Watch Norte, The End of History For Free

Purely Joyful Movie!

Lack of good storyline.

Expected more

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The film opens with the character Fabian having a heated discussion with two of his lecturers. He tries to elaborate on his philosophies on life and society, how eradication of bad (evil) elements is the only way to progress. From his conversations with his law school friends, we understand that he has left college due to depression and discontent in life, his disillusionment with his country, whose history is marred by betrayals and unpunished crimes. His upbringing and behaviour makes us realise he's a sociopath, feeling distant from almost everything around. Trying to put his theory into practice, he murders an unsympathetic moneylender, and unavoidably (unplanned), her daughter as well.Loosely based on Dostoyevsky's 'Crime and Punishment', Lav Diaz's four-hour saga explores how a certain crime affects the lives of three individuals - highly intelligent but depressed Fabian who commits the murder, poor and good-hearted Joaquin who's wrongly convicted of the murder, and Eliza (Joaquin's wife) who now has to work endlessly in order to take care of her two kids and Joaquin's sister. The guilt consumes Fabian and drives him to insanity; though he evades getting caught, he feels his soul is corrupted forever. Joaquin maintains his innocence and incorruptible goodness, hoping it results in eventual justice. And Eliza keeps on persevering in the face of injustice, and carries on with her life in eternal despair. Thus, in the three characters we see hope, despair, and the lack of both.Mostly taken in long takes, with no close-ups or background music, Lav Diaz immerses us into the lives of these three people, with scenes mostly covering their routine activities or conversations. Even without the usual sentimental gimmicks, Diaz gives us his pessimistic and heartbreaking worldview, where life is punctuated with inequality and injustice. I wouldn't exclude a single minute from the movie's 250-minute runtime (which many viewers complain about) because the film progresses at the right pace, giving us enough time to contemplate on the themes surrounding the story - existence, evil (its presence, and whether to destroy the source of it, or evil itself), crime, blame, morality, conscience, injustice, perseverance, hope, universal love and fate; without contemplation and debate (internal or otherwise), watching this film would be wasted potential. For example, blame; who or what should Eliza blame for their situation? The justice system which wrongly but swiftly convicts her husband, or their lawyer who inefficiently pleaded their case, or the murderer who ran away from the scene, or the moneylender herself for being so unscrupulous that her husband attacked her earlier, or the accident which caused the moneylender to have a vicious grip on their lives, or herself for stopping her husband to work abroad before all this mess? So, who is she supposed to be angry at?With spectacular setting and talented actors (especially, the talented Miss Angeli Bayani), Director Lav Diaz efficiently weaves an sweeping and symmetric tale, in which all the elements make complete sense by the end. No matter how much or what I write, it couldn't possibly illustrate the film's complete worth. Ultimately, 'Norte' is poignant and devastating, and is bound to leave a scar on one's soul.

Norte: Hangganan ng Kasaysayan (Norte, the End of History) clocking in at 250 minutes is utterly breathtaking in scope and visually remains a staggeringly beautiful, poetic masterpiece. On a symbolic level, it is a transcendent story of exploration, self-discovery and redemption, realistically portraying the strength, and equal fragility, of the human condition. The film elaborately investigates the relationship between man and his socio-political circumstances - in this case the extreme poverty of the Philippines in correlation with brutal capitalism on the rise. Most importantly however it explores the spiritual relation between humanity and God.Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.

