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Powerful

It is a performances centric movie

This movie was so-so. It had it's moments, but wasn't the greatest.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

When a movie stars Joel McCrea, you can pretty much guarantee it will be enjoyable...and so I wasn't surprised that I enjoyed this film. It's cute and enjoyable and Miriam Hopkins is quite nice as well.When the film begins, you learn that the heiress Dorothy Hunter is a bit of an enigma. No one knows what she looks like and folks about to meet her are curious what she looks like. However, what they don't realize is that this 'Dorothy Hunter' is a fake...hired by the real one (Hopkins) because she wants to retain her privacy. This has created a problem, however. How will she meet men and how will she handle it when she meets a nice guy? Well, she gets to try this out when Tony (McCrea) enters her life. She CONTINUES to pretend to be someone else and her assistant continues to pretend to be Dorothy. The problem is that Tony finds he's falling for BOTH women!This is a sweet film and the stars do a nice job...almost nice enough to give this one an 8. The script isn't easy to believe but the cast do their best to breath life into it.

I'd like to recommend this because I like the cast and director but I found it rather dull. It's not quite funny enough to be a comedy and the romance is improbable and unengaging.Miriam Hopkins is the richest girl in the world and finds it hard to attract men, because the men don't want to be seen as opportunists. (That proposition is funnier than any of the gags in the movie.) So she switches places with her secretary, the good-natured Fay Wray.In this guise, she meets Joel McRea, an honest, ordinary sort of bloke. One of Hopkins' staff looks into his background. Not a great deal of money, but the scion of an old Boston family, a broker on Wall Street or something, and a graduate degree from Yale. "About average," says Hopkins' adviser, the avuncular Henry Stephenson, in all seriousness. That's funnier than any of the gags too.Hopkins decides to put McRea to the test by pushing him in the direction of Fay Wray, who McRea still believes to be the richest girl in the world. Will McRea give up Hopkins (who is REALLY the richest girl in the world) for Fay Wray (who is only PRETENDING to be the richest girl in the world but is already married to King Kong)? Are you kidding? Actually, I would have given up the smitten Miriam Hopkins for Fay Wray in an instant. Wray is better looking, unwittingly sexy, and even as a secretary, she still makes a lot more money than I do. If Fay Wray didn't swoon once within my cloud of pheromones, if she didn't fall for me immediately, I'd have beaten her into it.

I came to this film because I'd just seen its musical remake, The French Line, a campy colour affair with Jane Russell, 'presented by' Howard Hughes. The French Line isn't unwatchable, although one may want to peep through one's fingers during the cowgirl dance number, but it is outstandingly dated in terms of male-female relations. Jane Russell's richest-girl-in-the-world is warned from the start that she will put men off with her rootin' tootin' tomboyish get-up & behaviour, but it's her money and power that will really convince them she's wearing the pants.I am mad about Joel McCrea and I like Hopkins a lot. I wanted to see what the original was like. And of course, because it's the 30s there's no such issue. Men and women can be knockabout pals, Joel McCrea is enchanted when Hopkins thrashes him at billiards, they get drunk together, fall asleep smoochily together and the happy ending is wonderfully engineered: you relax your modern PC concerns even though the penultimate scene features McCrea picking her up (protesting wildly) and (off-camera) locking her in his car. It squeaked into cinemas pre-Hays, too, so the last couple of scenes in particular are pretty racy and very funny. The two leads play beautifully together and Fay Wray is always good.

Agree with prior comments. Nice period piece that you'll see elements of other ones to come like His Girl Friday. Screenplay got Oscar nom. Fay Wray had RKO's biggest grosser King Kong previous year, 1933. Then made 11 pictures before this one in 1934! Studios really pushed their people. Of course, many were of the "play" type and of short length so the Formula could roll them along. That's both good and bad. This one does hold interest tho. Great faces on the women and high style Art Deco look.