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Death Powder
Three conspirators steal a secret android. In their warehouse hideout, the android secretes a reality-altering substance, which casts them into a frightening nether-world of interconnected subjectivity.
Release : | 1986 |
Rating : | 5.8 |
Studio : | Essen Communications, Media Mix Japan, |
Crew : | Director, Producer, |
Cast : | Shigeru Izumiya Mari Natsuki Koichi Sato |
Genre : | Horror Science Fiction |
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Truly Dreadful Film
Am i the only one who thinks........Average?
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
This is probably the most nonsensical whacked out flick you'll ever watch. A Japanese cyberpunk horror that that inspired ones like Rubber's Lover (1996) and 964 Pinocchio (1991). Most of the time you'll just be scratching your head wondering what the hell is going on. The powder involved in the film mutates and eventually explodes your head. I watched a VHS tape of this that had some mileage and of course some dialogue wasn't subtitled but no matter here people. One part just shows stills for five minutes.Most of the effects were the ones they used in 80's music videos but effective enough. I think it would be dangerous to watch this on acid.
Watching this 1986 oddity I can't life of me understand what it is about. There are some reviewers here that give away small hints but I don't know if I understand.There are lot of stuff here that's reminiscent of Lynch, and Cronenberg etc but director Shigeru Izumiya defies even their style, content, by doing even more surreal choices when it comes to direction, script etc.Personally I haven't seen such a weird film in a long time, the latest being Fellini - Satyricon (1969. But Fellini - Satyricon (1969)had at least some narrative, this doesn't even try.In many ways this films feels and looks a videoart exhibit were viewers are supposed to feel, respond to it on a subconscious level.I'm not sure if that was the directors intent but that is the look and style of this film.Shigeru Izumiya has according IMDb not directed a another film. Which is too bad because his use of bodyhorror, surrealism etc could have made into one of the most interesting personal filmmakers I've seen.Future viewers may not like this but it is well worth a look.
The credits at the end read "ALL directed by Shigeru Izumiya". That's a fitting way to phrase it because it seems like filmed material from several projects were thrown together somehow, barely even attempting to make it all form one consistent work. It more felt like one of those music clip things that are marketed as feature films to cash in on those video commercials, just that here we have the marketable music and the live performances missing, except for one scene, which may as well be marketed as a weird music video clip in Japan. Whatever.It makes zero sense. Visually it isn't too special either, although it has its moments (for example the female creature with the "death powder" who is strapped onto a bed base and some morphing sh!t throughout) and it certainly has an industrial-y feeling to it. Usually I'd call the effects dilettantish but what this film offers in this regard is baffling more than anything else. You remember those cheap video effects from 70's and 80's music videos that make them look so dated, like a picture within a picture flying through the screen? There is quite a lot of these kind of effects in this, and without any apparent reason. The most half-assed seeming effort comes in the form of a picture collage. The pictures sort of look like album covers. Whatever.I don't know what's up with the subtitles of the version I saw. The Chinese ones (or whatever those hieroglyphics are) sometimes seem to show up when nothing is even said and the English ones often show up without the Chinese ones. The English subs talk much about life without death (is it possible?), and a mind without a body, which provides what comes closest to a comprehensible conflict between characters in this film. One guy (a scientist dude) says that life without flesh is death while another guy (a metamorphosing dude) who claims his mind is beyond his body now that he got the "death powder" blown into his face and that he now knows the secrets of the flesh and whatnot; metamorphosing dude is visibly p!ssed off about the scientist dude's claim. Whatever.Erm, The End - All Written By Perception de Ambiguity
A humanoid female is kept tied up in a decrepit basement and several unknown groups of people seem to be interested in this creature.When the creature blows dust on some intruders,it sends them off to another world and gives them deep understanding of...something or another to do with rising above the limitations of flesh.These various parties fight it out amongst themselves,some turning out to be more than human."Death Powder" is an total hallucinogenic mindtrip.It's filled with scenes of horror and gore and several moments of a wall-to-wall surrealism.It's really hard to objectively summarize its plot,it's so strange and trippy.If you enjoyed "Tetsuo" or "964 Pinocchio" give "Death Powder" a look.