captain Joel, knowing that the pearls could bring blood on the ship, refuses to turn back the ship to get the fortune that the native girl dropped in the shallow water while fleeing, with Mark, the furious frantic natives...Mark, forced by his ambition to return for the pearls at any cost, becomes the main instigator of a mutiny on the Nathan Ross, starting a revolt against his own brother...Ann Blyth, whose beauty 'blushes all the whales,' increases the rivalry between the two brothers on the whaling ship...A remake of a silent melodrama made in 1923, "All The Brothers Were Valiant" has all the exciting moments of a great adventure film: a storm braving the fury of Cape Horn, a deadly combat with a monster of the deep, cut-throat fight between whaling sailors seeking fortune, and and exotic romance in the arms of an island sweetheart...