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Don't Believe the Hype

An Exercise In Nonsense

Pretty good movie overall. First half was nothing special but it got better as it went along.

This film is so real. It treats its characters with so much care and sensitivity.

I read the book (quite a large one I must say) some months ago and so it was still fresh in my memory when I saw this film. Well, this is one of the worse book adaptations I ever seen! From where to start? From the fact that the 3/4 of the book are literally gone? From the flat performances of all the actors with the likely exception of Andie MacDowel? The miscasting of Ria and Rosemary? The change of Ria in America that it looks like it happened in a split second? Not explaining why the house was that important? I understand it is a big book and they should to summarized it, but it was supposed not to lose it's meaning on the way. Well, it certainly did. Ria is a strong woman at the book even before her marriage fell apart. In the film she is portrayed like a weakling, ready to collapse from the first set. She has a smile like a retard on her face and she's like wearing a sign "kick me".Rosemary is supposed to be drop dead gorgeous woman in the book, while in the film she is more like an overdecorated spinster. Danny is supposed to be a man that looks considerably younger than his age, still having boyish looks in his forties. However, the actor looks like he is a 50 year old pretending he is 40 with that ridiculously long hair....Lastly, the meaning of the house of the title, is that Danny was the one that chose it and hanged on to it in the first place and Ria only learned to love it because of Danny's affection to it. That makes his betrayal even bigger, since he made her love the house and he finally was trying to get her out of it.The only reasons I did not grade this film with a 4 or a 3, was the cameo appearance of Ms. Binchy (the book's author) at a scene (at the restaurant's bar, the lady dressed in blue) and the somehow more condensed ending, even if seemed quite rushed.If you really want to feel the magic of Maeve Binchy's book in a film, I would definitely recommend "The Circle of Friends (1995)".

It may have started slow, however the BUILD UP was worth waiting.The PLOT is not two strangers sharing prospective homes in different countries, NO NO, it is how they each cope first with their own grief and sorrows and then how they assist one another. When Marilyn overheard how not only did he cheat on Ria, he also cheated with her best friend.Again over hearing the statement 'Jack Boot' describing Marilyn whom originally horrified by such remark, later utilized same to show who was in charge. When Marilyn met boss' wife and they hatched a plan to salvage RIA's home and smartly done around the dining room table with all characters present, was a STROKE OF GENIUS..Again no jumping in & out of bed with all actors, just plausible story telling. I do not understand the Colm character. Possibly because every time I see Rea I think of the "Crying Game"..To pair him up with Andie MacDowell is ludicrous as she is 'CLASS PERSONIFIED'. I was happy that no involvement became a better story then jumping into bed..

Movie is full of over-acting... Irish actors play absurd people, characters that soap TV series dropped 10 years ago... even Maeve B (author) looked stiff as a board in her first cameo scene... the US characters were better but the story needed a big finish... so what was it that went on around the table in Kenilworth Square???? someone tore up a piece of paper and everybody around the table says "wow!".... it isn't possible to tare up a piece of paper and make everything alright, not in law, not in real life, not in Ireland and not in a fantasy B movie. If it were on the telly, we all would have changed channel. "Circle of Friends" wasn't bad at all so that will have to be Maeve's high point I fear.I didn't leave the cinema so it gets a 2/10.BG

One of Maeve Binchey's most popular novels, complete with a useful American angle, this was an obvious choice for the big screen. However, the story of two women (one Irish, one American) who house-swap makes for a difficult transition in practice. Quite a long novel, it also compresses awkwardly, losing much of its charm and intelligence along the way. The film is not helped by lack-lustre central performances. MacDowell seems out of practice, and Williams (almost invariably seen hitherto in starchy British roles) does not make a convincing Irish housewife. Her emoting seems brittle (even shrill) and she seems uncomfortable with emotion generally. Overall the film looks good and is well filmed, but does not hold the attention except perhaps for die-hard Binchey fans, many of whom will be disappointed at the inevitable over-simplification.