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Knock on Wood
Ventriloquist Jerry Morgan has failed with another love affair. The reason: when the relationship reaches the point when it is time to discuss marriage, his two dolls become mean and jealous. Morgan's dollmaker Papinek is a member of a spy ring who has stolen the secret plans for the top-secret Lafayette airplane. Since Morgan is leaving for Zurich the same night, he decides to hide the secret plan in the heads of the dolls.
Release : | 1954 |
Rating : | 6.7 |
Studio : | Paramount, Dena Productions, |
Crew : | Art Direction, Art Direction, |
Cast : | Danny Kaye Mai Zetterling Torin Thatcher David Burns Leon Askin |
Genre : | Action Comedy |
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Good concept, poorly executed.
Did you people see the same film I saw?
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Exactly the movie you think it is, but not the movie you want it to be.
The story of the ventriloquist's dummy who develops a personality all its own has been used any number of times. Two times when it was used seriously the ventriloquists were Cliff Robertson on the Twilight Zone and Michael Redgrave in Dead Of Night. But Danny Kaye managed to use it for laughs in Knock On Wood.Every time Kaye gets close to a girl to start talking seriously of marriage, his second persona through the dummy takes over and cooks the deal for good. Kaye's agent David Burns suggests some consultation with a psychiatrist Steven Geray. And then Geray consults a consultant and the consultant psychiatrist turns out to be Mai Zetterling.That's how romances start with comics, especially movie comics. But even Zetterling is ready to commit him when all kind of strange things happen. Two parts of the design of a secret weapon get hidden both of Kaye's dummies Clarence and Terrence. And two different sets of spies get a hold of the parts. One is held by Leon Askin and the second held by international man of mystery Torin Thatcher.Things start happening around Kaye that he and no one else can explain so it's not unnatural for mental health professionals to think he's off his rocker. But so does law enforcement in several countries.Knock On Wood is not as good as so many of Kaye's films, still his fans should like it. Best is the ballet sequences where in trying to elude the police who want him for a homicide and the spies who just want him dead, Danny fouls up a ballet that his former girlfriend is starring in. What a way to put a coda on a breakup. Of course Danny was to reach the height of his career with his next two films White Christmas and The Court Jester. Knock On Wood is good, but just an interlude in Danny's career.
This movie probably doesn't match some of the better known Danny Kaye comedy movies, but it has what I consider to be two of the funniest scenes in any of his movies. The first one is when he is under a table with two men sitting and he has to match hand movements of them with his two hands. Very tricky and requires a lot of synchronization. I am sure that it took a few takes to get it right. The second is when Danny is trying to hide from both the police and spies and gets mixed up in a Russian ballet troupe performing on stage. He goes through a hilarious routine with the ballerina. These two scenes alone make watching this movie worthwhile.
There is plenty of fun to be had in this uneven Danny Kaye entry, the sequence where he gives an excruciatingly complicated explanation of the espionage activities of a group of mittel-European spies with very similar names is a hoot, but it is the ballet parody of "The Polovstian Dances" that takes this film to the heights of film comedy. I believe this sequence to be one of the three funniest sequences in cinema, along with the first half hour of Chaplin's "Modern Times" and "Daphne's", (Jack Lemmon's), engagement sequence from "Some Like It Hot". The fact that it is unavailable on DVD is as inexplicable as it is regrettable.
This, in my opinion, is one of Kaye's funniest performances, showcasing his comedic, singing, and dancing talents to the fullest. Not to be missed is the movie's finale, where Kaye finds himself on the stage of a London ballet as the leading dancer while simultaneously trying to escape from the baddies.