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Two O'Clock Courage
After nearly running over him with her cab, Patty Mitchell picks up a fare who claims to have amnesia. As he fumbles to remember the basic facts of his identity, Patty becomes interested in the stranger and decides to help him in his search. But as the pieces of the puzzle begin to fall into place, and Patty's interest becomes more personal, the stranger finds that he is the prime suspect in a murder case.
Release : | 1945 |
Rating : | 6.4 |
Studio : | RKO Radio Pictures, |
Crew : | Art Direction, Art Direction, |
Cast : | Tom Conway Ann Rutherford Richard Lane Lester Matthews Roland Drew |
Genre : | Drama Comedy Crime Mystery |
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Reviews
Absolutely brilliant
Simple and well acted, it has tension enough to knot the stomach.
The movie really just wants to entertain people.
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.
Remake of Two in the Dark from RKO starring the unlikely duo of Tom Conway and Ann Rutherford. Conway plays a guy with a head wound and amnesia who searches for the truth about who he is and whether or not he committed murder. Rutherford is the spunky female cabbie who helps him. This is an entertaining enough picture. Nothing exceptional but a good time-passer. Conway, debonair as ever, is the kind of actor they just don't make anymore. Adorable Ann Rutherford is a little miscast as a street-smart cabbie. This is a part more suited for a Farrell, Blondell, or Sothern. Rutherford's just too sweet. Still she's always a treat to watch, even if it does feel a bit like she's trying on her big sister's clothes. Conway/Rutherford chemistry isn't exactly sizzling, either. Also featuring noir great Jane Greer in a small part and RKO favorite Jean Brooks, who was in quite a few Tom Conway films during the 40s. Directed by Anthony Mann but you would never know it as it's a pretty routine B movie with no discernible style or craft to brag about.
Finding himself with a bloodied head, and suffering from amnesia, suave Tom Conway is nearly run over by pretty cab driver Ann Rutherford (as Patty Mitchell). Riding around, Mr. Conway discovers clues to his identity, including five hundred dollars in his suit pocket. A news flash connects Conway to recent murder, but Ms. Rutherford doesn't think her passenger is guilty. The pair try to solve the murder mystery while love blooms. Director Anthony Mann isn't as artful as in later years. "Two O'Clock Courage" turns out to be the name of a play that figures in the plot. By the time the mystery is solved, it's not very interesting. Fortunately, the well-endowed Rutherford, Jane Greer (as Helen Carter), and Jean Brooks (as Barbara Borden) are around to keep it looking good.****** Two O'Clock Courage (4/13/45) Anthony Mann ~ Tom Conway, Ann Rutherford, Jane Greer, Jean Brooks
A rather rushed whodunit, with the plot weaving all over the place littering the screen with suspects, motives and distractions. At the end we have an anti-climax solution followed by the real killer being revealed. Bewildering? Thankfully Mann's direction is solid and the main leads Tom Conway and Ann Rutherford do a good job putting over the somewhat unlikely plot.The Noir Festival programmer at the American Cinematheque in his comments before the screening (where I saw this gem) quipped like many RKO b pictures this one has story contrivances that cut costs like most of the characters staying in the same hotel. But it gets a bit much when Conway's character gives the police the slip to search a room elsewhere in the hotel which results in a fight that the cops can hear through the ceiling. Talk about plot contrivance!
Fast-paced mystery as Tom Conway unravels his past life following an injury to the head and amnesia. Tom is believable as is the storyline. Ann Rutherford serves as an adequate sidekick, Jane Greer looks beautiful in one of her very early films, and we see Jean Brooks in one of her last. Although shot in the middle of the Falcon series, and much resembles same, this is actually a re-make of the 1936 movie "Two in the Dark." The plot has lots of twists and turns and it will not be obvious "who done it" until the very end. Enjoyable light entertainment.