Fabian, a pretentious, pseudo-intellectual leads a small adoring clique of fellow law students. Imitating Raskolnikov in 'Crime and Punishment', he brutally murders Magda, a heartless money- lender, and her teenage daughter.For unexplained reasons Joaquin, a poor man with a young family, is convicted of the crimes and sentenced to life imprisonment.Fabian gives the deprived wife some money and asks his friends to do what they can for Joaquin. He then rapes his god-fearing sister and slaughters a dog to round off the nasty, sadistic episodes that punctuate what passes for a story. The film ends with him taking a canoe ride.How can this implausible, unresolved plot occupy 250 minutes of screen time? No problem, just point a camera at something and let it roll while next to nothing happens. Scenes go on and on for no obvious purpose. They can be repeated knockings on a door with cries of 'Fabian, are you in there', to lighting and smoking cigarettes, to plodding along paths, to observing landscapes. More than four hours could have been edited to, say, 90 minutes without any significant loss of material.What director Diaz has produced is a semi-motion picture, a mildly intriguing but generally tedious variant of the wham, bam, thank you ma'am school of frenetic film-making with eternally swooping and sliding cameras and cuts every few seconds.Diaz changes the appearance and tempo slightly with fuzzy landscape shots, probably taken from a drone with an inexpensive camera, and some jerky hand-held footage that could have been borrowed from Lars von Trier.Almost at the end, Diaz cocks a snook at his audience with a ludicrous levitation scene.Norte, despite its faults in pacing and plotting, is not short of striking visual images. If they had all been reduced to about a third of their displayed length and allied to a plot that made some sense, a watchable film might have been the result.

Finally! Today, I can now say that I have seen a Lav Diaz film. Since his multi-awarded "Batang West Side" in 2001, Mr. Diaz has built a name directing artistic opuses that run much much longer than usual feature films, usually more than five hours. His longest was "Evolution of a Filipino Family" in 2004, which clocked at a whopping 11 and a half hours! Running for about 4 hours, "Norte" is fondly referred to as Mr. Diaz's "short" film, and therefore the most accessible of all his films."Norte" is set in the northern province of Ilocos Norte. Fabian Viduya (Sid Lucero) was a topnotch law student who quit law school because of his highfalutin philosophical ideas of a society beyond existentialism and anarchy. Joaquin (Archie Alemania) and Eliza (Agnes Bayani) were a poor couple whose dreams of building their own eatery business are dashed when Joaquin suffers a leg injury and they fell deep into debt. The fates of these three people intersected when a heinous crime was committed in their small town. Since then, these three lives were thrown into a major maelstrom. These events happened in just in the first hour, the rest of the next three hours follows what happens to each of these three characters following that cruelly fateful day.I will not pretend and say that I did not feel the four hours. I did feel the length of the film with those static shots that seemed to be showing nothing in particular or the very slow telling of events with several details that seemed like they would have been edited out in usual film. However, each of these scenes would usually precede a scene of big importance, building up the suspense very effectively.If we complain that there is no character development in mainstream film, in this film, there is not shortage of that. We will get to see how the events shaped Fabian, Joaquin and Eliza as they were caught in their consequences. However, for a super-complex character like Fabian, the four hours was not even enough to get to know his innermost core that drove him to do the things he did. Fabian is a big question mark up to his very last scene.Sid Lucero got wrung through the wringer for his role as Fabian. You'll admire him. You'll pity him. You'll hate him. This is such a complex role and Lucero was more than up to the task. "Norte" is his film. It was his actions that throw the other characters' lives around. Angeli Bayani has taken over roles that would probably been given to younger Ms. Nora Aunor. Even if her character barely talked, it was her eyes, her face that talked to us. Her scenes with Archie Alemania are tearjerkers without words nor music to build up the moment. Her back was even turned to us. Yet the emotion was so deeply felt. There was also that scene where she was walking with her kids at the crossroads, and following that, a scene with her kids over a ledge -- she can really convey tension that her director requires.Archie Alemania's character development was rather straight-forward and he played the character very sympathetically. Mae Paner was the usurer Magda, such a hateful character you will feel her effect even if she was only seen in the first hour. Soliman Cruz was another hateful character Wakwak seen in the third hour. That scene where he was singing "O Holy Night" was so insidiously sinister.This film is not for everyone. Not everyone will have the patience for it. Not everyone will have the time for it. However, for those who do invest their time with this, you will see that this was a film of artistic excellence. The innovative camera angles make mundane household items and rustic scenes look and feel different. This could be your best chance to watch a Lav Diaz film and immerse yourself in the work of a director whose name is already lined up with National Artists for film Brocka and Bernal.