Watch Ten Seconds to Hell For Free

One of my all time favorites.

Don't listen to the negative reviews

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Good picture and efficiently made by Robert Aldrich in which a bunch of two-fisted characters confront deadly on a survival game during post-WWII . An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world : disarming bombs in the heat of Berlin . It depicts a microcosm of a highly trained bomb disposal team amidst a violent aftermath . At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group to carry out their dangerous assignments and a subsequent bet . They are led by Karl Wirtz (Jeff Chandler in a strange villain character) , a selfish renegade for who the thrill of the dismantlement seems to be the ultimate goal regardless of the safety of his fellow team members ; Karl's true role reveals itself in a way that will change each man forever . And Eric Koertner (Jack Palance) who knows his place and duty and trusts others in the army to carry out theirs as well as he . They are constantly worried that an error or misjudgment on his part will lead to the death of an innocent civilian or a military colleague . As the tough and valiant men struggle to control their destinations . They feel strongly enough about something not to be concerned with the prevailing odds, but to struggle against those odds . They , then , agree a wager : If a man dies in the course of the job , his share is to be divided among the others and if only one survives he takes it all . As two tons of buried bomb and now two men must pit their lives against its treacherous fuse , two artificiers who had only one thing in common , the same woman (Martine Carol) .This is an exciting blockbuster about to explode dealing with German demolition workers after WWWII , in which there are thrills , intrigue , suspense , sometimes stirring scenes and a loving triangle between Chandler/Martine Carol/Palance . A full-tilt intriguing picture in which director Aldrich turns the discipline of action filmmaking into a kind of visceral visual poetry . Thus , this motion picture serves as not only a look into an important aspect of German history , showing an interesting studio of engaging characters , too . While the members face their own internal issues , they have to make safe the place and to be aware of any person at the bomb sites . This is a flick where role development plays second fiddle to inbuilt intrigue as well as emotion ; concerning a similar plot to subsequently Oscarized ¨The hurt lock¨ (2008) by Kathryn Bigelow , in which some armorers to defuse bombs , make safe location and people ; however some of who may be bombers themselves . It was realized by the British Hammer-Seven Arts Company presided by Michael Carreras , made by American Aldrich and being filmed on location in a destroyed Berlin and with Brits , French , German and American players in the cast . It stars by Jeff Chandler and Jack Palance as bomb disposal experts , both of whom give excellent performances . As Jeff Chandler slowly reveals the strength , confidence , unpredictability and finally badness of his role . Jack Palance enjoys himself throughly in a rare character . This motion picture of mixed origins was well directed , here Robert Aldrich gave a tense and brilliant direction . However , director Aldrich had his name taken off the credits as Producer because the studio cut a half-hour out of the picture without telling him , and he believed that unless they put that footage back in , the film made no sense . Aldrich began writing and directing for TV series in the early 1950s , and made his first feature in 1953 (Big Leaguer , 1953) . Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed in a considerable plethora of genres but almost all of his films contained a subversive undertone . Robert shot various different actors in Oscar-nominated performances : Victor Buono , Bette Davis , Agnes Moorehead , Ian Bannen , Jack Palance and John Cassavetes . Two of Aldrich's movies : Veracruz (1954) and Deadly kiss (1955) are now considered to be among the most influential films of the 1950s . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Attack , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid , Apache , Veracruz , The last sunset) . Rating : Above average , it's a must see and a standout in its genre .

To put this in context, I saw this in an outdoor theater at the Marine base at Camp Pendelton, California in 1959. I can't tell you how many movies I have seen in my life time, and how very few I remember. This is the movie that came to my mind when I read of Jack Palance's death. It was a guy film all the way, I mean Jeff Chandler and Jack Palance in the same flick? Too much. After nearly 50 years, I still remember so well how the film had me sitting on the edge of my seat. The suspense related to "will this bomb go off and kill the guy" was tremendous. Remember that in it's original form the film was black and white. I can still remember the details of the defusing of the bombs, and how sometimes it worked and sometimes it didn't. A fine movie in it's time.

I watched this in a colorized version (shudder, I know!), but I guess it's better than nothing!! This is yet another war-themed film for Aldrich but a novel one, dealing with a six-man bomb-disposal unit in Germany after the end of World War II.As such, it's much closer in spirit to the stark (and often hysterical) ATTACK! (1956) than the sweeping blockbusters - THE DIRTY DOZEN (1967) and TOO LATE THE HRO (1970; see review above) - of the next decade. Indeed, here, Jack Palance is again given a sympathetic role - while Jeff Chandler, uncharacteristically, essays the villainous type. Interestingly, the film was made by Britain's House of Horror - Hammer Films (in association with United Artists) - with shooting taking place at Germany's celebrated UFA studios! Plot-wise, however, the film is somewhat contrived: Palance and Chandler hate each other's guts but still lodge together and, of course, fall for their attractive - and lonely - French landlady (Martine Carol); by the end, only they have survived their dangerous line of work and the two face-off in a literally explosive climax! While no classic, it's professionally handled and has undeniable moments of power (one of the deaths is filmed in a way that we never see the man's face but, when the remaining members of the group are reconvened, we realize that Wesley Addy is missing; Chandler's story about his uncle teaching him to always look out for himself first and how the latter was the first to suffer for it).

This might have been a good film, but it failed on more than one count. I have to compare it to the TV Series "Danger UXB", which, while it had much longer to develop its' story, was infinitely superior. The technical information in the TV series was much more interesting, and I kept wondering why the methods used in this film were so obviously poor, especially at the end of the war when all the methods, equipment and information should have been superior. In the finish, I came to the conclusion that this film, based on Lawrence P. Bachmann's novel "The Phoenix", used the bomb defusing merely as background, and that methods of bomb disposal were poorly understood by the writer, who probably didn't care anyway. In contrast, it is clear that someone who knew what he was talking about wrote the TV series. Although not credited in the listing here, I recall someone mentioned in the credits for the series (an Army officer) as a technical advisor, and it shows.We are left, therefore, with viewing this film as an essay on personal conflicts and relationships, and it fails badly on that count as well. The motivations of the characters are confusing and hard to believe and ultimately uninteresting. The cast are wasted in this, which is only worth watching if you are sick in bed and have nothing better to do.