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Very very predictable, including the post credit scene !!!

Expected more

Excellent adaptation.

The film never slows down or bores, plunging from one harrowing sequence to the next.

I grew up in rural Canada, in a small middle-class household that was a little bit on the old-fashioned side. Dramas like these were part of the experience when all you had was access to CBC television and a small selection of video tapes. Although I never caught this one in particular as a child, it would have been perfectly welcome.It's hard to picture why exactly a film like "Why Shoot the Teacher?" has been so well-forgotten over the years. Something in the lack of initial distribution no doubt, which seems to be the lot of nearly all Canadian films of this era. It's based on a book by Max Braithwaite, and it feels very much like a true story, though there's a chance I suppose that it isn't. Silvio Narizzano directs it to life with a looseness and a real live humanity.The acting is undoubtedly what gives this film its energy, and Bud Cort is better than I've ever seen him. In a similar sense as Charles Martin Smith's character in "Never Cry Wolf" he portrays a truly charming combination of naiveté and forced confidence. It's that painfully forced bravery that saves him in the end. This film could serve as a lesson in how much difference overcoming even the smallest percentage of personal fears can make in your life.There is a lightness to "Why Shoot the Teacher?", a faithful depiction with just enough weight to keep it all from blowing away. I felt it moving through me, lifting my head and softening my heart. It's something to be thankful for, this gentle little thing.

Set in a small, isolated Canadian town during the Great Depression of the 1930s, "Why Shoot the Teacher?" was superbly photographed on natural locations. Furthermore, it tells a true story. This is a combination that certainly holds the interest, but there is more: Led by Bud Cort and Samantha Eggar, all the players comes across as real people in real situations. Thanks to these compelling performances, the actual dramatic and comic incidents portrayed in this slice of rural life come across with real impact.The film is also blessed with a delightful period music score and clever sound effects. It's certainly an odd film from director Silvio Narizzano, obviously lensed over a long period of time on a tight budget, but containing few of the director's usual tricks. Perhaps that's all to the good. This movie certainly holds its own against more widely touted but similar films.

The subject of "why shoot the teacher?" is a burning one,as much today as it was yesterday:the teacher,fresh from his training college ,who takes his first class ,in a dead-and-alive hole (or ,worse,in the wrong side of the town).The young man (or woman)understands that all that he learned in college ,all the highest theories can't help him with his thankless job.His pupils are not the ones he was expecting.Any teacher,when he began,has been through all this. Bud Cort ,famous for his part of Harold in "Harold and Maude " is ideally cast as the young schoolteacher:his youthful looks ,his naive face and his resilience work wonders.For, in this part of Canada,mother nature is not really on his side.

Such a sweet, sweet movie...and so, so underrated... I'll never understand why some of the worst movies make it to DVD, but the gems sit around and wait for their turn.I adored the story line! Bud Cort plays an innocent, scattered, simple/warm-hearted man who tries to teach students in a small town in Canada. At first the students are disrespectful loud-mouths, but grow to become compassionate individuals when Cort's character (Max Brown) inspires them.I cannot get over how endearing Bud Cort is in this film. All he wants is to be loved, and to love someone else, but he has a failed romance with an already-married woman, who is also lost in her own troubles. All you want to do is sympathize with his character, especially in the beginning, when he was trying to become adjusted to this unfamiliar town with people who couldn't understand him.I would say that this is one of Bud Cort's top 5 best film roles. (Along with Harold and Maude, Bernice Bobs Her Hair, Brave New World, and Ted and Venus).