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Slim
Expert lineman Red takes Farm-boy Slim under his wing and teaches him the dangerous, migratory trade of putting up transmission lines. They both love their work, and the same girl, who hates their dangerous profession.
Release : | 1937 |
Rating : | 6.4 |
Studio : | Warner Bros. Pictures, |
Crew : | Art Direction, Director of Photography, |
Cast : | Pat O’Brien Henry Fonda Stuart Erwin Margaret Lindsay John Litel |
Genre : | Drama Romance |
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Very best movie i ever watch
The best films of this genre always show a path and provide a takeaway for being a better person.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
The acting in this movie is really good.
This is a poorly written, directed and acted film, although there are some good camera shots when the characters are climbing up the electrical pole. It has shades of 'Manpower' with Edward G. Robinson about it, but neither film provides any engaging characters or compelling storyline. The film is pedestrian and just plods along at a snail's pace throughout. We don't care about the characters or the situations they are in. I don't know how this got made, but it is a poor excuse for a film that only adds to Henry Fonda's credits. I don't believe him as a tough man, although you do see scars on his face when he gets into a brawl. He is youthful looking and naive, but there is nothing else to commend this film.
I'm not a film critic, but I am a lineman. This film was an excellent example of the lifestyle lived by linemen, even in today's times. In regards to the comments made by "planktonrules", there is no explanation as to why Slim wants to be a lineman, it's a matter of heart. You have it or you don't. Henry Fonda managed to convey this quite well. I do admit the character of Slim is a bit too innocent, but seems appropriate for the background. And yes, for the record, rarely does anyone use true names, mostly nicknames given to you by those who have been there before you. This is a brotherhood, which is well expressed in this film. We wish there were more films like this about linemen.
Warner Brothers did this kind of taut,tart blue collar movie better than any other studio and while Slim is not the studio at its absolute peak of performance it is a pretty good piece of lean and crisp movie making .Slim -played with conviction by Henry Fonda -is a farm boy who yearns to work as a lineman on the big electrical projects then going ahead , under the auspices of the New Deal ,The opening sequence indeed is a quasi-documentary complete with solemn and sententious narrative that is a virtual commercial for Mr Roosevelt's public works agenda and which loudly hymns the role of the electrical industry in modern life He badgers Pop Travers (J Farrell MacDonald)to give him a trial and he is taken under the wing of the most respected of the lineman ,Red(Pat O'Brien).They become friends as well as mentor and protégé ,a factor cemented when Slim comes to Red's rescue as he is being fleeced by a crooked card sharp.They become partners and Red introduces Slim to his girlfriend ,a nurse Cathy (Margaret Lindsay)who is despairing of Red's nomadic lifestyle and longs to see him settle down to domesticity..Gradually a relationship develops between Slim and Cathy .The movie builds to a climax on a job site during a major blizzard .The movie is well acted and Ray Enright brings forthright energy to its direction .Special mention to Stewrat Erwin as the garrulous Stumpy -a veteran ground worker on the sites and to Jane Wyman making an early appearance as his girlfriend This is efficient and unpretentious studio film making at very n ear its best
One of Fonda's earlier efforts and certainly one of his lesser known films. Fonda portrays a somewhat naive, yet over confident young man from a farming background, who longs to become a linesman. O'brien plays the seasoned veteran who takes him under his wing and together, they embark on a journey from one job to another. Reasonably predictable buddy road movie type plot line, although interesting from the perspective of attempting to glamorize the profession in the tradition of" the mail must get through" theme. There is the predictable romance angle, the jealous worker and the inevitable coming of age for Fonda. All in all, nothing terribly special other than seeing two of the screens best actors paired in this family picture.