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The Man of the Crowd

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The Man of the Crowd

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

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Release : 2013
Rating : 6.4
Studio : Rec Produtores Cinematográfica,  Cinco Em Ponto, 
Crew : Director of Photography,  Director, 
Cast : Paulo André Sílvia Lourenço Jean-Claude Bernardet
Genre : Drama

Cast List

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Reviews

Colibel
2018/08/30

Terrible acting, screenplay and direction.

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Stometer
2018/08/30

Save your money for something good and enjoyable

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Plustown
2018/08/30

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Invaderbank
2018/08/30

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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FilmCriticLalitRao
2015/03/21

Brazilian film "O Homem Das Multidões" is about a tram driver in Belo Horizonte. It describes a drab, almost dull life of a railroad worker named Juvenal who has chosen to maintain a sort of minimal contact with the outside world. The pace of the film is excruciatingly slow. There is hardly any scene whose presence is not justified to convey a harsh, unrelenting atmosphere of loneliness. For Brazilian directors Cao Guimaraes and Marcelo Gomes, the inspiration for the film arose from the sense of solitude an individual feels in a large metropolis. For this reason, they have aimed to use two archetypal reactions to a modern, industrial society to reflect on the process of isolation of the individual. This film defies an easy classification but it necessitates some extra efforts from viewers as it has shades of what can be termed as a 'festival film'. The richness of an aesthetic experience is conveyed through Ivo Lopes' cinematography as the film has been shot in the square format. It helps in converting this tale of loneliness into a series of artworks which combine the retro appeal of a Polaroid with the feel of a modern digital display.

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