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Simply Perfect

Absolutely the worst movie.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I had not seen a film as moronic as this in a long time. It plays with prostitution as if it were a "to be or not to be a virgin" comedy starring Doris Day, but even in her vehicles Doris was not as dumb as the main character in this motion picture. Elisa is a vulgar and amoral young woman, a cruel daughter and a terrible mother to two little boys, who leaves the paternal home, breaks up with her boss and lover, quits her job and enters the prostitution world as first choice, to raise money for opening a beauty salon with Lulú, her empty headed partner who introduces her to Madame Jacqueline's brothel. She ends up in Barcelona (Spanish locations, actors or characters are prerequisites in most co-productions done with Spain) with a mafioso lover and Lulú, gets involved in quarrels with Brazilian transvestites that lead to murder, and dealings with policemen. Not even then the film shows a bit of concern for the real facts it is based on, but rather goes on accumulating clichés, that turn Elisa into "Our Lady of the Whores". Bad acting by both lead male actors (Argentinean Silvestre, and Catalan Josep Linuesa) does not help this mess, ironically directed by a woman. Raise a few points if you will for fine technical aspects that can be bought by moneys from so many co-producers (Uruguay, Argentina, Spain, Cuba and Belgium).

EN LA PUTA VIDA is a very well made, polished, intelligent film from Uruguay that begins as what seems to be a comedy and develops into a provocative drama - much the way events in life mimic such changes. Director and co-writer Beatriz Flores Silva knows her way around tough subject matter and is able to bring out sterling performances by a very fine cast.Elisa (the very beautiful and talented Marianna Santangelo) is a hairdresser with two children, born of different fathers, who lives with her mother while trying to convince her latest paramour Garcia (Augusto Mazzarelli) to leave his wife and marry her. She dreams of having her own Salon in the rich district of Montevideo and will stop at nothing to achieve her goal. When her life falls apart and she is desperate to make enough money to open her Salon, she is invited into the world of fast money (prostitution) by her best friend Lulu (Andrea Fantoni), and enters the tutelage of Madame Dona Jacqueline (a terrific cameo by Graciela Esuder!). In her new role Elisa encounters the handsome but wily Placido (played by Silvestre) who invites her to bed and to Barcelona, Spain with promises that she will make so much money that she not only will be able to send money back to her children, but also have more than enough to open her Salon in the fanciest part of her native Montevideo. Elisa and Lulu join other prostitutes in this promise of wealth and fly to Barcelona - and unexpected white slavery. There she works her corner but is in the presence of a gang of Brazilian transvestites controlled by a mob. She is arrested by a policeman- with-heart Marcelo (the very handsome and gifted actor Jose 'aka Josep' Linuesa) and when her 'man' Placido reveals himself for what he is (a greedy, heartless pimp), Elisa works with Marcelo to uncover the mob violence of the streets to gain a return to her beloved Montevideo. How the story ends is left to the pleasure of the viewer. Apparently this story is based on some degree of fact: in the 1980s to the present many Latin American women have been promised wealth in joining the prostitution business in Spain only to become victims of white slavery. Director Silva is able to make this rather terrifying reality into a story that, though sensual, is never in bad taste: the story is more important that portraying the sex-for-sale scenes. Mariana Santangelo is a very fine actress and this film is just the right vehicle to put her in the ranks of international stardom. The photography in both Uruguay and Spain is beautiful, the musical score is exceedingly well written and evocative, and the end result is a film that opens the door for Uruguayan films to be taken seriously. Highly recommended.

A very well done movie about a young girl's life in Uruguay,a real life based history,with a touch of humor and freshness. The history about an ugly reality and the girl's pursuit of her dreams and happiness while trying to take care of her two sons.

This Uruguayan film, one of the most popular films shown at the recent São Paulo Film Festival after breaking box office records at home, is a funny and intelligent film.It addresses an important ongoing, unresolved pan-Latin American issue which, inexplicably, has not been depicted as it deserves to be, in either Spanish or Latin America cinema. That is, up to now.Since the 1980s, unemployed, impoverished Latin American women have been lured to Spain, somewhat knowingly or unknowingly, to support their families at home through prostitution. However, once in Spain, these women´s passports and freedom are taken away. They become sex slaves, often with no way out, with no pay, and no one to turn to for help.This film, mixes comedy, drama, social commentary, tragedy, and the sense of hope, all to great effect. If it plays at a film festival near you, as it may soon, I would definitely recommend this unusual, funny, and touching film.