Watch Target for Killing For Free

If you don't like this, we can't be friends.

The film makes a home in your brain and the only cure is to see it again.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Two great actors which I like very much, Adolfo Celi and Klaus Kinski, are wasted in a mediocre production. With the help of a few other famous names of the movie world, Stewart Granger, Karin Dor, Curd Jürgens. The script is completely stupid and the interpretation of all leaves it desirable for a better chance in another movie. Those who manage to hide the best how disagreeable and ungrateful are their roles, are Kinski and Jürgens. Granger is too bombastic, like in all his movies. Dor is not credible, her acting is forced. And Celi, who has the most unfortunate role, is eaten by a bunch of hungry rats, he does what he can in such a situation. Manfred R. Köhler, the director, has achieved a much better film a year earlier, "Thirteen Days to Die"(1965)Der Fluch des schwarzen Rubin (original title), with another German specialist in villain roles, Horst Frank.

"Target For Killing" undoubtedly has one of the best casts of all 1960's Eurospy movies: Stewart Granger (who was making a habit out of playing veteran secret agents around that period), Klaus Kinski (as a bad guy, of course, but a bad guy with a conscience this time), and no fewer than 4 (!) James Bond connections: Karin Dor ("You Only Live Twice"), Curt Jurgens ("The Spy Who Loved Me"), Adolfo Celi ("Thunderball"), and Molly Peters (also "Thunderball" - remember the nurse at the clinic?) With all those names, you might expect the film to be something special, but it isn't - it's pretty formulaic. That said, it does have a sense of humor, and some interesting touches, like the criminal organization's headquarters being located in a monastery! The most memorable character is not played by any of the names mentioned above - it is Scilla Gabel's playful, stylish and sadomasochistic Tiger; unfortunately, her exit is an inglorious one. ** out of 4.

Stewart Granger is after a generally evil organization run by Curd Jurgens but the real story has to do with Jurgens' efforts to kill Karen Dor and get the money she is soon to inherit.Granger is again an FBI agent and indeed, is even supposedly the same man who thwarted the smuggling racket in "Red Dragon" but he has a different name; James Vine. Luckily, this time the results for viewers are much improved as the groovy credit sequence will attest. Hip graphics and a cool rock song kick things off nicely. Here Granger isn't quite the smarmy character he was in "Red Dragon" but he is still the unlikely beneficiary of a relationship with a pretty young thing, even pledging to marry her in the end!Director Manfred Kohler (From Beirut With Love) has made a vast improvement on Granger's previous spy outing and the talented cast is a real asset to the film's modest successes.

The story is dumb (pilots of airplane bail out while passengers don't even notice), the setting is usually inside a studio, but the number and combination of extraordinary actors is quite unusual. Karin Dor and Stewart Granger make such an intriguing couple that one would just wish they should have been used much more often. The more precious is this rare specimen of their and Curt Juergen's artistry. - A piece of historical interest to the old movies enthusiast.