Watch Nurse Sherri For Free

Best movie ever!

This film is so real. It treats its characters with so much care and sensitivity.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

By the time the dramatic fireworks start popping off, each one feels earned.

Young and beautiful nurse Sherri Martin (an appealing performance by buxom brunette Jill Jacobson) gets possessed by the dangerous and vindictive spirit of crazed preacher Reanhauer (a solid and charismatic portrayal by Bill Roy). Reanhauer uses Sherri as a means of getting revenge on all the people he believes are responsible for his death. Notorious drive-in schlockmeister Al Adamson handles the familiar, but still enjoyable premise with more competence than usual: The story unfolds at a fairly constant pace while Adamson crafts a reasonably spooky atmosphere and stages the gruesome murder set pieces with flair. The acceptable acting further holds this picture together: Marilyn Joi as the sunny Tara Williams, Katherine Pass as sassy strumpet Beth Dillon, Geoffrey Land as dashing doctor Peter Desmond, Prentis Moulden as easygoing blinded football star Marcus Washington, John Goff as a helpful psychiatrist, and J.C. Wells as booze-sodden paranoid Stevens. The spirited shivery film library score hits the stirring spot. The chintzy (not so) special effects possess a certain loveably shoddy charm. A pretty fun fright flick.

This is a hard film to rate. While it truly deserves its 3 (or perhaps even a two), for an Al Adamson film, it's exceptional--and practically Adamson's very best. That's because unlike many Adamson films, there are times when NURSE SHERRI almost looks competent. But, being an Adamson film, you know that sooner or later that crappiness MUST rear its ugly head! The film begins with some bizarre cult leader of a huge congregation (six) trying to resurrect a dead guy who looks like he's made of blue cheese. However, in the process, the cult dude has a heart attack and it taken to the hospital. He apparently dies, but it also seems like many of these hospital scenes are missing and a few of them appear much later in the film. In other words, when you see the film, he appears to have possibly recovered--only to hear later that he'd died. Because the guy is the b.f.f. of Satan, however, his evil soul can't die and he comes back to both haunt one of his henchmen and to possess Nurse Sherri.Now, Sherri is obviously a very disturbed lady--demonic possession or not. At times she acts like a zombie and at others she's violently homicidal. So I ask..."why didn't her boyfriend (a doctor) think this was, perhaps, problematic?!". In other words, after trying to kill a patient, he neither gets an exorcist nor commits her to the booby hatch!!! Oh, and speaking of boobies...this movie is NOT the breast-filled sex romp its title and posters would indicate. While there are a few bare breasts here and there, they are irrelevant to the plot and only seen very briefly (1/2 second or so) in all but one scene. So, if you are a perv, this movie is not for you--though a few places in the film (such as the nurse undressing for a patient) make it look like the film MIGHT have, at one time, been designed as a porn flick.If you are a bad movie fan, however, there is enough to whet your appetite. Some examples of incompetence are the inability of many of the actors to deliver lines that aren't zombie-like--and I am not even talking about Sherri. Especially noticeable is one of the very final scenes--I have never seen and heard some stilted acting and dialog in my life--and this includes Ed Wood's films! There are also a few more cheap touches, such as the bad animation of the "green stuff", the doctor finding a murdered nurse yet continuing to investigate in a house where walls are covered in blood (I'd get a cop...better yet, an army of cops).So despite these problems, why do I think it's good for an Adamson film? Well, the story isn't all bad and he was able to build tension very well. Many false alarms early on made my heart race a bit. Also, the car crash, while irrelevant, came off pretty well and was practically big-budget for Adamson.Overall, not a good film and one most people would be bored watching. However, fans of Adamson or inept films will like it--it does deliver some entertainment in a cheesy manner that will provide a few laughs.

I only came here to check Terror Hospital for an alternate title so I'd know what not to pick up. Not only do I get the original title, but I come to find Terror Hospital is one of seven more aliases.This one is a real clunker. Movies like this can usually be forgiven for any number of reasons, mostly unintended consequences of the feature on every level of production that result in at least a mild form of entertainment, mostly amusement. This has none of that. Instead, the viewer is witness to redundantly unnecessary and way-too-convenient-for-the-situation exposition and drawn out scenes of characters warily moving from room to room, and all this is half of the film. Forget trying to figure out where anybody is (or who they are) during darkened or nighttime scenes, too; you probably won't care, anyway. There is also a random car chase sequence that seems quite dull when compared to some of the old driver's ed movies I slep... er, I mean sat through and watched way back in high school. Really, we're talking about mysticism, possession, and a killer on the loose here - not a bad recipe for trash cinema. Unfortunately, there's nothing here to make it even "good" trash; when joined to the aforementioned, the bad acting and not-so-special effects are just that - bad acting and not-so-special effects. This one's just trash, pure and simple. Leave it on the rack at the pawn shop or in that box at the yard sale. There's a reason its there...

The first 20 minutes were a little fun because I don't think I've seen a film this bad before {acting, script, effects (!), etc....} The rest of the running time seemed to drag forever with every cliche in dialog used to no effect. These people seemed to not really like horror movies or how to make them or any other movie. There's no adult language, a bit of brief nudity, and no gore except fake blood smeared over no open wounds, etc.. It would have been rated PG in the early eighties and PG-13 nowadays. I'm not sure how it got an R rating or if it really did. I saw the American International release titled Hospital Of Terror. I've seen 100 horror films in the past 12 months and this is probably the worst film I've ever seen. Here's an example of how bad it is: There's one scene where something green comes through the door. I'm not sure what it's supposed to be but what it is on screen is some kid's green crayon scribblings {I'm not exaggerating} super-imposed over the film, semi-moving inside the door, then its supposed to do something to Nurse Sherri to possess her I suppose. I could not believe they had the lack of pride to show this embarrassment.