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Arsène Lupin Returns

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Arsène Lupin Returns

A woman and a man vying for a woman's affection: the usual love trio? Not quite so since the belle in question is Lorraine de Grissac, a very wealthy and alluring society woman, while one of the two rivals is none other than Arsène Lupin, the notorious jewel thief everybody thought dead, now living under the assumed name of René Farrand. As for the other suitor he is an American, a former F.B.I. sleuth turned private eye by the name of Steve Emerson. Steve not only suspects Farrand of being Lupin but when someone attempts to steal a precious emerald necklace from Lorraine's uncle, Count de Brissac, he is persuaded Lupin is the culprit. Is Emerson right or wrong? Which of the two men will win over Lorraine's heart?

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Release : 1938
Rating : 6.7
Studio : Metro-Goldwyn-Mayer, 
Crew : Art Direction,  Assistant Art Director, 
Cast : Melvyn Douglas Virginia Bruce Warren William John Halliday Nat Pendleton
Genre : Mystery

Cast List

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Reviews

Tedfoldol
2018/08/30

everything you have heard about this movie is true.

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Bumpy Chip
2018/08/30

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

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Hattie
2018/08/30

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

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Darin
2018/08/30

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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39-0-13
2015/03/30

The first MGM Arsene Lupin sound movie featured John and Lionel Barrymore as mighty antagonists, master thief and super cop. The RETURNS movie builds up the contest of similar seeming antagonists, a successful G-Man, forced to resign because of his self-promoting publicity, and a legendary thief who seems to have come back from the dead. The beginning of the film builds up the character of Warren William as a sleuth on the trail of a thief calling himself "Arsene Lupin." In short order, William is in France where he meets an aristocratic lady (the beautiful Virginia Bruce) with four young Boston terriers, which we never see again, and Melvyn Douglas as her friend. Douglas apparently has a country estate with various farm animals running around. Then begins the apparent duel -- William versus Douglas, one man suspecting that the other is the real thief who escaped death and the other thinking that he has to evade suspicion for committing a crime and maintaining his life style. The two dance around each other with their witty exchanges, while paying attention to the lovely Bruce. Douglas has to contend with the unexpected appearance of two buddies from his past (Clive and Pendleton) who think that their old life style has returned. Meanwhile, a formidable French police officer (George Zucco) is on the trail. Then begins a succession of events, all centering around a $250,000 emerald necklace, amid a flurry of misdirections, red herrings, shadowy figures, safe cracking, and a deadly shooting, until the satisfying conclusion is reached. A nice touch: the "confetti" thrown at the end. William is as suave as he is in his role as Perry Mason, Douglas is as debonair as he is in his films with Garbo, Bruce is more gorgeous than she is in BORN TO DANCE, even Zucco is more believable than he is in his horror films of the 40's. Also, watch for noted screen chewer Vladimir Sokoloff in his much younger years. One of the better crime films of the '30's with witty repartee, handsome actors, and a clever plot.

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JohnHowardReid
2008/07/09

Beautifully mounted (especially in the photography and costume departments), but dull talk-fest. The normally stylish director George Fitzmaurice can do little with the slow-moving script. In this follow-up to the superb 1932 film, Maurice Le Blanc's celebrated "prince of thieves" has retired from criminal activity to enjoy life as a country gentleman. A jewel robber then usurps his identity. But who? To everyone but the dialogue-bound players in this drawing-room "mystery", the identity of the real thief is obvious.The support cast is studded with some of my favorite players, although I make an exception for Nat Pendleton who grossly over-acts as usual. The principals pour on the charm. Virginia Bruce looks stunning in Dolly Tree costumes. Melvyn Douglas and Warren William, both likewise impeccably dressed, vie for her affections, but John Halliday is forced to wrestle with a nothing role.

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Neil Doyle
2007/11/13

MELVYN DOUGLAS is debonair, WARREN WILLIAM is clever and sophisticated, and VIRGINIA BRUCE is decorative but bland as a lovely blonde, but ARSENE LUPIN RETURNS is pretty much a replay of the original film "Arsene Lupin" with little variation in plot and theme.The supporting cast includes such dependable actors as GEORGE ZUCCO and MONTY WOOLLEY, but the story never becomes more than a routine mystery with overtones of comedy, despite the handsome MGM production values.It's interesting mainly to see how Douglas will evade detection as the police close in on the man suspected of being the jewel thief whose theft of a precious emerald from a safe has them on his heels, just waiting for a chance to catch him in the act. The plot takes an unexpected twist when a cast member who is the least of the suspects, turns out to be the man responsible for murder and theft.Overall effect is that it's a watchable film, mainly because of the cast, but it's a forgettable item as a mystery.

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NativeTexan
2003/11/16

This is one of my favorite movies from the 5-Cent Saturday morning shows at the Metro Theatre back in the 1950s! It's a Classic film that has everything a person could wish for, very funny and witty dialogue, first-class actors, great sets and settings, and all in all, an A movie of the best kind! Melvyn Douglas and Virginia Bruce have chemistry, Warren William is at his debonair and charming best, and Monty Woolley -- prototype of the crusty old gent with a soft heart -- plays the secret villian!A fantastic movie that deserves an audience!

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