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Such a frustrating disappointment

Sorry, this movie sucks

Excellent adaptation.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

When you consider that Russ Meyer's films weren't that great to begin with, then this "tribute" easily becomes forgettable. Mercifully, "Pervert" has a run time of only 81 minutes, and yet it still wears out it's welcome early on. A son who is dumb as the post holes his father has him digging in the desert, is constantly chasing around bare breasted women. All of this becomes redundant and numbing. Throw in endless weak double entendre's , porno quality acting, and a claymation killer penis, and it's easy to see why "Pervert" has little to offer other than trying too hard to be bizarre. Not recommended............. - MERK

There were all types of sexploitation films, and they had many different underlying themes and aims. Russ Meyer's aim seemed to be to glorify the female as a fully voluptuous, fully powerful, and fully remarkable creature. The female to Meyer is "more" than the male. The sheer joy he takes in her physicality proves this, plus her mythic strength and power over the male. This movie, PERVERT, is exactly the opposite. The women are completely subordinate to the men. Their sexuality is seen from the outside, and has no real power. The women are viciously slaughtered. Even the gooniest, most degenerate, oldest, or stupidest males are stronger and smarter than the females. This is cheap sex comedy a hundred times removed from adult sexual issues. The attitude towards the women is like that of teen males who hate women because the sexiest women aren't available to them, and because a woman's sexuality is totally abstract to them. It's actually quite Victorian in that sense. It's full of a type of fear and curiosity of the female that emerges in times of great repression. SPOILER ALERT: Worse still, the "killer" that is terrorizing the females (the detached penis of the protagonist), is never related psychologically to its owner, so that an opportunity for discussing male violence or a split between the civilized and savage parts of male desire, is missed. Indeed, the claymation penis is the only character that is given a personality. It has rage, humility, bashfulness, shame, makes cutesy faces, etc. This is all of course a cheap joke. Especially as this killer penis rapes women, destroys their insides, and comes out through their mouths, behaving like a knife, eviscerating them and making them explode with blood, then scuttles across the desert like a cowboy hero out for revenge. Ha ha. Other jokes draw on racism, homophobia, ageism, etc. As an attempt to make fun of redneck values it doesn't work, as the film doesn't offer an alternate point of view, so it seems to condone the values it's sending up. Therefore, as satire it fails miserably. The filmmakers seem to revel in the bad values, almost nostalgic for them, and to be making this film as a way of re-entrenching them through humor. As a female, I find as much humor in this travesty as a black person might find in a comic send-up of a KKK lynching, all of course from the point of view of the racists. Humor is always based on the audience sharing values with the jokes being made, and so all of the people loving this film might want to take a look at themselves and why they think it's funny.

"We've got a killer cock to catch, we'll talk about love some other time."Absurd, goofy sex goremedy and a homage-of-sorts to Russ Meyer flicks stars New Orleans college student, James(Sean Andrews)returning home to the desert to see his widower hillbilly father, Hezekiah(Darrell Sandeen)who is shacking it up with a boob-heavy slut named Cheryl(..the notorious Republican porn star Mary Carey who ran for California governor). Hezekiah wishes to put his son to work and has James helping with chores around the house. Soon Cheryl and James are having at it, humping all over the place as pa sleeps. Meanwhile a creature of some sort is moving about the place at night..what could it be? Soon Hezekiah finds his son and Cheryl doing the nasty, quite irate and mortified, resulting in her mysterious disappearance. Later, Hezekiah picks up another slut, Alisha(Sally Jean)who ridicules James non-stop while keeping pa happy in the sack. When James discovers Cheryl whose head comes off while the creature attacks Alisha, he suspects Hezekiah as the culprit. Inlisting the aid of a supposed nurse, Patty(Juliette Clarke), who is not who she appears, maybe James can, once and for all, discover whose responsible for the murders.That creature, if you must know, is a stop-motion claymation penis(!)which detaches from James thanks to a voodoo ritual involving the idea of picking up chicks with ease resulting in a curse..this takes penis envy to an all new level. In fact, we soon the discover that the penis is "female" and attacks other girls because it's jealous of the affections it's master gives them! Lots of tits and some sex, with a ton of gross sound effects..purposely juvenile and embracing immoral freedom. Director Jonathan Yudis portrays an unpleasant auto-mechanic with overalls, a Nazi swastika tattoo, grease, bad teeth, speaking in rap lingo(!), and giving off an attraction to James, whose car he's working on. The females in the film, particularly Mary Carey who knows no shame, are quite uninhibited. Lots of blood coming towards the final half of the film when the attacks begin. The penis actually has eyes and sharp teeth! Must be the first time that there's a camera point-of-view from the eyes of a penis! There are various film breaks featuring a naked woman doing various things like riding a golf cart, for no apparent reason whatsoever. The filmmakers attempt to achieve the aesthetic visual styling of Meyer, such as the unusual camera angles, general raunchiness, and featuring voluptuous women with very large jugs. Shooting in the lonely desert, with bright blue skies, around a farmhouse. Hezekiah has a wooden shack where he keeps art representing women from chopped up meat and animal parts! Lots of homosexual jokes on display as well. I found some of this movie amusing, but often felt they tried so hard that the comedy often feels really forced. There's a naughty spirit from the very first reel to the last that's certain to appeal to the obvious crowd this film is aimed towards. Heavy use of split screen throughout as well.

King Russ Meyer is dead … Long live King Meyer! That must have been one of the mottoes director Jonathan Yudis treasured whilst shooting this indescribably demented but surprisingly successful tribute to rancid 70's exploitation, and more particularly to the fabulous repertoire of the Fellini of the Sex Industry; mister Russ Meyer himself. "Pervert!" has a weak premise, an incoherent screenplay, monotonous & uninspired cinematography and horrid acting performances … but we wouldn't want it any other way! It's a silly, brainless smut-production and it advertises a famous porn star's big breasts on all the posters, that is all you need to know! Twenty-something James drives up to his father's isolated ranch in the desert to help him out with the chores during the summer. Father Hezekiah has clearly found some new hobbies since his wife died, like making females sculptures out of rotting meat and – more importantly – share the bed with the large-breasted Cheryl. James, understandably, wants a piece of her as well, which leads to father/son arguments on the ranch. Shortly after, Cheryl goes missing and Hezekiah new and equally voluptuous girlfriend turns up dead. The plot then takes a couple of grotesquely insane twists and ludicrous turns, and only truly die-hard exploitation fanatics will be able to tolerate them. The first words that can be heard in "Pervert!" are the lyrics of a song that is spot-on and immediately determines the atmosphere of the entire film: "Baby, I'm so sick…I'm so twisted. I'm a pervert, baby!". Hell yeah, everyone's slightly perverted (or at least deranged) in this movie! "Pervert!" is definitely inspired by the best work of Russ Meyer. For example, the compilation of moments when James & Cheryl have sex at various places around the ranch while Hezekiah is sleeping is clearly copied from "Supervixens" and the early scene with the yummy hitch-hiker is also a textbook Russ Meyer utopia. Adult movie star Mary Carey can't act, and she honestly isn't very attractive, but she sure has an impressive pair of blouse bunnies. Jonathan Yudis set aside an interesting role for himself as well, namely the nasty and sexually confused mechanic in town. He also rewarded himself with a totally gratuitous and unexpected kick-a-toddler moment, which was priceless. "Pervert!" is a strange, gory (some nasty butchering, too) and totally moronic no-budget fan-boy flick that proves that grindhouse cinema definitely isn't dead. Warmly recommended to people with a bizarre taste.