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Let's be realistic.

It is a performances centric movie

Excellent adaptation.

Absolutely Brilliant!

So-so film noir, notable for Los Angeles locations and period cars. Vince Edwards made a great impression as the lead in the previous year's "Murder by Contract" (1958), another low budget film noir. This was his less memorable followup. Shot in seven days and released by Columbia Pictures, this is for fans of the actor, who later became a star on TV's "Ben Casey". This film would be best on a double bill at a drive-in theatre paired with another film noir cheapie.

Vince Edwards dominates the screen as Vince Ryker, a hard core criminal who makes a violent escape from prison. On his way out, he snatches a container that he mistakenly assumes to contain heroin, which he hopes to sell for a tidy profit. However, it actually contains "Cobalt 60", a dangerous radioactive substance. Cops played by the likes of Lyle Talbot, John Archer, and Kelly Thordsen have to track Ryker down before he can expose the city of L.A. to this substance. As it happens, any person who comes near the container does become seriously sick.Movies like "City of Fear" may be what they used to call "programmers", but that doesn't mean that they're devoid of entertainment value. This one is sufficiently enjoyable, with right-to- the-point, no frills filmmaking courtesy of director Irving Lerner and company. Tight pacing results in a movie that runs barely an hour and a quarter. Ryker is definitely an anti hero, to be sure, and Edwards portrays him in an appropriately sneering, punkish manner. But the story (co-written by co-star Steven Ritch, who plays Dr. John Wallace) dares to invite a bit of sympathy for Ryker, as he gets progressively more sickly and doesn't understand why. The rest of the cast is likewise solid: stunning Patricia Blair as Rykers' girl June, Joseph Mell as shoe store owner Eddie Crown, Sherwood Price as creepy Pete Hallon, Kathie Browne as salesgirl Jeanne, and Michael Mark in a cameo as a restaurant proprietor. The viewer can also have fun with the catchy, lively score composed by a young Jerry Goldsmith (in his first feature film credit). Cinematographer Lucien Ballard does excellent work as usual."City of Fear" might not be anything "great", but it serves its purpose: it's good, straightforward fun, combining police procedural aspects with potential outbreak chills in a diverting way. Recommended to fans of old black & white crime flicks.Seven out of 10.

It's not a classic by any means. But it has its virtues - the black and white cinematography, the great jazzy soundtrack by Jerry Goldsmith, and particularly the extensive on-location shooting in and around Los Angeles. There are lots of scenes of 1950s cars cruising the street, store fronts and interiors - more than average, because they're looking for the protagonist. Living in LA, I especially enjoyed that. As for the plot, I've seen three or four similar plotted stories the last year - someone is contagious and threatens the city, or is carrying something radioactive, etc. This one had a slightly less plausible plot line, since the police weren't particularly protective. But I soaked up the ancillary elements - the acting was passable, the camera-work and lighting were above average - and I'm a sucker for the '50s.

This is a gritty low-budget thriller that reminded me of Panic In The Streets but with a faster pace and a no-frills b-movie tone. I'd consider it a lost classic in that I saw it once on a local TV station about 30 years ago and have been looking for it on TV or video ever since to no avail. The basic premise of a deadly little canister of radiological waste deserves another look in this day of weapons of mass destruction (another case of science fiction predicting the future). The deterioration of the unwitting thief as the radiation poisoning consumes him is macabre and compelling.