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Too much of everything

Sorry, this movie sucks

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

By the time the dramatic fireworks start popping off, each one feels earned.

"Inspector Alex Glass" (Armin Mueller-Stahl) is in charge of an investigation into the murder of several young women and the only suspect he has so far is a drug-dealer named "Jack Miskowski" (Frank Stallone). But Jack Miskowski is a hard man to find so in order to apprehend him Alex has to dig deep into the shady nightlife of Berlin. It's here that he meets a beautiful prostitute name "Lisa" (Morgan Fairchild) and falls in love with her. What he doesn't realize is that Lisa has a connection to Jack Miskowski and the deeper the investigation takes him the more dangerous it is to her. Now rather than reveal any more of the plot and risk ruining it for those who haven't seen it I will just say that this movie starts off in a rather confusing manner. Throw in the murky scenery and weak character development and it gets even more bewildering. Even so I liked the sardonic wit of Armin Mueller-Stahl who managed to keep things interesting. Likewise, Morgan Fairchild looked quite fabulous as well. All things considered then I rate this movie as about average.

I saw this film under the title "Midnight Cop" which may or may not make any more sense than the German title "Killing Blue". Depending on your disposition, a coin toss could decide if you wind up liking this flick or not. The mystery of the multiple murders had possibilities, but got squandered away in a series of convoluted circumstances. Chief among them was an entirely unlikely pairing of police inspector Alex Glass (Armin Mueller-Stahl) with still-in-her-heyday blonde bombshell Morgan Fairchild as a hooker named Lisa. If I had to bet that Fairchild had done nude scenes, I would have put that at the beginning of her career, but here she bares intriguing body parts a couple of years after her 'Falcon Crest' days. Consequently her face and figure adorn cheapo American video sleeves even though she doesn't have as much screen time as Stahl and British actor Michael York who performs the expected twist in the latter part of the story. I'd be hard pressed to recommend this for anything other than it's oddly calibrated casting of Fairchild, York and Sly Stallone's brother Frank in a role that was underutilized, and might have earned him a couple of bonus points for playing the heavy. As for the story, it takes a number of quick jumps back and forth in time that make things confusing, and if that weren't enough, watching the old cop Alex (fifty eight at the time) grab a handful of Fairchild's assets calls for a bit more stomach than one might expect.

This is the story of a police inspector who is carrying the weight of inadvertently injuring a little girl in the process of apprehending a drug dealer. A young woman is killed. He gets together with a prostitute in order to get more information and pursue the evildoer. In the process there is a series of encounters with Morgan Fairchild. It's all eye candy and voyeurism. There is little to recommend this movie. It is frenetic and wanders around all over the place. Of course, Morgan Fairchild, being the great Shakespearean actress that she is, puts forth a masterful performance. Armin Mueller-Stah, a German actor, and Michael York don't fair much better in their roles. It just didn't seem like it was worth the time.

I'm sure I must have seen a worse movie (though nothing comes to mind right now), but I've never seen a movie that was a bigger waste of talent. The script is barely coherent -- it's difficult to tell what relationship the characters have to one another -- and the director seems to have absent from the set for most of the filming. Put Armin Mueller-Stahl, Michael York and Monika Bleibtreu together and you could have an award-winning production. Instead we have ...well, let's be charitable and say that a couple of times Mueller-Stahl manages to break away from the truly awful writing and make Inspector Alex Glass into a *two-dimensional* character. Nobody else can even get past one. Yes, it really IS that bad.