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the audience applauded

This story has more twists and turns than a second-rate soap opera.

By the time the dramatic fireworks start popping off, each one feels earned.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

One of Charles Band's earlier produced movies. A must for a Full Moon/Charles Band fan. Nice to add to your DVD collection though the quality is pretty bad even though it says Digitally Mastered. If this was mastered, I'd hate to see what it was before they worked on it. But the story is a gem of a horror for a low budget film. Also notice that in the end credits Richard Band was an assistant producer. And the screenplay was by their father Albert Band. And fans know where this combination went to. Empire Pictures and Full Moon Pictures. The B-movies improved along with musical scores to form a legendary team for several great videos such as the Puppet Master series and Subspecies, Trancers series as well as the well known Re-animator and From Beyond Lovecraft classics. Being a great fan of Charles Band, it was worth buying for my collection and the cost was reasonably low to purchase. Someone needs to see about getting some of the Paramount/Full Moon pictures released as well. Some of Band's finest videos are not available due to past problems with them. A real shame!

Charles Band's perfectly grim and upsetting first-ever low-budget indie fright feature is a real creepy, unpleasant and most unnerving shocker starring Richard Basehart as a well-respected, but obsessed surgeon determined to restore his blind daughter's sight by stealing unwitting donors' eyes for extremely graphic and gruesome transplants! Pretty soon Basehart has a basement full of miserable, hideously moaning and hollow-socketed victims who include the always welcome Lance Henrikson (who's fine as usual in his initial foray into the horror genre) and blaxploitation actress Marilyn Joi.Capably directed with admirable conviction and seriousness by longtime favorite sleaze movie thesp Michael Pataki (who also helmed the outrageously bawdy soft-core musical version of "Cinderella" for Band), with excellent icky make-up f/x by Stan Winston, a splendidly spare'n'spooky Robert O. Ragland score, an appropriately eerie and unsparingly bleak tone (the sequences with Basehart's victims groaning in abject pain and suffering are quite potent and upsetting), solid cinematography by future big deal mainstream Hollywood director Andrew Davis (who went on to direct such big budget action blockbusters as "Under Siege" and "The Fugitive"), sturdy supporting performances by Gloria Grahame as Basehart's loyal, but worried assistant and Vic Tayback as a homicide detective, and a truly startling nice'n'nasty ending, this overall rates as a highly unsettling and effectively rough-edged little B-horror item.

While no classic, this low budget thriller exceeds its reputation. Creating a truly oppressive atmosphere-just what the story calls for-it features a strong performance by Richard Basehart and good support from a young Lance Henrikson. Particularly creepy, though not in a horror movie way, is the sequence where Basehart picks up a little girl to be his next subject, which, while not graphic, may be a bit much for some viewers. Yes, it is a sleazy movie, but for this story that is appropriate. The only letdown is the total waste of Gloria Grahame, who is given little to work with. She deserved better.

it's about a doctor and he has a daughter, and that daughter loses her eyes in a car accident. and now the father tries to transplant someone's eyes so she can get them (the daughter), so he takes people to his house and gives them some drugs so they fall asleep and then he operates their eyes out. and later he has the basement full of people without eyes and it's pretty gruesome. So if you want a sick movie go out and rent this.