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Indian Paint
Nishko is a chief's son in the Great Plains, before Europeans arrive. During his rite of passage, he's determined to tame a painted pony. He approaches manhood while his peaceful clan is set upon by a nearby tribe willing to break a treaty. He must also contend with the kidnapping of three young women from his village, his pony's illness behind enemy lines, his mother's coma after a rattlesnake bite, the medicine man's urging that he sacrifice what he loves best, the attack of a cougar and of wolves, and his own injury while alone in the woods. His kindness, bravery, and quick thinking serve him well, but rescue come from an unexpected source.
Release : | 1965 |
Rating : | 5.4 |
Studio : | |
Crew : | Director, Novel, |
Cast : | Johnny Crawford Jay Silverheels Pat Hogan George J. Lewis |
Genre : | Western |
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Waste of time
Must See Movie...
The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
A story and expression of traditional values that have, unfortunately, been forgotten or ignored by most Native Americans that I am very familiar with in today's Northern Nevada. That is the fault of the U.S. Government and the perpetuation of life on the Reservation or Indian Colony. The film however emphasizes the values that we all want to have instilled in the ever growing minds of our children. It is an enjoyable story that has told us how Native Americans lived and loved, fought, and died as they provided for and protected their Families and their Tribe or Band.It's a worthwhile family show and time well spent. It's not a movie for nitpickers. Just enoy the story, the acting, and the cinematography.
Copyright 7 April 1965 by Tejas Productions, Inc. No New York opening. U.S. release through Eagle American Films and Crown International Pictures: 8 April 1965. U.K. release through BLC/ British Lion: 5 August 1966. No Australian theatrical or TV release. 91 minutes. Cut to 77 minutes in the UK.SYNOPSIS: Nishko, the son of the chief of the Arikara tribe, trains the foal of a domesticated mare and a wild stallion. When mature, the colt is torn between loyalty to his young trainer and his instinct to return to his father's herd. NOTES: Filmed in and around Cleburne, Texas, in 1963.COMMENT: A story with plenty of exciting incidents, including some amazing animal footage, all beautifully photographed. Norman Foster's direction with its over-use of close-ups is inclined to be dull, whilst the acting, not to be too unkind, is second-rate. Indian Paint holds the interest but all the same its appeal is likely to be limited. It falls between two stools, - not arty enough for the art-house circuit, yet too un-Hollywood for general release. Of the speaking players, only Hogan and Silverheels are genuine Indians.
I have many reasons for liking this film. First, I will admit I heard of it while growing up in a small town in Texas. The filming locations for Indian Paint state that it was filmed in Grand Prairie, Texas and in "Texas" (which, for me, means that there were too many locations to name, but that's just my opinion). But I know specifically of a town where scenes were filmed nearby and that town is Cleburne, Texas. My older sister (by 10 years) was a young teeny-bopper at the time and knew all about Johnny Crawford and even his brother Robert (Bobby) Crawford Jr. In my small town, even in the pre-internet days, it was no secret that a Johnny Crawford film was being made the next town over. Due to my sister's urging, no doubt, my Dad took her and some of her friends to Cleburne to see if they could find the hotel where the Crawfords were staying.As there were only so many hotels in town, it wasn't hard to track down and my sister told me of how Bobby Crawford (who was a heartthrob himself for teen girls at the time) saw girls gathering and was playing peek-a-boo with them in and out of the hotel, much to their squealing delight. Meanwhile, my Dad, who could talk his way into many an opportunistic situation, asked a man who was getting into a jeep with a production logo on the side if he could give him a lift to the set. The guy said, "sure," and off my Dad set off towards the filming site. They talked along the way and soon my Dad had to confess that he wasn't part of the film crew. The guy promptly let him out and took off. Back in those days, it wasn't hard to catch a ride (at least in our part of Texas), so Dad got back to Cleburne and met up with my Mom, sister, and her friends. For small-town Texas folk, this was a fun time. I'd heard that story several times as a kid. Coincidentally, I grew up loving The Rifleman (in reruns) as my favorite TV Western. I didn't really think of Johnny Crawford in the years to come as the same kid that had filmed Indian Paint. Cut to 1979, and my younger sister got engaged to a guy who was/and is a brilliant Western painter locally. I tagged along with them to visit his family home south of Cleburne and found out that Indian Paint had been partially filmed on their land. My sister's fiancé and his brother even had a small part in the film, but it's one of those "blink and you'll miss it" moments. He showed it to us on VHS and I was just reminded what a small world it is. As for the film itself, I remember liking it very much for what it was. Not perfect by any means but a gentle, likable family film. Someday I'll try to pick it up on DVD and revel in the memories. Sorry this wasn't as much a review as it was a trip down memory lane for a middle-aged guy.
I watched several reruns of this as a 6th grader in 1975 on local programming in St. Louis, so I'll write my review from a 9 year-old's perspective."Indian Paint" is a family-oriented movie about the trials and tribulations of a native-American boy's "coming of age". The characters maintained my interest and the plot was filled with the twists and turns that make a kid's movie thrilling, however far fetched.The cinematography, costumes, and stunts are typical of the era and I quite enjoyed it. I didn't consider this film a "western", even though it fits the genre in the sense of "the west"-- it's not your typical protagonist / antagonist with villains-type of western.The relationship between the main character and his horse is so moving that I thought the movie was called "Painted Pony"-- instead, that's a little tune that actor Johnny Crawford sings and hums in the film. I quite enjoyed that and it stays in my memory to this day.It's not PC to native-Americans, and it's historically incorrect, as many point out, but it's my belief that films like this generated interest for our native-Americans.I would recommend this for kids / family, as well as adults who are nostalgic or don't mind the un-pc angle. I would definitely watch it with my pre-adolescent kids if I had any ;-)