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Wilby Wonderful
A day-in-the-life dark comedy concerning a group of islanders, their respective secrets, and one man's plan to kill himself quietly.
Release : | 2004 |
Rating : | 6.6 |
Studio : | |
Crew : | Art Direction, Production Design, |
Cast : | Callum Keith Rennie Elliot Page Rebecca Jenkins Sandra Oh Paul Gross |
Genre : | Drama Comedy Romance |
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You won't be disappointed!
Awesome Movie
Absolutely Fantastic
Blistering performances.
Wilby Wonderful is a generous-hearted dark comedy drama with down-to-earth characters in realistic, hum-drum, inescapable life situations. The pace of the film lets us see into the emotional lives and conflicts the characters must deal with; there's a lot of quirky humor, and lovely shots of people's faces slowly changing as their feelings catch up with their minds.All the actors do a great job. Ellen Page is solid and appealing; Sandra Oh is heart-breaking, contained and gorgeous. If you like off-beat stories and solid, ensemble acting you will enjoy WW - it's a lovely way to spend a while.
This is not a film for you if you like explosions, bombs, car pursuits, guns and drug. However, if you like quiet analyzes on everyday lives, carefully done portraits and human beings, then this could be your film. The lives of the characters are well portrayed, without obscene voyeurism. They're just your everyday people: The stressed real estate agent, the quiet divorced Policeman, the nice chap sign painter etc... But they're all unique in their own way, and this is why the film never falls into caricature. The "scandal" that threatens to be unleashed is finally more the town's blind conservatism, the film denounces. All told with a moving music and a delicate irony, this story of crossing destinies is a must-see. Especially the love story between Duck and Dan: It is a way more realistic view on gay life in a small town than Brokeback Mountain ever was...
What an enjoyable movie. Saw it at the Stony Brook Film Festival and was disappointed to hear it has gone straight to video. With so much crap out there, there is surely a place for a movie like this. Unfortunately, there are no special effects, or in your face sex and violence. The story makes sense, the loose ends are tied up and the characters are real. In fact, one of the few known faces, to me, was Sandra Oh and she was nearly a distraction, because she is so familiar. Everyone else seemed more real. This movie was made by the same guy who made "Marion Bridge" another Canadian movie set in Cape Breton and starring, if that's the right word, the delightful Molly Parker. Bravo John McIvor and everyone involved in this thoroughly entertaining movie. You'd have been pleased at the ovation at the end of the screening.
Maybe it is just that I am a Californian and not a Canadian, but as an outsider, I have often loved Canadian Film. This is a prime example of what many Canadians seem to do that most US directors do not: take time to tell a story, not be afraid to show the dark side of characters, and trust actors to so what they do best.I saw this film at OUTFEST, and was moved by a gay film that puts homosexuality in context: all the main characters of this film seek love and validation. All do it in different ways. All feel that they have been untrue to themselves, somehow, in this search for love. All seem to feel somehow thwarted by their past (or maybe, in the case of Sandra Oh's character, the most recent past), as well, in this hunt. The struggle of gay people to receive respect AND the love they deserve has been placed squarely into a larger context (we all have this same struggle for identity and validation); and I love this aspect of the film.The film revolves around a few main characters: the man who comically tries to kill himself over and over, only to be interrupted at the most (in)opportune times; the painter who stalks him throughout the film, but who may also be his only chance at love; the real estate agent and her cop husband whose ideals have somehow drifted apart; and a hometown girl who has recently returned to town with her adolescent (and sexually coveted daughter, perhaps returning because of her sexual antics everywhere else they have lived. While each of these characters is certainly a "type," and has their moment of stereotypical comic relief, I was impressed at how director Daniel MacIvor showed the roots in reality for each stereotype, and allowed each Jungian type to have depth and a moment that ran against expectation.The cast, as well, was fabulous. Sandra Oh is amazing at playing a together woman with another side. Rebecca Jenkins showed real sorrow beneath smuttiness. Even the actors playing the gay characters had moments of real transcendence, even though the suffering man in the closet and the lonely man chasing him theme has been played out before.People walked out of this screening, so the film is obviously not for everyone. For me, however, it was a true tribute to the underlying humanity that brings messed up people together for the highest good.