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The Man Who Stole the Sun

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The Man Who Stole the Sun

A high school science teacher is the butt of all his students' jokes, until their bus is hijacked on a school trip. But something more sinister lurks beneath the surface: he's building an atomic bomb in his apartment.

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Release : 1979
Rating : 7.6
Studio : Kitty Films,  Tristone Entertainment, 
Crew : Production Design,  Director of Photography, 
Cast : Kenji Sawada Bunta Sugawara Kimiko Ikegami Kazuo Kitamura Shigeru Kōyama
Genre : Action Comedy Thriller Crime Science Fiction

Cast List

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Reviews

Cathardincu
2018/08/30

Surprisingly incoherent and boring

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Lawbolisted
2018/08/30

Powerful

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CommentsXp
2018/08/30

Best movie ever!

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Jonah Abbott
2018/08/30

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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angelosnow
2006/09/13

The Man Who Stole The Sun "Taiyo o nusunda otoko" (1979) The Man Who Stole the Sun is a title which invokes the myth of Prometheus, who stole fire from the Gods to give to man and was duly punished for it. The film revolves around a science teacher, Makato Kido (Kenji Sawada) who steals the secrets of the atom, constructing his own atomic bomb from stolen plutonium and holding Tokyo to ransom.Kido, the long haired, bubble gum chewing teacher who smokes too much and sleeps in class, goes by the terrorist codename "Nine". A symbolic reference to the eight nations who possess nuclear weapons (America, Soviet Union, England, France, China, India, Israel, South Africa), thus making him, potential nuclear threat number nine. Kido's flawed portrayal is as a man who desires the knowledge and power of an atomic bomb, yet upon attaining it, he is at a loss on what do with it. Subsequently, he calls up the vacuous, pretty radio hostess "Zero" (Kimiko Ikegami) and asks what others would demand if they had a nuclear bomb. The demand: that Rolling Stones would perform in Tokyo.The Rolling Stones is just one reference which contextually marks this late 1970s film. The other themes of the film: the Vietnam and Cold War, nuclear proliferation and the power of nations over the individual, reflects a social context where the autonomy of the individual was second to government agendas. By giving nuclear power to Kido, the film espouses a very liberal agenda of an individual (or public opinion) being able to assert his will on the government.Yet, as with many Japanese films, the fascination of the bomb – its raw destructive potential as well as its slow decaying effects – is a constant reminder of what the dangers of such power, placed in the wrong hands, can do. But who can blame them, being the only nation to experience the devastating effects of the atomic bomb? (Apart from South Australia of course, but according to the government, Aborigines don't count). "Prolonged exposure to radiation leads to hair loss, tissue decay and eventual death" Zero tells us. The death of Kido's cat through plutonium poisoning, hair falling out, bleeding gums, nausea, vomiting and finally culminating in Zero's ironic death as an indirect result of the bomb are constant reminders of this.Cinematically, Tokyo is captured beautifully through filters, portrayed as an almost surreal, blue urban landscape which infests the very streets, office hallways and the panoramic locations. The scenes in which Kido steals the plutonium is one of the highlights, reminiscent of the stills sequence of Chris Marker's La Jetée. Iran and South Korea could even take a few pointers from Kido's plutonium enrichment techniques – heating by home stove-oven.However, the film falls flat in the last half hour. The director had three chances to resolve the ending, but he forgoes all three. As a result, the film seems to protract itself needlessly. The last few minutes turns almost into a mockery of what the director had worked to build in the first one and a half hours, degenerating into a clichéd Hong Kong-esquire action/comedy car-chase and final violent showdown. It also shatters the audience's presumptions about Kido's character, as he desperately attempts to hold onto the bomb which he has no real use for.The film finally ends the only way it could be ended at this point – with Kido strolling down the street, atom bomb at his side. Like the bubble gum Kido seems to blow continuously, the atomic bomb (and the story) is finally stretched beyond its natural limits, leaving it with only one thing left to do: burst.

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PiranianRose
2006/02/11

After being held hostage by a dissatisfied citizen, a high school teacher--who is a hopeless bum with no mission in life whatsoever--follows a similar path to express his dissatisfaction: by building an atomic bomb in his apartment. In the end he blows everything up.What we have here is a totally nihilistic filmgoing experience. The message seems to be that society has fostered dissatisfied citizens who sense no purpose in life. In fact their only sense of achievement can be felt through destruction. Some fingers are pointed to Mr. Big Brother aka the conservative government, which has oppressed the wants of some people, for example by keeping the Rolling Stones out of the country because the band symbolized drugs.I think (I hope) anyone can see that the main character here is a nut, albeit a highly dangerous one since he could blow up Tokyo with a little ball. The point is that once the sense of purpose in life is lost, all hell breaks loose.

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lovegnu
2006/01/13

Look out for this hilariously overblown, big-budget Japanese film from the 70s, in which a trendy young high-school science teacher somehow makes a nuclear bomb in his Tokyo studio apartment, in order to hold the world to ransom. The bubble-gum blowing anti-hero is played by then pop-star Julie (a guy despite the girl's name) who looks more like John Travolta in Saturday Night Fever than any school-teachers I remember. The film, (co-written by "Taxi-Driver" writer Paul Schrader's brother) plays on the public's fear of nuclear weapons, but whether or not you're scared depends on how far you're willing to suspend your disbelief. After some early attempts at political commentary, it turns into a full-blown action film, with endless jaw-dropping stunts. Julie single-handedly hijacks a power station to steal plutonium for the bomb, and the cop in hot pursuit throughout the movie (a brilliant Bunta Sugawara)is as tenacious and indestructible as a Terminator as he dodges explosions and jumps from helicopters. Although overlong at 2 and a half hours, this film is constantly mad, unpredictable and unintentionally amusing. Animal lovers beware- Julie does some rather nasty things to his cat in the name of science.

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Nam
2000/04/22

Very well make... there are car chasing, gun shooting and even more... after watching this movie you may know how to make an atomic bomb!! Try to pick up this film in Video or Vcd.

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