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Too much of everything

Good concept, poorly executed.

Fresh and Exciting

Clever, believable, and super fun to watch. It totally has replay value.

Dana Andrews was one of those second rank movie stars who was finding roles becoming scarce in the USA and went to Europe for work. He's top billed and the title character in Spy In Your Eye, but the action and possible romance are left to Brett Halsey and Pier Angeli.Halsey is given the assignment to bring out from behind the Iron Curtain Pier Angeli who is the son of a scientist who's been doing all kinds of work before he died in lasers developing that death ray gun the tool of so many futuristic space heroes like Flash Gordon and Rocky Jones. In the meantime Andrews has sacrificed for God and country one of his eyes. But not to worry Dana has had a bionic eye installed which not only makes him see better, but it transmits video when needed. When the Reds start pirating his eye broadcasts things go wildly wrong for our intelligence before they're set right. Lee Majors never had these problems.This is James Bond type stuff on the cheap. The film is also badly edited and you have to read between the lines a lot to figure out what's going on.One thing though a lot of European and Mid Eastern cities were used for location shooting. On travel the budget did not stint.James Bond this is not.

American spies are try to locate and rescue the daughter of a dead nuclear scientist. It's believed she may have some of his secrets. The Russians also want to the woman and are somehow able to thwart the Americans at every turn. But how? How do the Russians know what the Americans are doing? Is there a double agent? Or is it something else?I love Eurospy films from the 60s. So it really pains me to discover a new one that doesn't click for me. Spy in Your Eye includes a lot of the things I look for in a Eurospy film, so it should have worked. The movie features some fantastic European locations, a cool jazzy/loungey spy score, a nice cast (Brett Halsey, Pier Angell, and the incredible Gastone Moschine), a cool secret lair with lots of moving parts, and a fantastical plot device – the bionic eye. However, even though all the ingredients are here, it never really works as well as it should. The reason – I blame the mess of a plot. There are ideas and threads going in all different directions, but none of it ever feels like a coherent story. About half way through, I forgot all about the woman with the nuclear secrets. I couldn't remember what Halsey and Co were trying to do. I just seemed like everyone was doing the most random things. Like the Chinese spy shooting the parade float with the camera-gun. Why? And the ending felt awfully rushed. The movie just ends without much in the way of a resolution. What happened to Dana Andrew's eye? How did Halsey and Angell suddenly end up together? What happened to the rest of the Russian operatives? Where did the Chinese spies go? What happened to the crazy Napoleon statue? There are too many unanswered questions.Another thing that bothered me about Spy in Your Eye was how underutilized the titular eye was. I would have thought the screenplay would have included a more elaborate use of the spy-eye to trick or set a trap for the baddies. The eye is just sort of forgotten about.

Ever wondered what Dana Andrews would look like in a keffiyeh? Never seen kidnapping victims transported in giant size toothpaste tubes? Amused by hunchbacks with retractable knives in their hunches? Got a hankering for animatronic statues of Napoleon that can kill? If you answered yes to any or all of these questions, Spy In Your Eye is the film you've been waiting for all your life. Andrews plays a spy boss with a video camera installed in his left eye socket, but his character is actually peripheral to that of secret agent Brett Halsey, who's assigned to rescue the daughter (Pier Angeli) of an East German scientist. The commies (Soviet and Chinese) are also on her tail, as she possesses a valuable formula discovered by her late, Nobel-prize winning father. The action is plentiful, there's lots of impressive location photography (Berlin, Paris,Beirut), and you get the feeling everything would look a whole lot better if not for the faded, pan and scan TV print that currently provides us with our sole opportunity to watch Spy In Your Eye. Side note about the score: it's credited to Riz Ortolani, but there are some 'futuristic' cues in the early going that I swear must have been composed by Alberto Lavagnino.

Saw film at a double-feature second run house in the '60s. The spy-in-your-eye alternate title refers to an implanted micro television camera in a spy's eye. I can't remember if it was Dana Andrews. There's a tunnel under the Berlin Wall for the west to spy on the east that figures in the plot. Of course, the tunnel is discovered. There's a gimmick character who's hunchback deformity conceals a radio transmitter. Never understood why, if they could get the camera that small, why not the radio? I remember it fondly, but then I was 12 years old. Representative of '60's spy cycle, but at least they referenced real cold war players instead of made-up spy organizations. Don't know if its available.