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The Condemned of Altona
A dying German magnate invites his youngest son and daughter-in-law home to discuss the future of the family's shipbuilding empire. There, the daughter-in-law stumbles upon a secret of the family's Nazi past.
Release : | 1962 |
Rating : | 6.8 |
Studio : | Titanus, Société Générale de Cinématographie (S.G.C.), |
Crew : | Assistant Production Design, Production Design, |
Cast : | Sophia Loren Maximilian Schell Fredric March Robert Wagner Françoise Prévost |
Genre : | Drama |
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You won't be disappointed!
Why so much hype?
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
I only saw this film once, nearly forty years ago, on television. I later read the original Sartre play in a drama class, and found that the movie was reasonably faithful to the original. It is apparently unavailable on home video, unfortunately.I remember being fascinated by the compelling performance of Maximilian Schell as the former Nazi officer who is believed dead, but actually hiding out in his family's attic. His sister, for some reason ,lets him think the war is still going on, twenty years later. She reads him made-up news bulletins about the Allies' destruction of Germany, feeding his madness.The most memorable scene was when the recluse Schell left the house, and went out into the city for the first time in twenty years or more. People stare and laugh at him, as he walks around the modern city in his old Nazi uniform. He is bewildered by all the modern buildings and signs of prosperity in a Germany he had believed utterly destroyed forever.In a particularly clever touch, he somehow ends up in a theater, where a Nazi era satire is being performed. The modern German audience laughs at the caricatured Hitler and his followers. As a kid, I realized it was some kind of Hitler spoof, but the whole thing was in German, and I had to guess at its significance. I now believe that it was most likely a play within a play, namely a scene from the climax of Bertolt Brecht's The Resistible Rise of Arturo Ui. It's been a long time since I saw this film, but it seems to me that Schell, in his madness and confusion, mistakenly believes it's some kind of real Nazi rally, and starts saluting "Hitler" , while the audience thinks he's part of the show. It's unfortunate that this movie isn't available for a new audience to appreciate. With any luck, it will come to home video eventually.
This is a darkly disturbing film of a Nazi war criminal, still wearing his German army uniform, who is hidden in his father's house, and led to believe that World War II is still going on. The ending of the movie is a bizarre mix of Fellini and Capote. Schell escapes his "prison" and walks around the streets only to be "shocked" that there is no destruction or war raging. He ends up in a local theater and salutes an actor playing Hitler. I won't give the ending away, but it's a shocking surprise ala Play Dirty or To Live and Die in LA. The acting is great, the black and white film make the movie realistic and it captures a time in history which hopefully is gone for ever. An excellent film.
The Condemned of Altona.This is a film I saw a few times and would like to see again 40 years later. Based on Jean-Paul Sartre about WW2 and the NEW Germany in German eyes. The central character, Franz Gerlach, has kept himself locked in the attic of his father's house for many years because his Nazi Past. Sophia Loren as Johanna visits him in the attic. Loren and all the actors play difficult parts. Reminds me of Boll and Gunther Grass. Those Germans who can not forget what happened in World War 2. A 10 from me, a must see Drama that has been done on stage too. Is there a DVD Copy available? I saw it on TV and at the Cinema in the 1960's.
It was very long ago, but this film touched me deeply. A became obsessed with Shostakovich's 11th Symphony, and remember vividly some scenes. When Maximillian Schell is finally "released" and goes out into the city (Hamburg?) to see what Germany has become, he is repulsed. When Frederich March is told he will die, he is solemn. The plot, that they have hidden their son because he is a wanted war criminal. That they collaborated willingly with the Nazis, as an industrial power. Perhaps I have forgotten important details. But the movie resonates with me.