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A Masterpiece!

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The acting in this movie is really good.

Blistering performances.

Not one of the best Betty Boop cartoons, not by a long shot. Still a fine cartoon in many ways, and while very kid-oriented that shouldn't put adults off from seeing it.Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation. The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. That charm, sensuality and adorable factor is not lost anywhere in 'Parade of the Wooden Soldiers'.As ever in a Betty Boop cartoon, the animation is still incredibly good, the detail is immaculate, there are the typical imaginative moments (especially with the toys) and everything is beautifully drawn. Every bit as good and even better is the music, which is full of energy and lyrical elegance, and accessible to anybody. The supporting characters are good enough (if perhaps a little too many), while the voice acting suits the characters and cartoon well. The story is very thin structurally and may feel saccharine and cutesy for some, but paced in an efficient way that still makes 'Parade of the Wooden Soldiers' engaging.While there are Betty Boop cartoons that are more surreal, 'Parade of the Wooden Soldiers' is one of the most risqué of the 1933 bunch of her cartoons, and boasts some imaginative visuals, humorous gags (like with the chimney) and clever touches like the ending. A lot of fun throughout.On the whole, not a favourite of the Betty Boop cartoons but still with a lot to like. 8/10 Bethany Cox

"Parade of the Wooden Soldiers" is a Betty Boop cartoon from over 80 years ago. It has sound, is black-and-white (as almost all of her cartoons) and runs for 8 minutes, a minute longer than cartoons usually did back then. Dave Fleischer and Seymour Kneitel are the directors and both, especially the former, belong to the most lauded cartoon makers of their era. There is always something weird and enigmatic to these Betty Boop cartoons and this one is no exception. Sadly it is not really as funny as I would have liked. My favorite scene is probably the short one with the bunnies disappearing and reappearing very differently than they went in. In 1933, the (still today) popular movie "King Kong" came out, so it's probably not a coincidence that the antagonist here is a big gorilla and Betty plays a sort-of Fay Wray character. Interesting reference, but not enough to let me recommend it.

This is a cartoon in the Betty Boop series produced by Fleischer studio. There will be spoilers ahead:This is, in many ways, a "typical" Fleischer short from the early 1930s, if there is such a thing. It's a touch surreal and there are risqué elements which would mostly go over the heads of children but would amuse adults.The short begins with Rubinoff and His Orchestra in a live action shot as the musicians playing the score. The animation begins with a series of interconnected buildings "giving their all" so that a toy factory can produce a single package. The buildings deflate in turn, the toy factory doing so once the package is disgorged and sent on its way.The toy is shown on various vehicles of transportation, finally dropped by an airplane (a nice gag with the chimney and with the flames in the fireplace as the package winds up in a toy shop). Betty is in the package, as a toy-sized doll, short skirt, garter and all. The toy soldiers spring to attention and music begins as the toys go to greet Betty.There are risqué sight gags scattered throughout the toys marching to see Betty. A street cleaner toy marches behind toy elephants, two adult toy rabbits multiply out of sight in a tunnel and a dog follows a toy hydrant, for example. Betty serenades the toys with a song and rockets are fired off in her honor. One of the rockets disturbs a King Kong-like rag doll and it goes on a rampage. It pulls the head off a black-face toy eating watermelon (there are several ethnic caricatures in here) and goes searching for a suitable replacement head.Betty, meanwhile, has been enthroned and made a queen by the other toys. The ape spots her and decides her head is what is needed. Betty is kidnapped by the ape and the toys spring into action, effectively declaring war on the ape and trying to rescue Betty. Ultimately, the ape is beaten, Betty is rescued (not without damage to her dress, which is shown in another risqué gag toward the end) and a closing parade is shown, with toys seen earlier, with clear damage and attempts at repair obvious. The ending is clever.This short is in The Definitive Betty Boop Collection and is well worth seeing. Recommended.

Once again, we hear and see Rubinoff playing the violin to open up this Betty Boop cartoon. He plays soft, quiet music as an introduction until Betty gives ups her "oop, oop be doop" opening. Then we get to the story, where we first see big-city buildings, all linked to a toy factory, producing a mystery package that is transported by a small train and then by a plane. Eventually, it is dropped down a chimney to a magical house with wooden soldiers. Inside the box is Betty, in toy-soldier form! The wooden soldiers come to life, play the trumpets and all the toys come to life.From that point, it's a lot of song and dance until a big ape comes to life and tries to harm Betty. That's when the soldiers come to the rescue! In all, nothing super and geared a lot more to little kids.