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Very very predictable, including the post credit scene !!!

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Worth seeing just to witness how winsome it is.

I first saw "Toys" in 1966 or maybe 1967; I was 8 or 9, and very fond of my original G.I. Joes (the toy of the title). I can still recall the frisson created by the flame-thrower scene, and the power of the whole film. I saw the film again about 7 or 8 years later, as part of a film studies class, and I was still in awe of the power of the piece. Today, teaching film and video to high school students, I use "Toys" as part of a unit on war films; students still react.The most remarkable thing is how short this short is. I fully expected, as an adult, for it to be in 15 - 20 minute range; it is a mere 8 minutes. Every second of the film is pregnant with potential; Grant Monroe did not waste a single shot in this NFB classic. The stop-action animation is very good -- right up there with some of the classic stop-action material of the 60s, and surprisingly "life like" considering the fixed facial expression of G.I. Joes, and their limited hand positions.I give this film one of the highest ratings I have ever given, and I feel it earns every single star.

Before there was Small Soldiers, there was this film that took something of same subject matter, but in a superior fashion.When the kids in the film see the toy soldiers in the display, the film presents them as a glamourous bunch with light music highlight how cool they are. However, when these toys come to life, the music suddenly stops and the whole atmosphere becomes foreboding as these soldiers go through the motions of their roles.When the fighting erupts, the violence displayed is horrific as it is run with rapid cuts and stark lighting. Nothing is untouched, there are scenes of explosions, hurled bodies, death spasms, soldiers being bayoneted and incessant gunfire. All of it is contributing to a terrifying mess of imagery and sound that is all carefully calculated to deglamorize war.All of this culminates with the sequence of one surviving soldier inspecting the area with all its sickening plastic carnage that seems so authentic in an abstract manner. Then the soldier is discovered and is hit with a flame throwing with a death scream. You will be chilled to the bone, even if they are dolls.To this day, I cannot see 12" inch figures without those lingering images, which is the precise point of the filmmakers who intended to show what the real purpose of soldiers and war.