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Styx
Nelson puts his criminal ways behind him, having spent years as a first-rate safecracker. This resolution lasts until his brother finds himself owing money to organised crime and Nelson needs to do one last big job, with a few other professionals.
Release : | 2001 |
Rating : | 4.7 |
Studio : | Film Afrika Worldwide, Styx Films, Videal GmbH, |
Crew : | Director, Associate Producer, |
Cast : | Peter Weller Bryan Brown Angus Macfadyen Adrienne Pearce Terry Norton |
Genre : | Action Thriller Crime |
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Reviews
Admirable film.
The acting in this movie is really good.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film
Nelson (Peter Weller), Mike (Angus Macfadyen), and Art (Bryan Brown) are part of a crew. They do an armed bank robbery. It doesn't go exactly right and a guard is killed. They are about to kill the incompetent drug-addicted gun hire when he shoots first. They crash and Art is injured. Afterward, Nelson tries to move on with a normal life. Mike gets into trouble over gambling debts and Nelson is pulled back into doing one last job.This starts with a promising action section. It's inferior cinematically and is more fitting for a TV movie. There is still an explosion, a car chase, and some hope. It is soon obvious that it's not good enough. The action looks more like 80's TV. It's a lot of slow motion and bad dying. These are solid actors. I'm left with the conclusion that director Alex Wright and his South African crew are up to the task of making top rate movies.
This movie was a terrible waste of good talent. I have seen Peter Weller and Bryan Brown in much better movies. This is sad that they had to stoop this low just to make some money. Better luck next time guys. I have seen some bad movies in my day, but I must say that if I were a school teacher and were to give this movie a grade, it would probably be a D-. This isn't a B movie it is a D- movie. Sorry this is so cruel but I can't think of a worse waste of time and money than this movie. The plot of the movie was interesting, but very poorly laid out in script. It lacked a lot of organization that is necessary for a movie or a play to be successful. All this movie was, was a lot of murder, mayhem and sex. None of which make it a movie that I would enjoy. My family did not enjoy it either.
I'm watching this movie right now and...wait, hold on...Okay, so I'm not watching the movie anymore. What does that tell you?Somebody should have told the camera guy to STOP MOVING SO MUCH! My sister made better movies when she was eight and decided to tape herself dancing. Good actors acting badly, loose plot, annoying camera work, and sub-par directing. A real hoot.
GUN-SLINGING TEAM ROBBERIES BUT NOTHING NEW. JUST AVERAGE. STYX is a `B' movie. There is nothing wrong with `B' movies. They are meant to entertain. Some are made just for TV or cable. Now, some are made for Direct-to-DVD. Many of our favorite actors make a lot of `B' movies in addition to top films: Peter Weller, Dennis Hopper, and Faye Dunaway are examples. I think the reasonableness of evaluating them too carefully is made by Leonard Maltin who confines himself to BELOW-AVERAGE AVERAGE or ABOVE-AVERAGE.STYX for me rates an AVERAGE. The characters and their skills are established by a bank heist in the opening moments. Well-planned, but poorly executed because one of the robbers has poor character. (I can't give too much detail.)The main portion of the film spans preparation for a second robbery. The gang is larger because more talents are required. More motives for the robbery, too, some of which are elaborated in great detail. The issue of personal character arises again. There is the mandatory assembly of specialists, acquisition of equipment. Missing is a dry run or practice exercise, often part of these stories.Then the big heist. Its degree of success depends on every team member meeting or exceeding their assignment. But don't these groups always have a `spoiler' who fouls things up? Or is it the type of story where the spoiler surprises everyone and outdoes himself?There is nothing new here. Most of what we see isn't scripted, acted, or filmed particularly well. But it's a pleasure to see Bryan Brown (F/X 1986) and Peter Weller (ROBOCOP 1987) in the same film, on the same side. The tensions between them are a notch above the balance of the production.