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Todos los días son tuyos
While investigating the terrorist activities of a Basque nationalist group, Mexico City photographer Eliseo (Mario Oliver) becomes obsessed with his neighbor, a gorgeous young separatist named Maria (Bárbara Lennie). But when Maria is murdered, Eliseo is the prime suspect. Pursued by both the police and Maria's killer -- who has slain other Basque separatists -- Eliseo fights to stay alive and clear his name in this fast-paced thriller.
| Release : | 2007 |
| Rating : | 6.4 |
| Studio : | Instituto Mexicano de Cinematografía, goliat films, Centro Universitario de Estudios Cinematográficos (CUEC), |
| Crew : | Director of Photography, Director, |
| Cast : | Emma Suárez Alejandro Camacho Sophie Alexander-Katz Bárbara Lennie Juan Ríos |
| Genre : | Thriller |
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Reviews
Wonderful Movie
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
I had the opportunity to watch a pre-release screening of this movie during a film festival in Guanajuato and I'm pleased to say this was the most impressing movie I saw there.This is definitely one of the best contemporary Mexican films... if we consider that this is the director's first long feature, it becomes a masterpiece.With a budget of only 1 million dollars, the movie still delivers great film-making, an excellent, suspenseful plot and awesome characters.Unlike most Mexican films these days, this movie isn't about social criticism, uncalled-for violence or tortuous, fairy tale-ish love affairs... this is a thriller, and a good one at that. The purpose of the movie is keep you in suspense for 2 hours and it delivers what's promised.It'll still take you trough the corruption in the justice system, the obsession of a photographer and the political consequences of the ETA organization's activities... this movie is shades of gray all the way trough: think of the classic film-noir atmosphere from the 40s, adapted to a modern-day metropolis like Mexico City.Jose Luis Gutierrez is definitely a director worth keeping an eye on, and with this first attempt so well done and original, I can see him becoming an icon of Mexican film-making.
