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Captivating movie !

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Ronald Reagan and Bruce Bennett play brother versus brother in "The Last Outpost," an entertaining but old-fashioned Civil War western set on the historic Santa Fe Trail. Reagan has charisma to spare as Vance Britten, a Confederate cavalry captain dispatched from Virginia by General Robert E. Lee to raise hell in the heart of Union territory, and raise hell he does with style and wit. Opposite him in Union blue is his brother Colonel Jeb Britten (Bruce Bennett of "The New Adventures of Tarzan") who wears an occupational stiff-upper lip and displays less sympathy since he represents law and order. Happily, director Louis R. Foster keeps the tone of "The Last Outpost" as light-hearted as possible for most of this western's nimble 89-minute running time. Veteran western character actor Noah Beery, Jr., who wears his trademark Stetson more like a construction foreman than a cowboy, flanks Reagan as a good ole boy CSA sergeant, while Bill Williams rides at our hero's other elbow. Matters come to a boil when an unscrupulous white Indian agent Sam McQuade (John Ridgely of "The Big Sleep") demands that Washington intervene in the conflict and arm the Indians, so the Native Americans can help the strapped Union troops weed out the Confederate raiders. Actually, all that McQuade wants is an excuse to agitate the redskins, so he can sell them more guns and liquor. McQuade gets hoisted on his own petard when hostile Indians kill him and burn his supply wagon. The Indians didn't appreciate the inferior firearms and the rotgut whiskey that McQuade pedaled to them. Caught up in the middle of this fracas is McQuade's beautiful, red-haired wife Julie (Ronda Fleming of "Gunfight at the O.K. Corral") who has few friends and is unhappy out west. Before he dies as the price for his own perfidy, McQuade tries to play a trick on Julie by inviting Jeb over for supper. Years earlier Julie had made plans to marry a Britten, but not Jeb. Instead, Vance abandoned her, and she hasn't sufficiently recovered from his bad manners. Meanwhile, Vance intercepts the Union officer sent from Washington with orders to negotiate with the Indians, appropriates his uniform, and visits the Indian camp to sue for peace. He learns about the death of McQuade and others at the hands of Geronimo (John War Eagle of "They Rode West") and two braves. He also learns to his chagrin that these warriors are rotting in a white man's jail. The Indian chieftains are neither pleased with Geronimo's precipitate actions nor do they approve of the white man's reprisal against Geronimo. Vance decides to maintain his masquerade as the Union officer. Not only does he plan to free Geronimo and his braves before the territory explodes into Indian warfare, but also he plans to relieve the Federals of a payload of gold coins. Things do not go as Vance plans, because he finds himself face-to-face with Julie, his former sweetheart who he abandoned without so much as goodbye. Julie still smolders with rage at this slight, and she warns Vance that she won't tolerate either his presence or his disguise for more than 24 hours. Predictably, when Vance cannot spring Geronimo and company from the town's hoosegow, the Indians go on the rampage and try to burn the town down. Things are looking mighty bad in the last ten minutes for the out-numbered Union troops and the beleaguered settlers when Reagan rides to the rescue with his Confederate cavalry. Ironically, this Paramount Pictures release reunites Reagan, Bennett, and Ridgely who were once worked on the Warner Brothers backlot during the studio's heyday. What "The Last Outpost" lacks in stature, this solid little but unsurprising sagebrusher makes up for with its swift, sure pace, and its exciting battle scenes.

