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Tokyo Trash Baby
Miyuki doesn't need to stalk the man she's crazy about, because he lives one floor down. He's Yoshinori, a not very successful long-haired musician. Miyuki, a coffee-shop waitress, nods when they pass on the stairs, but hasn't yet dared to strike up a conversation. Instead she slips out every night and helps herself to his trash.
Release : | 2000 |
Rating : | 6.6 |
Studio : | CineRocket, Trustech Japan Co., Ltd., |
Crew : | Production Design, Director of Photography, |
Cast : | Mami Nakamura Kazuma Suzuki Ko Shibasaki Tomorowo Taguchi Sayuri Oyamada |
Genre : | Drama Comedy Romance |
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This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
When describing Tokyo Trash Baby, the words "weird", "gross" and "disturbing" come to mind. There are definitely a few problems with this film....For one, the English subtitles are horrendous containing many grammatical errors and misspelled words which get a little annoying after a while. Second, there are a few long and meaningless shots that go on forever and serve no purpose other than to suggest that the movie is more artistic than it really is. And lastly, the whole production of the film had that cheap quality to it mainly because of the low budget camera they were using. With all that said, I still really enjoyed this movie. I was engrossed the whole time watching it and for some odd reason, really started to care about the main character towards the end of the film. Also noteworthy is the strange music and the eerie mood that was established throughout. I know that the majority will absolutely loathe Tokyo Trash Baby, but if you're a little peculiar yourself and have the patience, then this movie is certainly recommended.
A slow paced but enchanting movie... like Cafe Lumiere, it has some great shots of modern Tokyo and an even more realistic feel. However, I, for one, would probably not have watched an identical movie set in New York, for me much of the fun is in the Tokyo setting.I have added it to the list of 10 or so Japanese/Japan-related movies that I recommend to friends.* A simple story, based on a young Tokyo woman who is obsessed with the man who lives above her in their apartment house, and sorts almost religiously through his trash. Eventually she schemes to run into him in real life and, maybe, the collision between dreams and reality sets her off on a different course. (Not much of a spoiler, but better safe than sorry).The subtitles I saw seemed a bit weak in spots and it was a shame that they didn't translate Yume no Shima**... the place where the main action of the movie ends... kind of stops from completing the loop of the story.The Netflix disc that I saw also had an interesting biography of the director's previous work. The other review on this site says that the movie seems a bit amateurish, but this information makes it clear he's earned his chops.* let's see: Stray DogCafe Lumiere Mr. Baseball Walk Don't Run Bounce KO Gals Tony Takitani Tokyo Monogatari TenKouSei (Changing Schools... I haven't seen a translated version) Always San Choume no Yuuhi (Always 3rd Precinct Evening Sun) Stupeur et Tremblements (Fear and Trembling)** Dream Island (might also be construed as a spoiler)
The title of the movie comes from the fact that the lead female character Miyuki, played by the delightful Mami Nakamura, goes through garbage. Not just general garbage, but that of Yoshinori, a musician/rock star played by Kazuma Suzuki.Miyuki works as a waitress in a small cafe and lives in a tiny apartment, a very dead end for a very young woman like herself. Her only delight in life comes from having a *huge* crush on Yoshinori living in the same building. She is too timid to actually strike up a conversation with him, so she resorts to going through his garbage looking for mementos and insights to the man. She is a scavenger and a stalker.An interesting twist of this film is that there is another stalker. A male patron to her cafe has a crush on Miyuki. Unlike her this person is a much more vocal stalker, he actually asks her out on strange dates. What makes him a stalker is that he wouldn't take 'no' as an answer.As the stage is set, the film investigates Miyuki's strange world. There are quite a few twists and turns related to the thing she finds in the garbage and to her own stalker. The most intelligent part of the film, from the perspective of the screenplay, directing and the acting, is on her reactions to all those. The loneliness of modern life (or towards modern Japan in particular?), lust and shame find concrete manifestation in Mami Nakamura. You have to see to believe it.
I have to believe that people like Miyuki actually exist, because I knew a guy who did exactly the same thing though for a different purpose. He rummaged through waste paper baskets, garbage bags and incinerators in the hope of finding secret and useful information about the activities taking place in a competing company. A private spy, you might say.In this film a waitress called Miyuki wants to find out more about Yoshinori a young musician who lives in the apartment above hers so she sifts through his discarded garbage bags in the hope of finding some clues about his private life. Outside her working hours she seems to spend all her time seated on the floor poring over torn letters and photos, cigarette butts and empty packets,a musical score, rotten fruit and even a used condom. Frustrated Miyuki has the disgusting habit of diving her hand into a packet of biscuits while dissecting the contents of the garbage bags. So much for hygiene!Entertaining for the first ten minutes, it starts to get very boring because the pace is slow and for me there is nothing of interest amongst the garbage any way. The young actress is good and she really gets inside and maintains the character of a discontented girl with an unfulfilled passionate crush on the guy upstairs. Now and again a new discovery in the trash gives the story a bit of a lift. For example, her single-mindedness encourages her to seek out the address of a girl which she finds on a torn letter. Not what I call great drama.Not exciting enough for me. Warning: Don't waste your precious time!