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Foreign Intrigue
Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was blackmailing people who cooperated with the Nazis during World War II.
Release : | 1956 |
Rating : | 6 |
Studio : | Mandeville, Sheldon Reynolds Productions, |
Crew : | Production Design, Director of Photography, |
Cast : | Robert Mitchum Geneviève Page Ingrid Thulin Frédéric O'Brady Inga Tidblad |
Genre : | Thriller |
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Reviews
Very very predictable, including the post credit scene !!!
I'll tell you why so serious
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
A clunky actioner with a handful of cool moments.
Robert Mitchum, employee of a mysterious rich guy with a mysterious source of income, gets involved in FOREIGN INTRIGUE when he seeks out the source of his newly dead employer's seven figure lifestyle on the Riviera. Will the natural scenery of the Riviera, Sweeden and Vienna overwhelm the scenery provided by Bob's bodacious costars? This is an entertaining enough movie -- and would have been a lot better without the atrocious musical score -- but it is slumming for Mitchum, who probably took the role for the free visits to European hotspots. The main interest IS Mitchum, who acts the role in an interesting fashion. By acting, in each scene, that he just can't quite believe the mother lode of BS that he has just been handed by some suspect, spy type, cute girl, or plot development, he sort of steps aside from the move, and whispers to us that he knows this is all nonsense, but bear with him, the movie won't be too bad. And, because he does that, it really isn't.Now, frankly, this is a dead-end as an acting approach, and the cul-de-sac at the end is Roger Moore at the close of his James Bond period. But it works for this movie and this actor, where a straighter approach probably just would have failed. We should be grateful, though, that a sequel, suggested by the ending, was not produced.
I would love to know the story behind "Foreign Intrigue". After all, why would a star like Robert Mitchum agree to be in such a dull international film? Perhaps he just wanted an all expense paid vacation! All I know is that the film is clearly a dull misfire.The film begins with some rich guy dying. Oddly, again and again, strangers come up to the dead man's assistant (Mitchum) to ask him if his boss said anything as he died--as Mitchum was there with him. The man had said nothing--but why were so many people worried about what he might have said?! So, Mitchum investigates--traveling to locales from France to Sweden. Not at all surprisingly, the boss turned out to be a blackmailer and as the story unfolds, the viewer is left wondering if this movie could have been any more dull and listless--and how the writers could have done so little with the story idea. After all, apart from some nice color scenes of various pretty locations, the film has nothing to recommend it. And, surprisingly, Mitchum has very, very little personality in the film--something that is practically impossible to imagine.By the way, when Mitchum speaks French in the film, it's pretty obvious that someone is dubbing voice.
I just saw this film for the first time and I was disappointed. I was expecting more of a "film noir" type of movie. Instead I got a too-complicated plot that made less and less sense as the film went along. And the love angle was far too weak. Robert Mitchum goes to Stockholm, meats a girl, and less than 24 hours later she is madly in love with him, and the film makes scant effort to explain why.Basically the plot involves the blackmail of men who were closet supporters of Hitler. But after the demise of the Third Reich one could assume that uncovering their identities would take on less importance, but if that were the case then there would be no movie.This movie is spy vs. spy vs. spy, with good guys appearing as bad guys, and so forth. It's been done many time before and in much better ways, such as The Third Man.
Why this film has not been issued on video is puzzling. It has an unusual and compelling plot, attractive locales (shot on location in Europe) and features the inimitable Robert Mitchum. Derived from the television series of the same name, it captures the "take me somewhere far away and adventuresome" escapism of the time. The musical underscore (the original TV introductory piano concerto and a coronet forward jazz theme) continues to this day to swim in my head. Mitchum plays a reluctant investigative patsy persuaded against his better judgment by interpol intelligence to help track down the perpetrators of a scheme to blackmail various politicians who had secretly agreed to ease the invasion of their respective countries by the Nazis. While the film lacks a true denouement (it ends with the Mitchum character about to rendezvous with the prime suspect), the photography, the acting and above all its ingratiating style certainly have made it memorable in the mind of this viewer.