Watch The Magic Cloak of Oz For Free

It is a performances centric movie

good back-story, and good acting

While it doesn't offer any answers, it both thrills and makes you think.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

"The Magic Cloak" is a 38-minute short film from 1914, so it had its 100th anniversary 2 years ago. Of course, this means it is a black-and-white silent film. The director is J. Farrell MacDonald, an extremely prolific actor as well who appeared for example in "Sunrise". The writer is L. Frank Baum, the man who wrote "The Wizard of Oz" too. However, he did not witness the success of the 1939 film anymore, but by 1914 and for this film here he was still very much alive (died five years later) and wrote also the screenplay. This fairly long short movie is possibly the most known work of lead actress Mildred Harris. It is a fantasy film and this shows also in terms of the sets and especially costumes used in here. On some occasions, I must say, it felt a bit awkward and weird to watch these people in very obvious animal costumes, but then I remember this is from over a century ago and it makes sense again. The success of the 1939 film I mentioned earlier shows how much Baum's films need color to really make an impact and sadly, but not surprisingly "The Magic Cloak" still does not have any yet. It would have elevated the material considerably I am sure. You cannot really blame any of the director, writer or cast for this not turning out a quality, but you can say that film in 1914 may not have been ready for this project. And it also has a problem that many silent films suffer from: not enough intertitles. I give it a thumbs-down. Not recommended.

This is not the Wizard of Oz that we all know and love. This is far from it. The only real memorable character is the donkey (which by the way, was a bad costume). It all felt very awkward and was somewhat boring. It was funny at some parts, especially those involving the Donkey. An interesting fact is that Mildred Harris, who was one of Charlie Chaplin's wives, was in this film. The plot overall was decent, but somewhat predictable. The acting was good for its time but was not great. The music was appropriate for the Magic Cloak. There was just enough humor to keep me satisfied. Overall, I give it a 6/10.

Whoa....I guess I need to get around to reading those Oz books by Frank L Baum! I haven't yet, but boy are they different from the stuff you saw in the 1939 film!! This film finds a mythical kingdom without a king. Since the dead king had no heirs, the law says that the 47th person to pass through a certain gate will be their new ruler! And, unfortunately, it's Bud--a kid who would rather spend the country's treasury on toys than do anything to help his new subjects. In the meantime, there's a story about a donkey and other animals that are really people dressed up in odd costumes and there is a plot involving a magic cloak. All of this is pretty weird but also pretty entertaining because it is so incredibly strange and oddly entertaining. Overall, it's a really weird but engaging film that made me smile several times due to it's kitschy style and charm. It's NOT a film, however, to show to those unfamiliar with silent films--it might just be too strange and might scare them away from an awesome genre. Fun and weird.

Writing for children is arguably the hardest job for anyone. It involves so much speculation regarding the child's psyche, that the author, despite a richness of childhood experience, feels helpless at the task; that is if he/she intends to write good children literature. L. Frank Baum never seemed to have this handicap.'The Magic Cloak of Oz', lost in its complete version, lacks the power of a great piece of work, and yet it is somewhat touching. The sets and the costumes are rich and beautiful; the cinematography is pleasant (Mildred Harris' mirrors scene deserves commending). On the acting front, Fred Woodward's physical performance is rather successful, and Juanita Hansen provides reasonable attempts not to overact.The film is definitely dated, and it seems hard to imagine that the children of our times can really appreciate it. J. Farrell MacDonald, or Baum himself (according to some records), has provided a feeling of playfulness and sheer childhood joy in the story however. One has to imagine how great would it be for a kid to have the entire national budget spent on toys! Maybe, the film has the magic of the irresponsible days, a feature we learn to loose in time.