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Pakeezah

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Pakeezah

A beautiful courtesan is unable to break away from the cycle of prostitution until a forest ranger falls in love with her. Unfortunately, his wealthy parents oppose the union.

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Release : 1972
Rating : 7.2
Studio : Mahal Pictures Pvt. Ltd.,  Sangeeta Enterprises, 
Crew : Art Direction,  Set Decoration, 
Cast : Meena Kumari Ashok Kumar Raaj Kumar Veena Nadira
Genre : Drama Music Romance

Cast List

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Reviews

SnoReptilePlenty
2018/08/30

Memorable, crazy movie

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Listonixio
2018/08/30

Fresh and Exciting

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Aubrey Hackett
2018/08/30

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

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Kayden
2018/08/30

This is a dark and sometimes deeply uncomfortable drama

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kenjha
2008/06/05

This typically melodramatic Bollywood film has inexplicably become a favorite of Western critics. The script is ludicrous, the acting is over-the-top, and it looks cheesy. The only reasons for watching this soap opera are the wonderful songs sung by Mangeshkar and the curtain call of the legendary Meena Kumari. Watching the actress, who was ill during the filming and would drink herself to death at age 40 shortly after the film was released, has the same fascination as watching a train wreck. Her ex-husband, Amrohi, wrote and directed, but lacks the competency to execute either task well. Bollywood has produced far better films.

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Spondonman
2004/08/05

At last - I've finally got round to it and managed to see a "clean" copy of Pakeezah! Up until now I've only had a mangled scratchy jerky version taped off Dubai TV sometime in the '90's, with quirky English subtitles, dizzying widescreen coverage and a fluid colour with a mind of its own. Having thought the world of such a poor (and short) copy I find the decent one was well worth the wait and the full 140 minutes even more of a pleasure than I thought possible.This was the lovely Meena Kumari's film from start to finish, and I believe was planned by her from 1958 on, finally realising it in 1971. What a shame it was that chronic alcoholism finally killed her soon afterwards, and in fact that she was too ill to perform in some of the scenes in Pakeezah, necessitating a body double. In some scenes the strain definitely shows in her face.The story of Purity versus Adversity I can only treat as fiction having no experience of anything remotely close to it, but I'm led to understand that it faithfully depicts a world now gone that must have been common at one time in India. It's a sparkling and colourful film with a simple relentless epic message, an intense romantic tragedy which is somehow simultaneously feelgood too. But to me it's the peerless golden music by Ghulam Mohammed as sung by the incomparable Lata Mangeshkar - especially Thare Rahiyo - and its part in the unfolding of the story that makes this film so outstanding. I've seldom heard such serious, beautiful, poetic, wondrously sung and played songs on any movie soundtrack. Singin' In The Rain may be my favourite musical film but Pakeezah has my favourite music - yet Lata said that the songs themselves meant nothing special to her. The only pity is that the also unique Mohammed Rafi only had the one song in here, albeit a classic duet with Lata. Because of all this but not blind to its faults, Pakeezah is my favourite Indian movie, filmed at a time when the Westernisation of India was gathering pace and watched now when Western values seem to be state sponsored and de rigueur. At the very least watch Pakeezah for a taste of what Indian "pop" music had to offer the world before it was all jettisoned for drum machines, the Bollywood Beat and bhangra.

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Ace_of_Hearts
2004/02/09

Pakeezah is a story of family, of values, of pride, but mostly of love. It is a story of the love between two people. And the misguided love of fathers for their sons. Or is it love?SPOILERSWhen the son of a rich man falls in love with a prostitute, he looks beyond her past and marries her. But as loving as he is, that is how stubborn and unforgiving his father is. He rejects his new daughter-in-law who as a broken woman, takes up residence in a cemetary where she lives for only one purpose. To give birth to her child. After the child, a girl, is born, she dies and the child is brought up by her mother's sister who runs the brothel where her mother used to work. The girl, Pakeezah, ends up dancing in this brothel just as her mother before her. One day while travelling by train a stranger, Salim, accidentally wanders into her compartment. He is immediately enchanted by this wonderful creature though mostly by her feet (fetishist?). He writes her a note and she instantly falls in love with the man who wrote this note. Ironically as fate would have it, Salim is the nephew of Pakeezah's father. History is about to repeat itself. Or is it?A story about an impossible love. A story about destiny. Pakeezah is considered by many to be a cinematic masterpiece. As a novice to classic Bollywood movies it's difficult to put this film in its context. Comparing it to other movies, however, I can't help but wonder whether its fame is a hype or not. Undoubtedly it's a beautiful story. But it's also extremely long and at times tedious. A story strung together by unrealistic coincidences. Maybe this is a sign of destiny at work. Or perhaps it is a sign of a weak script!I'm glad I watched it, but I infinitely enjoyed movies such as Bobby (with Rishi Kapoor and Dimple Kapadia) and Kudrat (with Hema Malini and Rajesh Khanna) more and those are also classics in their own right.Pakeezah despite any flaws it might have remains interesting if not for its story then for its history. Pakeezah took fourteen years to complete. Its production was thwarted by the passing of Meena Kumari who plays the main role. Another actress was sought to finish filming this movie and she was meticulously weaved into the story. On another interesting note, some might have noticed that Meena Kumari always hides her left hand. The reason for this is that she was very conscious about the fact she didn't have a pinky finger. Finally, a word about the music. The songs in Pakeezah are absolutely beautiful and they alone already make this movie worthwile.***/5 stars

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zorch-2
1998/10/17

Mina Kumari exhibits more style and grace just moving from standing, to sitting on the floor than you can find in most other movies. The director has produced more memorable scenes of touching beauty than it would seem possible. The music and dancing is of the highest possible quality. You may notice in the first dance scene the director has all sorts of things occurring in the background:other girl dancing, a drunk falling down stairs, much activity, but he knew that we would be watching Mina dance and I'll bet unless you viewed this many times, you didn't notice.All in all, perfection.J.Q.

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