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Washington Heights
"Washington Heights" tells the story of Carlos Ramirez, a young illustrator burning to escape the Latino neighborhood of the same name to make a splash in New York City's commercial downtown comic book scene. When his father, who owns a bodega in the Heights, is shot in a burglary attempt, Carlos is forced to put his dream on hold and run the store. In the process, he comes to understand that if he is to make it as a comic artist, he must engage with the community he comes from, take that experience back out into the world, and put it in his work.
Release : | 2002 |
Rating : | 6.1 |
Studio : | Stolen Car Productions, Ex-Bo Productions, AsDuesDon, |
Crew : | Director, Writer, |
Cast : | Tomas Milian Manny Pérez Danny Hoch Bobby Cannavale |
Genre : | Drama Romance |
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Reviews
Lack of good storyline.
If you don't like this, we can't be friends.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Total Garbage!!! No reflection to Washington heights what so ever. If I had four arms, I'll give it four dumbs way down. Acting performance worst than storyline. Truly over rated. Hour and a half of visual torture.Rather watch Ben Aflec movies for the rest of my life. Feel bad for the films that lost to this crap. What were the judges at the film festival watching? Total Garbage!!! No reflection to Washington heights what so ever. If I had four arms, I'll give it four dumbs way down. Acting performance worst than storyline. Truly over rated. Hour and a half of visual torture.Rather watch Ben Aflec movies for the rest of my life. Feel bad for the films that lost to this crap. What were the judges at the film festival watching?
Washington Heights is geared toward the Latino community. A nice movie about a small community inside a giant New York city. Much like its audience, the movie itself was made by the efforts of Latinos. While the movie focuses on the main character and his interactions with his friends, enemies, parents, and girlfriend, the movie's strongest link is the side story of the Father. It is the relationship between the Father and the Son that keeps many audience members interested in what is going to happen next. Instead, the story jumps too much between the side stories of the friend who wants to go bowling, his girlfriend who is making dresses, and the neighborhood that jumps in and out of everybody's lives without warning. In the end, a nice story that hits home on many levels. The story about a father and a son who were never Father and Son is the strongest link in this movie's chain.
I really liked this film mostly because i can relate with the main character, being latino and his situation with his art. Heights is a good film but it suffers from some mayor flaws. The simple fact is that the audience is cut off to the emotional climax. The reason? Bad editing? perhaps. Even though we get some climax with the father and son character, the relationship of the two lovers never comes to fruit actually their problems are never fully explained. This left me at least confused by the death of their relationship. Lack of resolution seems to be the main flaw of this movie, the conflict between the best friend and his father was never resolved. I know its hard to put all of this in the film since the film makers wanted to leave enough room about the main character and his father but perhaps these other situations should not have been brought up since it only leads away from the core of this movie. In the end Washington Heights is a good film and i would recomend it and im sorry to see that it was overlooked by some critics.
WASHINGTON HEIGHTS (2003) **1/2 Tomas Milian, Manny Perez, Danny Hoch, Jude Ciccolella, Andrea Navedo, Bobby Cannavale, David Zayas, Callie Thorne, Judy Reyes. Well-acted morality tale about a talented illustrator (Perez) with dreams of having his own comic book finds himself trapped in the titular neighborhood where he is forced to aid his recently stricken father (Milian) to run the family bodega. Conflicts and conscience run high with the feel of early Lumet or Lee thanks to newcomer Alfredo De Villa's use of digital video to give the film a feeling of intimacy and closeness that parallels the claustrophobia felt by the main characters. Familiar yet watchable.