Watch Hawaiian Holiday For Free

An action-packed slog

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Mickey Mouse and friends are vacationing in Hawaii where they get into one situation after another in their attempts to have fun. Goofy tries his hand at surfing but the waves aren't cooperating. Actually, the ocean kicks his butt. Donald sets his rear on fire then struggles with a starfish. Pluto has his own troubles with a seashell and a crab. Mickey and Minnie basically do nothing interesting. A slight but amusing short. Disney's first released through RKO after five years of working with United Artists. Nice animation and lovely colors. Good music, too. Funny in spots but nothing hilarious. A good way to kill eight minutes but nothing to write home about.

A Walt Disney MICKEY MOUSE Cartoon.Mickey & Minnie are enjoying their HAWAIIAN HOLIDAY, but the rest of the Gang are encountering troubles in Paradise...Here is another very funny, excellently animated little film from Disney's Golden Age. The Mice have little to do with the plot but Donald's hula, Goofy's attempts at surfing and Pluto's encounters with a starfish & crab are very enjoyable. Clarence Nash supplied the Duck with his unique voice.Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.

The title could be the synopsis, too: Mickey and his pals are on vacation in Hawaii. There is no plot, we simply see the characters engaged in activities appropriate for the islands. This being a cartoon, the fun also contains its quota of mishaps: Pluto has issues with a starfish and a crab, Donald lights his fanny on fire dancing a hula, and Goofy has a recurring headache trying to catch a wave on an uncooperative surf. Animation from this era often seems slower when compared to the breakneck pacing perfected by Bob Clampett and Tex Avery in the 1940s, but this time the unhurried gait fits the material perfectly. A Hawaiian vacation has to be mellow for us to appreciate the lush colors and meticulous backgrounds that occupy each frame. Noteworthy is the "split-screen" action above and below water level as Goofy searches for his surfboard (while under water, Goofy's animation is especially "fluid"). The real disappointment is Mickey himself. By 1937 he was already the "hole in the doughnut," and having Minnie carry him by hula-dancing to his slack-key guitar only draws attention to his lack of comic potential. What she ever saw in him is anyone's guess.

An amusing cartoon that points up the major flaw with Mickey: he's just not very interesting. He's talented, graceful and so forth, but too much in control of any situation and lacks anything like an amusing character. The Disney solution was to give him a strong supporting cast, including Donald Duck, Goofy and Pluto -- with his girlfriend, Minnie, in a grass skirt, dancing the hula. But in the following couple of years, the three supporting characters would each be given his own series of starring shorts, and Mickey would find himself largely out of a job, eventually turned into a corporate icon.In the meantime, take a look at this one.