I saw this movie under it's reissue name "Cavalry Charge", and must say that it's original title makes a lot more sense. The film is not a cavalry Western per se, but a story that takes place in 1862 along the route of the Santa Fe Trail, with Union and Confederate forces alternately getting the upper hand in the action taking place. But it's not your typical Civil War yarn either, as brothers on opposing sides of the War reunite with opposing views on the U.S. Government's efforts to enlist Apache aid in defeating the Rebels.Ronald Reagan stars, and portrays three different characters before it's all over. He's introduced as Confederate Captain McCready, surprising a band of Union soldiers taking a swim break, while routing their horses and burning their uniforms, though taking no prisoners. His identity is revealed to be that of Vance Britten, brother of Union Colonel Jeb Britten (Bruce Bennett) when the two meet up in an ambush within an ambush within an ambush, trust me on this. Later, he assumes the identity of a Union Major dispatched from Washington, in an attempt to subvert his brother's mission of securing help in the war effort from the Apaches.Rhonda Fleming appears as the unhappy wife of a trader stationed at Fort Point, harboring memories of her romance with Vance Britten years earlier. With her husband killed in an Indian attack, she's free once again to take up her romance with Britten, though there are ups and downs along the way, and you never get the feeling Reagan's character is playing it straight with her.The prominent Indian Chief Grey Cloud is portrayed by Charles Evans, in a role stating that he was once a Union General who became an Apache when he married a squaw, renounced by the military for doing so. Even though their screen time was limited, it was still fun to see Iron Eyes Cody and Chief Yowlachie as fellow chiefs who agree to remain neutral in the white man's war. That of course goes all to hell in a war bonnet in the movie's latter third, when an impatient civilian fires on Grey Cloud standing under a white flag. Arguably, the white man comes across looking pretty poorly at this point, leaving the Indians no resort but to attack Fort Gil.Up to that point the film had an entertaining appeal, questionable as the premise was. With the Confederates coming to the aid of the Union soldiers and civilians within the fort, any hope of keeping the Indians neutral went up in smoke. Speaking of which, stay attentive during the Indian attack; when a white bearded civilian is hit with a burning arrow in the back, he falls into a pile of hay, but the hay ignites into flame somewhat to the right of where the man fell.Except for the rather exceptional cast of talent in the film, the movie is really nothing special. In addition to the starring players already mentioned, notable support comes by way of Noah Beery Jr. and Hugh Beaumont, both as Confederate officers.I got a kick out of one of Reagan's lines in the film - while impersonating Union Major Riordan at Fort Gil, he encounters a mob that wants to lynch Geronimo for his attack on trader McQuade's wagons, resulting in three dead white men. To keep the mob from erupting, he orders one of his men to shoot the leader if the mob got out of hand. In a weirdly prophetic line that would later become a hallmark of his presidency, Reagan's character states: "That's what's known as delegating authority."

Reagan is star top-billed in this Paramount oater from 1951. Non- big budget movie was a surprise big hit in 1951. It also stars Rhonda Fleming, a woman it was could not photograph badly from any angle, and it shows in this movie, though her role isn't major. She plays the girl. She wasn't exactly known for her acting chops. The plot has the makings for a great Western, two brothers take different sides in the civil war. Reagan is a Confederate while Benett is a Union officer. Also involved is a certain benevolent look at the Indians - in the fifties, one can easily see the changing tone of Hollywood's outlook on the Indians; from snarly wordless caricatures to humane three dimensional characters, mainly highlighted by the James Stewart movie, Broken Arrow. Dances with wolves, this is not but it tries, as it has a white man as the Apache chief, an ex military officer who turned Injun after marrying an Indian. He was ousted from the army for this. Also, to be noted, Reagan and Bennett don't have anything really negative to say about the Indians. They are just interested in their war and just want to keep the Indians from getting involved. It is the supporting characters who are portrayed bug-eyed yellow in their thinking of the red man as the colloquial connotations go. But a notorious third act finale bruises all the good will the earlier sessions had earned. In this act, Bennett and Reagan, that is Confederate and Union team up to slaughter the Indians in a battle that was superceded by the white man. You can argue for this scene, in a pseudo " man must survive" argument that states that even if I'm on the wrong, I shouldn't just stand by the chop me to pieces. Man must defend himself. But staging of the battle is certainly cliched and flimsy as the Indians ride straight into a gauntlet set up by the allies. Right smack into it as they are shot of their horses. And do they change strategy? No. They keep running into the awaiting bullets. It should be noted that earlier, Bennett notes they are outnumbered 50-1. How original? Good entertainment especially the first two-thirds that focuses on Regan's derring-do.

"The Last Outpost" is a pretty mediocre Civil War western. Bruce Bennett is a Union officer out west, who finds himself beset by rampaging Apaches on one side and a Confederate guerrilla band led by his brother, Ronald Reagan, on the other side. Rhonda Fleming is the wife of a corrupt trader who's playing footsie with the Apaches. Competently acted, it moves along fairly slowly until almost the end of the picture, when there is a well-staged Indian attack on the town and a very exciting cavalry charge. Even though Fleming isn't called upon to do much more than stand around and look gorgeous, she does that quite well; she was born for Technicolor, and has seldom looked more beautiful. Reagan is a bit stiff in the lead, but not unbearably so, as he is more often than not. Overall not a bad western, but nothing particularly special.