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Careful, He Might Hear You
Abandoned by his father after his mother dies, young PS lives in suburban Sydney with his aunt Lila and her husband George. While they lead a modest existence, PS is happy with them. However, his contentment is derailed when Lila's wealthy sister, Vanessa, returns from England and takes an interest in PS.
Release : | 1983 |
Rating : | 6.9 |
Studio : | 20th Century Fox, |
Crew : | Cinematography, Director, |
Cast : | Wendy Hughes Robyn Nevin John Hargreaves Geraldine Turner Julie Nihill |
Genre : | Drama Family |
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This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Great movie. Not sure what people expected but I found it highly entertaining.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Two estranged sisters vie for custody of their preteen nephew, not always considering his feelings, in this compelling Australian drama from 'Travelling North' director Carl Schultz. As per the title, the film pivots around what everyone says about the boy behind his back, and the film is blessed by a deliciously complex sound design in which background discussions overlap with whatever the boy is doing. Nicholas Gledhill is very well cast as the protagonist with an expressive face that tells all as he listens to the adults converse, extrapolating what he can. John Seale does a great job shooting Gledhill in intentionally intrusive close-ups and with several gliding shots throughout, 'Careful He Might Hear You' is an incredibly good- looking film. If the movie does not totally work, it is due to becoming too sentimental for its own good, especially towards the end. Wendy Hughes (as the wealthier aunt) could have also benefited for some more characterisation as she comes off a little too much like an evil stepmother. Generally speaking though, this is a captivating look at two sisters with opposite approaches to life both trying to parent properly in wildly different ways and how the boy learns to finally assert himself when things do not go the way he wants. In other words, it is just as much a tale of growing up as it is a story of sibling rivalry regarding custody of him.
Sorry but I cannot tolerate films about stupid people and all of the characters in this film are just that. The little boy is good enough but I suspect this was a much more interesting book. Were I this kid, I really can't say I'd want to be related to any of them.The absentee father, Logan, promises to fix things for the kid and then disappears. The rich aunt is conveniently killed in a tacky ferry boat accident. The one time the aunt whom he wanted to live with had her chance, she clams up in an asthmatic attack in court. And her husband, the kid's beloved uncle has a nervous breakdown when the kid colors in his "beloved book". Here in the States we have Lifetime Television Movies - for women. That sums this thing up for me. I guess women might like it. I sure didn't.
One of the best British movies that I've seen. This is certainly in the tradition of the 1946 heartbreak "Brief Encounter."This gem of a film deals with the ensuing custody battle between a couple and the wife's sister. The problem is that their third sister, the mother of the child, has died and the father, an alcoholic, is not capable of raising the child. We learn that at one time the father had a romantic interlude with his wealthy sister-in-law.The little boy, Nicholas Gledhill,gives the most phenomenal performance. Interesting to read that this young lad has never appeared in another film. The cruelty that this child has to go through when he stays with his wealthy aunt-from the children from the private school that he attends. The film demonstrates how mean other children can be.The film is so good because it shows two diverse sisters-one who is wealthy and the other, poverty stricken especially when her husband, a defeated candidate from the Labor Party, loses his job.The musical score is fabulous and absolutely haunting. The ending will tug at your heart with its Titanic like tragic occurrence.This is a memorable film, well told.
One of Australia's great films of the 80s...big, lavish and crafted for an international audience.......along with GALLIPOLI, THE LIGHTHORSEMEN and MAN FROM SNOWY RIVER, "Careful"..is different in that it is set in Sydney harbourside suburbs of the 1920s......most period films made at this time are set earlier and are rural.....also like the sublime masterpiece THE IRISHMAN. The cast for "Careful" is theater professionals who fit the passionate personalities the extremely emotional and personal roles demand. Their transformation to film is also thanks to the great director Carl Schultz who also made the superb Australian films GOODBYE PARADISE and TRAVELLING NORTH. Much under employed here and almost forgotten ...... Nicholas Gledhill is still in Sydney theater and occasionally appears in fringe productions.Robyn Nevin is the supreme being of the Sydney Theatre Company and the great Wendy Hughes is the goddess of the Australian screen.....see NEWSFRONT for that confirmation. The late great John Hughes such a genuine Australian man in his perfect realisation of the irresponsible but lovable main male character "Logan". This film is Australian screen perfection, however the end credits come too early.